tag:blogger.com,1999:blog-280621092024-03-13T07:34:20.464-07:00Photo Articles BlogA collection of well written <strong>photography articles</strong> from various sources around the web. These specially selected articles by expert authors shed insight into the world of photography. A range of topics from taking better photos, how to break into the business, building your own photography website etc...Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.comBlogger56125tag:blogger.com,1999:blog-28062109.post-28581403040963903812007-12-14T08:55:00.000-08:002007-12-14T09:29:27.210-08:00Ansel Adams; Changing Photography Forever<div class="article_text">by Diana Cooper<br /><br />Ansel Adams, most widely known in the photography world for his immaculate and accurate view of nature, changed the way people looked at photography. Adams described himself in three ways: a photographer, lecturer, and writer. But in actuality, you can combine these three facets and call him a communicator.<p> Born in 1902, Adams photographic vision was born immediately as he spent his childhood growing up in the natural beauty of San Francisco, California. As a shy and lonesome boy, Adams typically took long walks in the still-wild reaches of the Golden Gate observing and enjoying the nature.</p><p> Ansel Adams' true passion for nature photography came from the Yosemite Sierra, where he spent substantial time at from 1916 until his death in 1984. Starting with the Kodak No. 1 Box Brownie that his parents gave him, Adams hiked, climbed, and explored the beauty of nature.</p><p> In 1930 Adams met photographer Paul Strand, whose images had a huge impact on Adams. It was his images that helped move Adams from a pictorial style in the 1920's to straight photography. Adams eventually would become straight photography's most articulate and masterful photographer.</p><p> What characterizes <span style="font-weight: bold;">Ansel Adams</span>' nature photography more than anything was his will to travel all around the country in pursuit of both the natural beauty he photographed and the audiences he required. People began to connect Ansel Adams' work with any topic of nature or the environment itself.</p><p> While Ansel Adams is most known for his breathtaking nature photography, he also produced spectacular black and white photography. Adams made <span style="font-style: italic;">black and white photography</span> what it is today through several pieces of work he created. His black and white images helped induce an emotion of timeliness and freeze a particular moment. While many believe color adds to a picture, Adams showed that a black and white image can say just as much, if not more, than that of a colored image.</p><p> One image that stands out that he created in 1938 was "Half Dome, Merced River, Winter", one of Adams' most beloved photographs of Yosemite Valley. He took the photograph with an 8"x10" view camera from the Old Sentinel Bridge near the Yosemite Chapel. This picture sums up his style perfectly with the gorgeous mountains covered in snow, trees all in front of the mountains also covered in snow, and a river flowing in the middle of the picture.</p><p> There are few photographers that have been able to leave a lasting image on people like Ansel Adams. His love and desire for nature enable him to take breathtaking nature photographs. And his black and white photography has made it what it is today.</p><p>Nature and wildlife photography: <a href="http://www.dianasphotography.com/">http://www.dianasphotography.com</a> and <a href="http://www.cafepress.com/dianasphotos">http://www.cafepress.com/dianasphotos</a></p></div>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-76732816056720282302007-07-15T16:03:00.000-07:002007-12-14T09:34:48.183-08:00Photographing Lightning<table align="center" border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td><p><span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;" ><p> Lightning can be both a beautiful and yet frightening part of nature. Many of us find awe in watching the momentary bolts of lightning and have seen photographs which seem to have captured more bolts of lightning than are possible in a split second. </p><p> When <span style="font-weight: bold;">photographing lightning</span>, as with any unpredictable subject, the ability to capture that one fleeting moment is something we do not have the luxury of doing. Yet, what we can capture is quite impressive when we use the proper techniques. With lightning, the key is to let it do its show for us, and not to attempt to capture a momentary bolt. Here are some helpful lightning photography tips.<br /></p><p> As lightning is a split second event, and often lightning bolts come in groups, we can use the lightning for our source of light. We do this by using a slow speed film (a low ISO on digital cameras), a small aperture, and a long exposure time at a point when the lightning's activity has increased. This exposure can be from 1 second to many seconds depending on the amount of lightning activity, and if we are taking the shot during the day or night. Even if we are taking the exposure during the day, often lighting conditions are very reduced during a storm; by as much as 7 stops or more from sunny conditions. </p><p> The idea is for us to pick our spot from which we are going to shoot during the storm; such as a cityscape, farm, church, or any other area we feel would make a good background (or subject) for the lightning. We can select areas from which we would like to shoot during a non-storm period and go to those locations when a storm is brewing. </p><p> If we are to set up the camera in an outside location, we need a sturdy tripod with some additional weight to hold it down during potentially high winds, and some waterproof cover for the camera. The use of a cable release is a must, for the sake of safety, and the best type to use is an air-bulb release as it does not use metal in the tube; not giving a source of continuity back to us in case the camera is struck by lightning. We need to set the camera to the bulb (B) setting for shutter speed, and probably an f/16 with the lens set to infinity, or a pre-determined hyperfocal distance. We then need to get to our safe place from where we are to trip the shutter. </p><p> An alternative to setting up the camera in an outdoor location is to use a windowpod we can attach to our car windows and attach the camera to it. The window should be rolled up as much as possible and the camera still needs to have a cover for protection. For those of us lucky enough to have a good view from our home, we can position the camera at a window, either opening the window or pushing the lens up against the window glass, making certain that any interior lights for the room we are using are turned off. </p><p> Taking pictures is a matter of holding the shutter open for a few seconds so we can capture one or more bolts of lightning. For the best results, we need to do this several times as we cannot pre-measure the exposure value of the lightning. We should plan to kill of a full roll of film (here, digital cameras have an advantage) doing this for different exposure times and various lightning effects. The end result will be several successful exposures with some really neat lightning effects. </p><p> A lesson on <span style="font-style: italic;">taking pictures of lightning</span> cannot be closed without mentioning the potential danger in doing such. Lightning is electricity with an equivalency of thousands of volts of potential delivering enough joules to make the electric company salivate. Capital punishment by electrocution uses less power than what a lightning bolt can potentially deliver. </p><p> Safety during a lightning storm involves keeping yourself in a protected place such as a shelter where you are not exposed to an opening or a vehicle which is well protected from lightning due to it not being grounded, as lightning is attracted to portions of the earth which have an imbalance in their electrical state. Being separated from the ground breaks the continuity and prevents you from becoming an attractor for the lightning. </p><p> If you find yourself outside during a lightning storm and you feel the hair on the back of your neck and limbs stand up, quickly get away from the area as this is a precursor of a lightning strike. Wearing protective clothing such as a rubber raincoat and boots with rubber galoshes over them can add protection, but it is not a cure. Staying away from trees during a lightning storm is advised, not due to making you a better target (as it does not), but if the tree is hit and the ground is moist enough, you can still be struck due to continuity of the electrical charge or the splitting of the bolt; not to mention having a tree fall on you. </p><p> The effects on someone from being struck by lightning can range from the loss of fingernails and toenails, loss of hearing, severe burns, loss of sight, loss of all body hair, organ and tissue damage, organ failure, brain damage, fusion of skin, to outright death which is not uncommon from lightning strikes. </p><p> I hope my warnings about the dangers of lightning have not fallen on deaf ears. Taking photos of lightning can be quite a rewarding experience. Being alive to share those photos can be an even more rewarding experience. You do not want to end up being the butt of the old photographer joke where their last picture was a beauty. </p><p> Bob</p><p> </p> This article is copyrighted 2005 by Robert Meeks. All rights reserved. Webmasters are allowed to use this article on their site so long as the content and copyright information stays intact and a link is provided, on the same page as the article, to <a href="http://zhorkow.com/">Zhorkow's CargoShip</a>. </span></p></td> </tr> <tr> <td height="20"><span style="font-size:100%;"><br /></span></td> </tr> <tr> <td><span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;" ><strong>About the Author</strong> </span></td> </tr> <tr> <td height="10"><span style="font-size:100%;"><br /></span></td> </tr> <tr> <td><span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;" > I have been involved with portrait and wedding photography professionally since the early 90s and been into photography since 1980. I presently write articles on photography and entertainment subjects as well do web design. </span></td> </tr> <tr> <td colspan="2" height="10"> <br /></td></tr></tbody></table>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-53275704778919316612007-06-22T12:02:00.000-07:002007-12-14T09:38:06.295-08:00Making Money With Digital Photography And Live EventsBy <a href="http://ezinearticles.com/?expert=Richard_Meredith">Richard Meredith</a><p></p><p>A few years ago I became interested in digital photography, mainly for web publishing and personal reasons. You know, how nice is it now to NOT have to deal with film, scanning pictures, and the costs of developing all of those "not great" photos that you didn't know were so bad until you paid to have them developed!</p><p>So, at the time I got my first digital camera a friend of mine was playing in a rock band, and needed pictures for their web pages and promotional printings and ads. When I first began to do their photography, I had NO IDEA what it all would lead to... and now I will reveal to you some of the MANY ways to make money, part-time, with your love for photography!</p><p>Now, at the clubs my friend's band played in- a lot of the time they would be in a line-up of 3 bands for the evening, of which I shot live pictures of my friend's band's performance. Then I got another idea, I'm there already, usually to finish the night with the band, so I started to take pictures of the other bands. Afterwards, as they were breaking down their equipment, I introduced myself as the other bands photographer, and explained that I liked their music and look- and also took pictures of them also.</p><p>I got the names of the band members, jotted down notes about which instruments each one played, and then got a mailing address to reach them. I told them that I was going to print up some proof sheets and send them off to them... all were very agreeable and willing (and why not, it doesn't cost them a thing).</p><p>Then I printed the proof sheet(s), and selected three of what I thought were the best- of which I made a little bigger on a separate sheet and used Photoshop to refine and enhance the images<br />prior to printing (all on my little ink-jet printer).</p><p>I composed a form letter that I could customize for each mailing explaining details like:</p><p>- The first proof sheet was all of the raw digital images</p><p>- The second one with the larger images was digitally self enhanced</p><p>- I would professionally print any pictures they wanted for XXX cost (considering mailing costs, printing costs at a local printing shop, labor for digital enhancement, and healthy profit margin)</p><p>- For any order I would give them a CD with ALL of the photos in digital form for them to use any way they wanted</p><p>- Add my contact information</p><p>- And finally my availability to book shootings with them in the future</p><p>Now I could personalize this form letter and send it with the proof sheets to the band, and when I would call them about a 8 days after I made the mailing to ask them if they received the proof sheets and which ones they liked (and I liked)- and I simply asked for an order.</p><p>It was amazing how well this worked, and I expanded the idea.</p><p>I would go to fund-raising events, marathons, special events hosted by radio station<br />personalities... always getting the contact information for reaching whoever is in charge of promotions and following the same system!</p><p>As you go along, you realize some other benefits to you new "business"- like free admissions (and no club cover charges), press passes, exciting opportunities to meet<br />interesting people and celebrities, discount drinks, and much more! It's amazing what people will GIVE you, if you just ask!</p><p>Then there are the home-business tax deductions that are eye-opening in themselves!</p><p>As soon as you can, upgrade to more professional equipment so you can not only "play" the part, but also "look" the part. Print up business cards, and make up your own portfolio of your "best" digitally enhanced photos of all kinds of subjects and previous shootings.</p><p>Seriously, this could turn your love for digital photography into an exciting lifestyle and an income that could surpass your present one!</p><p>But then again, I know I have only just scratched the surface with professional digital photography, and I'm sure you now have just entered a "think-tank" that will spur many more ideas for you to make digital photography more than just a love. Make it a great life!</p><p>Richard Meredith is the Author of<br />"The BLACK BOOK of Online Business"- An amazing FREE SOURCE ebook for the online business person!</p><p><a target="_new" href="http://www.straight-talkmarketing.com/">http://www.straight-talkmarketing.com</a></p><p>Feel free to distribute or publish this article conditional only by including the by-line intact.</p><p>Article Source: <a href="http://ezinearticles.com/?expert=Richard_Meredith" target="_new">http://EzineArticles.com/?expert=Richard_Meredith</a><br /></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-2947009385015463972007-06-15T17:37:00.000-07:002007-06-16T16:23:17.935-07:00Great Wedding PhotographyBy <a href="http://ezinearticles.com/?expert=Beth_Campbell">Beth Campbell</a><p></p><span style="font-weight: bold;">Some feel that taking wedding photos is only a casual affair</span>, just do it and get it over with as they are only doing it for a family or friend. Others view it as a serious matter as it is their professional. Wedding photos can sometimes be difficult to take as there is a flurry of activity as well as varying lighting conditions, not to mention dealing with a nervous bride that wants everything to be perfect. Here are some strategies you can use for taking great wedding photos.<p><span style="font-weight: bold;">If you are going to take wedding photos, preparing ahead of time is vital</span>. Many recommend that you prepare two months ahead. To start preparation, you must get to know the bride and groom taking, careful note of their needs and wants. Ways this can be done is by asking them the following questions:</p><p>1. How many photographers will there be at the wedding.</p><p>2. Do the guests consist of mostly family or, is there going to be a mixture of family and friends?</p><p>3. Which locations will be used? Will the wedding be at a church or in a backyard? Will there be a reception?</p><p>4. What types of photos would you like? Would you like formal group portraits or do you want romantic and candid couple pictures? This is an extremely important question. Be sure that you understand what type of photos the bride and groom want. Ask them to describe some of the favorite wedding photos they have seen. This will give you an idea of what they have in mind.</p><p>It is questions such as these that will help you understand the requirements of the wedding which will, in turn, enable you to take better shots.</p><p>After you have learned of the wedding locations, it is a good idea to go and scout them out. You will want to take note of the types of lighting as well as other features of the environment. If the wedding is going to be in a church, go there and check out the decor. It will also be beneficial to figure out where you will position yourself. Some churches do not allow flash photography so, it is a good idea to get a fast lens. If there will be a reception, check out the dance floor and ask for the seating arrangement.</p><p>Organizing the gear that you’ll need for taking the photos is another critical step. It is usually a good idea to do this a month ahead of time as it will leave you enough time to check and double check to see if you are missing any equipment. Here is a list that may help you keep in check;</p><p>1. Digital camera. You should also have a camera for backup.</p><p>2. Camera lenses and filters.<br />3. Tripod. This is critical for taking pictures indoors under low lighting conditions.</p><p>4. Memory cards. Bring ones that have a lot of space as you’ll be taking a great number of photos and always have an extra.</p><p>5. Portable drive. This is critical to bring along just in case you should run out of space on your memory cards.</p><p>6. Make sure the battery is charged and that you have a backup battery.</p><p>7. Assistant. It would be helpful to bring one along as he or she could help you set up and position the group. The assistant can be a family, friend, or whoever you decide to bring along.</p><p>Now, the wedding day has come, and there is a great deal of excitement. To help you keep in check, here is a sequence of events that will occur;</p><p>1. If you are taking pictures at the house, be one of the earliest to arrive so you will have time to set up your equipment as well as your positions.</p><p>2. When taking pictures at the church, take note of where the priest and couple will be standing and position yourself where you can get the shots you need but will be as unobtrusive as possible.</p><p>3. When it is time for the reception, get there faster than everyone else. This will give you time to set up your equipment as well as your position. This is the time where you can take all of the fun shots!</p><p>4. When taking formal photos, have your assistant there to help you. Start out with the large groups and then go smaller removing family members so you can get a variety.</p><p>5. It is common now to upload all the photos to an online gallery so that the couple can choose which and how many photos they wish to have edited and printed. You will need to know this information so that you know how much to charge them for the number of photos they have chosen unless an agreement was reached before hand. Even if an agreement was reached before hand, once they see the photos, they may want more than was originally agreed upon and you may have to charge a per photo price for photos in addition to the number that was originally agreed upon.</p><p>6. Once the couple chooses the photos they want, cleaning up and editing the photos is important as you want them to be as perfect as possible and be pleasing to the couple.</p><p>As taking wedding photos can be a challenge, it can also be rewarding as you have played a crucial part in helping the couple capture those precious memories.</p><p>To learn more about digital photography, visit <a target="_new" href="http://www.digitalphotographybasics.net/">mastering digital SLR photography</a>. Want to improve your photography techniques? See <a target="_new" href="http://www.digitalphotographybasics.net/digitalphotographytechnique.html">digital photography technique</a>. Find out more about how to take great wedding photos at <a target="_new" href="http://www.digitalphotographybasics.net/digitalweddingphotography.html">digital wedding photography</a></p><p>Article Source: <a href="http://ezinearticles.com/?expert=Beth_Campbell" target="_new">http://EzineArticles.com/?expert=Beth_Campbell</a></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-40244898858972936962007-06-15T17:27:00.000-07:002007-06-16T16:17:49.966-07:00Photography Tip- Stock Photography - How To Counter Image ThieveryBy <a href="http://ezinearticles.com/?expert=Eric_Imboden">Eric Imboden</a><p></p>Most photographers who come to me raise this issue at the beginning: "How can I make sure no one will steal my photographs?". There is no way to be a 100% sure that your images won't be stolen but there are a few things you can do.<p>On the technical side, some photographers point out that if the right-click "Save image as..." option is disabled, their images are safe. No, there are not. First, on the Mac and on Linux, this doesn't work. Second, on Windows, if you turn off Javascript, this right-click option will work. Third, any image on displayed on your web browser (FireFox, Internet Explorer) can be saved if you look at the source of the page: it doesn't take a Computer Science degree to do that.<br />Also, some software vendors try to sell you plugins that should solve this problem. Usually these "solutions" are quite expensive and truth is that even those most complicated software that require server-side and client-side implementations cannot prevent a screen capture. It's as simple as that. Not matter how much money/time you spend, there is no technical solution.</p><p>If reading this statement makes you anxious, please consider this: How customer-friendly do you want to be? The more protective you are of your work, the harder for your clients it will be to see it. If they have to install a plugin to see your work, they might as well go next door. Besides, I personally dislike to be treated as a thief or a threat when I go shopping: that's bad security because it scares your customers away. In other words, don't "punish" 99% of your clients because 1% of them are thieves. If you don't trust people, don't get into any business at all.</p><p>So, what can you do? First thing, be careful to what you display and where you display it. It's never a good idea to make your high-resolution photographs available for download on photo-sharing websites like Flickr. Icelandic photographer Rebekka Guoleifsdottir had a bad experience about this: her work was supposedly taken from Flick, printed and sold by some third party. This is every photographers' nightmare. Of course, you can call your lawyer but it's going to cost a lot and, in this case, the supposedly thief was located in another country making things much more difficult.<br />First quick fix: if you are using these services, make sure you do not upload photos larger than 500 pixels (largest side). Even if someone would take the 500 pixel wide image, he would not be able to sell it: it's too small. Using Photoshop to make it bigger would only result in a pixelated image.<br />Second quick fix: apply a watermark. Don't be too aggressive with the watermark because it's visually annoying. If your image is no wider than 500 pixel, there's no point in putting it in the centre: your image is already small enough and remember, you do not want to scare your customers away. On your watermark, you should display the copyright symbol, your name, and optionally a web address where to find your work.</p><p>To sum up, there's no ultimate solution about image thievery but you can take some proactive step to fight protect yourself against this. However, scaring away your customers won't do any good. In fact, don't forget that the web works differently than the "offline" world: your competitor is just a few clicks away and if someone steals one of your low-resolution image and put it on a personal website, ask him/her to delete your work or give you credit for it: they usually comply. After all, it's not a physical good: no money was lost.</p><br /><p>Eric Imboden is passionate about stock photography. He can be seen at <a target="_new" href="http://www.kumaru.com/">http://www.kumaru.com/</a> where he helps photographers promote their photos and sell them commission-free. He always welcomes new ideas or comments about his website or articles. Email him at: <a href="mailto:info@kumaru.com">info@kumaru.com</a></p><p>Article Source: <a href="http://ezinearticles.com/?expert=Eric_Imboden" target="_new">http://EzineArticles.com/?expert=Eric_Imboden</a></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-69553967948437552462007-06-13T12:19:00.000-07:002007-06-16T16:19:23.369-07:00Photography Tip- Let's Do The Twist<p><strong>I'd like to share my model slenderizing photography tip </strong>with you, so that you can use it to help slim your subjects and trim their waists. The better your subjects look, the more they will appreciate your photos.</p><p><strong>I was recently on a photo shoot with a couple at the lake.</strong> During the meet and greet before the shoot, the female subject said to me, "make me look thin and I'll buy a ton of photos", I told her "not-to-worry, I've got a magic lens!" Why was I so confident? I've got some tricks up my sleeve. I work on commission, so my life depends upon making her look good. I knew exactly what I was going do.</p><p><strong>My first photographic pose was a standing shot of the couple. </strong>I used a technique I call, The Twist! To make the models appear thinner in the standing full length photograph. Here's how I did it:</p><p><strong>I posed the subjects for a full length</strong> (head to toe) standing image, with the models standing together next to each other and facing me. Both models kept their feet together and parallel. The subjects turned their feet towards each other, not completely facing each other but definitely turned towards each other. They turned to the same degree so the couple was evenly balanced.</p><p><strong>I had the models do The TWIST</strong> in which they rotate the upper body to the outside while keeping the lower body turned towards each other. In other words, they kept their feet planted and facing in towards each other. Then I had them twist at the waist and brought the subjects-chests around so they were pointing at me. <em>Photography Tip: Men and women alike generally look better when the chest is facing the camera rather than a shoulder.</em></p><p><strong>It was amazing at what The Twist did.</strong> It made the hips appear narrower and the tummy look tighter! It also brought attention to the chest so that the viewers eye is drawn away from the mid section. This technique also produced neat, tidy and balanced subjects.</p><p><strong> I adjusted a few more subtle details</strong> from this basic position to change the look and feel of the pose. I had the models move their outside feet straight ahead, say two inches. Then I had the models turn the toe on the outside foot out slightly. and lastly I had the female subject place the outside foot on it's toe and turn the heel in and then bend the knee in for a zesty twist.</p><p><strong>A couple more more last minute adjustments</strong> like straightening posture, sucking in the belly, and some silly antics to spark genuine smiles up on the couple and I had the shots I was after. From each variation of the pose, I quickly shot several vertical full length and horizontal full length portraits.</p><p><strong>I then zoomed in for some waist-up shots</strong> and even more for chest/head close-up portraits of the couple. <em>Photography Tip: If you have a client that is self-conscious about their bodily appearance, shoot extra head shots.</em></p><p><strong>Experiment with these photography tips </strong>and add your own variations of The Twist. Implementing these and other posing techniques can eliminate potential objections on the sales floor in the studio. Take control of the portrait from the start, It's your job! Your clients will appreciate your attention to detail.</p><p>Brandon is a professional digital photographer from Lake Tahoe, California. Brandon specializes in on-mountain action and portrait photography during the winter months, photographing skiers and snowboarders on the slopes. Brandon also has a <a href="http://www.digitalphotographywebsite.com/homepage.html" target="_blank">digital photography</a> website which is full of excellent tips and techniques.</p><p>Photography tips are great, but if your really serious about having fun as a professional photographer, it begins with a photography education. Compare online and campus based <a href="http://www.digitalphotographywebsite.com/photographyschools.html" target="_blank">photography schools</a> for the program that best fits your field of study.</p><p><a href="http://ezinearticles.com/?expert=Brandon_Baumgarten" target="_new">Photography Tips</a><br /><a href="http://ezinearticles.com/?Photography-Tip---Lets-Do-The-Twist&id=593486" target="_new">Photography Tip</a></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-84085385278335094892007-06-10T23:18:00.000-07:002007-06-16T14:05:51.997-07:00Photography School- Choose The Right SchoolThanks to the revolution in digital photography, the industry is growing quickly, photographers are more in demand than ever before and some very specialized fields of study are facing shortages, while other fields are extremely competitive. The key is to choose the right specialty and then a photography school to prepare you for your field of study...<p>By <a href="http://ezinearticles.com/?expert=Brandon_Baumgarten">Brandon Baumgarten</a></p><p><strong> Why go to school for photography</strong> can't you just freelance? Well, you could. But a degree from photography school opens up opportunities that would be out of reach without a formal education.</p><p><strong>You have the opportunity to learn the occupational skills</strong> necessary to become a professional photographer. You'll also make contacts that help your career as a professional photographer. In fact many photography schools have placement programs to assist graduates connect with employers after they graduate. Plus, photographers attending college, can enhance their future resume by completing an internship with a major newspaper or magazine during the summer months.</p><p><strong>There are many things to consider</strong> prior to selecting the school you will attend.</p><p></p><ul><li><strong>Choose a field of study-</strong> Thoroughly research each field of study, to get a feel for which one is best for you. By narrowing down your field of photographic study, to the job profiles you are most interested in pursuing when you graduate. You can concentrate on learning the occupational competencies for your specialty.<br /></li><li><strong>What is the demand for your field of study?</strong> In some specialized fields of photography photographers are really in demand. For example medical and scientific photographers with a chemistry degree or degree in medicine are highly sought after right now. Other fields like media photographer jobs are much more competitive.<p></p><p></p></li><li><strong>School Location- </strong>The location of the photography school is an important factor. If the schools are not nearby, consider the cost of living in the area. Search CraigsList to get an idea of rent cost, job availability etc. If moving to another location is not feasible, community colleges and online classes are a popular option. </li><li><strong>Tuition Cost-</strong> The cost of tuition while attending photography school can play a major role in your ultimate decision. Research scholarships and financial aid that may be available. Keep in mind that a good education isn't expensive, it's invaluable.<p></p><p></p></li><li><strong>Read school reviews-</strong> When choosing the right school from your top picks, do some research for objective reviews of the institution and it's staff.</li></ul> <strong>Request information</strong> from each photography school you are considering attending and maybe even a few more just for reference purposes. Most schools will send you a free no-obligation information package. Compare programs for the schools that match your goals and narrow the list down to two or three that provide the curriculum required for your field of study.<p></p><p><strong>Narrow your choice of photography schools</strong> down to two or three that match your field of study. Now go check them out! There is no substitute for visiting the school in person. You can meet with the faculty, inspect the facility and get a feel for the local community.</p><p>Find out more about choosing a field of study and compare online and campus based <a href="http://www.digitalphotographywebsite.com/photographyschools.html" target="_blank">photography schools</a> for the program that best fits your field of study.</p><p>Brandon is a professional digital photographer from Lake Tahoe, California. Brandon specializes in on-mountain action and portrait sports photography during the winter months, photographing skiers and snowboarders on the slopes. Brandon also has a <a href="http://www.digitalphotographywebsite.com/homepage.html" target="_blank">digital photography</a> website which is full of excellent tips and techniques.</p><p>Article Source: <a href="http://ezinearticles.com/?expert=Brandon_Baumgarten" target="_new">http://EzineArticles.com/?expert=Brandon_Baumgarten</a><br /><a href="http://ezinearticles.com/?Photography-School--Choose-The-Right-School&id=586754" target="_new">Photography Tips</a></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-66125509920526414762007-06-10T23:08:00.000-07:002007-06-16T14:07:52.476-07:00Photography School - Choose The Right Field Of StudyHere's a photography tip to help professional photographers get more out of each group they shoot! This very simple technique can help you sell more pictures and substantially increase your income.<br />By <a href="http://ezinearticles.com/?expert=Brandon_Baumgarten">Brandon Baumgarten</a><p></p><p><strong>Photographers may specialize</strong> in one field of photography or they may generalize in a combination of two or more types of photography. Prior to selecting the photography school you are going to attend. Narrow down the specific fields of photography you are most interested in. The differences between photographer specialties are in the subject matter, work conditions and in the type of equipment used and required for design and composition of the photograph.</p><p><strong> Photographer fields of study for you to consider:</strong></p><p><strong>Wedding and Portrait Photographers </strong>pose their subjects and carefully set up lighting and use flash units to enhance the images.</p><p></p><ul><li><strong>Fine arts photographers</strong> sell their images as fine artwork. In addition to technical proficiency, fine arts photographers need artistic talent and creativity.</li><li><strong>Commercial Photographers</strong> shoot scenic photography for advertising, stock image and print sales. They also photograph products like food and merchandise or buildings and architecture.</li><li><strong>News Photographers</strong> typically work on location at news-worthy events. They take pictures that enhance stories used by the news media.</li><li><strong>Industrial Photographers</strong> shoot photos of machinery, employees working, equipment, products, and company officials. The images are typically done on location and used for the analysis of engineering projects, publicity, or company records. </li><li><strong>Medical Photographers </strong>specialize in more technical forms of photography, such as Ophthalmic, Surgical or Pathological photography.</li><li><strong>Freelance Photographers </strong>line up their own work and projects. Then they sell their photography directly to clients. They must be highly motivated to become successful. </li></ul><strong>Which field should you pursue?</strong> Ask yourself, why do I want to be a professional photographer, for the love or the money? Most of us do it for the love of photography. If you do it for the love of photography, consider combining your passion for photography with other interests like chemistry, medicine, news, special events etc. <strong>Important things to consider </strong>when choosing a specialized area of photography:<p></p><p></p><ul><li> <strong>Working Conditions-</strong> If you want to work indoors in an air conditioned office or outdoors in the elements and on the move.<strong></strong></li><li><strong>Salary Range- </strong>The compensation you can expect from each field of photography varies greatly. Research pay ranges before you select your field of study.<strong></strong></li><li><strong>Educational Requirements- </strong>In some fields of photography like portrait and fine art, talent and experience are enough for motivated individuals. However additional education in areas such as engineering, medicine, biology, or chemistry are required for other fields. </li><li><strong>Advancement Opportunities</strong>- Opportunities for advancement at a small photography studio are limited. Photographers in other industries such as media, medical and scientific photography can find room for moving up. </li></ul><strong>Careers in traditional photography</strong> like the media positions are highly competitive, since salaried jobs are extremely desirable. Some of the less crowded fields in the photography profession are the aerial, industrial and scientific fields of photography. In addition to photography skills, these jobs require college degrees and specialized technical training. When you carefully consider all of the factors, I'm confident you will choose the right career path.<p></p><p>Find out more about choosing a field of study and compare online and campus based <a href="http://www.digitalphotographywebsite.com/photographyschools.html" target="_blank">photography schools</a> for the program that best fits your field of study.</p><p>Brandon is a professional digital photographer from Lake Tahoe, California. Brandon specializes in on-mountain action and portrait sports photography during the winter months, photographing skiers and snowboarders on the slopes. Brandon also has a <a href="http://www.digitalphotographywebsite.com/homepage.html" target="_blank">digital photography</a> website which is full of excellent tips and techniques.</p><p><a href="http://ezinearticles.com/?expert=Brandon_Baumgarten" target="_new">http://EzineArticles.com/?expert=Brandon_Baumgarten</a><br /><a href="http://ezinearticles.com/?Photography-School---Choose-The-Right-Field-Of-Study&id=593195" target="_new">Photography Articles</a></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-44302175566364190012007-06-10T22:52:00.000-07:002007-06-16T14:15:35.667-07:00Photography Tip- Total BreakdownHere's a photography tip to help professional photographers get more out of each group they shoot! This very simple technique can help you sell more pictures and substantially increase your income.<p>By <a href="http://ezinearticles.com/?expert=Brandon_Baumgarten">Brandon Baumgarten</a></p><p><strong> Recently, I had an appointment for a photography shoot with a wonderful family</strong>. We made plans to meet at the lake for their yearly family photo shoot. As usual I got there well before the family was scheduled to arrive so I could set up the equipment and be ready to go.<strong> The family of five and one pair of grandparents pulled up in a black Hummer</strong>. I introduced myself and as we were walking to the lake, Mrs Weber said to me I love pictures, my husband let's me buy whatever I want. Do you sell photo gifts? I got a little spring in my step and answered, <em>"yes we have a variety of cool things like photo mugs and puzzles you can see our full selection when you order</em>." Then she said she wanted a close-up portrait with Lake Tahoe behind her for her blog. I said, <em>"just go with the flow!"</em> Now I'm thinking to myself, it's time for a Total Breakdown!</p><p></p><ul><li> <strong>I started with a photo shoot of the entire group of seven</strong>. We did a few different poses and I shot a ton of photos. Then, I broke it down!</li><li><strong>I had the grandparents step out of the picture</strong> and photographed just the family of five. We had fun shooting poses for the family portrait and did some creative and traditional portrait photos. Then I broke it down again! </li><li><strong>I had Mr and Mrs Weber step over with the grandparents out of the picture</strong>, who by the way were throughly enjoying the entertainment, but the best was yet to come, the kids were next! They were great fun, so I got wild and crazy shots with them. We did a ton of cool shots. What now? Break it down!</li><li><strong>I shoot three or four quick shots of each kid</strong>. I'll do a standing full length pose. Some mid and close-up shots and something unique and different for each kid. Another breakdown? You bet! I'll keep going till they beg me to stop! Why do you think I sell so many pictures?<p></p><p></p></li><li><strong>I had grandma and grandpa step-back into the beautiful outdoor studio</strong> overlooking the lake. I shot a wonderful photo of the lovely couple, then breaking it down again, I photographed grandma and grandpa separately.</li><li><strong>Next, I had Mrs Weber join her mom and dad</strong> (grandma and grandpa) for a photo of her together with her parents. </li><li><strong>Now your thinking what else can you do with this?</strong> I had grandma and grandpa exit-stage-left and photographed mom by herself, remember she wanted a head-shot with the lake in it for her blog bio photo? </li><li><strong>Wow!!! We still don't have a shot of mom and dad together!</strong> So I have dad come over and join mom. The couple is easy to work with because now they are in sync with my flow. We capture some gorgeous pictures of them. </li><li><strong>I wrap up the shoot</strong> with some handsome photos of dad by himself.</li></ul><strong> I could have kept going all day</strong>, but the kids are climbing trees in their nice clothes and mom... So I call it a wrap! The key to The Total Breakdown Method is transitioning from one combination of subjects to another quickly and smoothly without interruption. With an attitude of professional confidence go from one pose to the next.<strong></strong><p></p><p><strong>The Don't ask! Do Tell Policy</strong> states that you never ask a client if they want a break down! If you display skill and confidence, clients will allow you to do your job and take control. For instance <em>"Mom-n-Dad, please step to the side, I'm going to get some pictures of the kids"</em>. And that's what happens. If I had asked Mrs Weber <em>"would you like to get a photo of the kids"</em> she may have said no, after that, I'm in the situation of getting every photo approved and I don't want Mrs Weber to decide on whether or not to get an image, until we are looking at them on the monitor on the sales floor or at our <a href="http://www.digitalphotographywebsite.com/prophotogalleries.html" target="_blank">online photo sharing</a> pro gallery!</p><p><strong>If you use this photography technique with every group</strong>, you should see an increase in image sales. If you haven't been doing any breakdowns, the increase in photography sales could be substantial. By the way, Mr Weber slipped me a very generous, "thank you" after the family photo shoot and said I did a great job! In addition they spent well over $1000 on photos.</p><p><strong></strong></p><p>Brandon is a professional digital photographer from Lake Tahoe, California. Brandon specializes in on-mountain action and portrait photography during the winter months, photographing skiers and snowboarders on the slopes. Brandon also has a <a href="http://www.digitalphotographywebsite.com/homepage.html" target="_blank">digital photography</a> website which is full of excellent techniques, products and services. Including tips to help you create your own impressive online gallery, with flashy <a href="http://www.digitalphotographywebsite.com/photogallerytemplates.html" target="_blank">photography templates</a> that are designed for serious photographers.</p><p>Article Source: <a href="http://ezinearticles.com/?expert=Brandon_Baumgarten" target="_new">Photography Tips</a></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1157129251525481462006-09-01T09:44:00.000-07:002007-06-16T16:21:45.532-07:00Photography Tip- Start Today to Sell Your PhotosBy <a href="http://ezinearticles.com/?expert=Rohn_Engh">Rohn Engh</a><p></p>"I have a great product, and I know exactly where it can be sold at this moment. But the only thing standing between me and seeing my product in national circulation is procrastination." Have you heard this before?<br /><p>By applying the same management techniques that are used by successful businesses, you can move your stock photography operation forward. Here are some self-management principles for the small business entrepreneur:<br /></p>GET IT DONE. It's easy to slip into the habit of narcoticizing yourself with the evening news or a sitcom. Change your habits. Buy a $4.95 quartz alarm to beep the same time every evening to remind you and others in your household that it's "Marketing Time" -- in others words, time to devote some specific time to getting your business off the ground.,br>DO ONE THING WELL. Creative people often do themselves in because they are talented in many areas -- music, writing, painting, crafts, and so on. Choose one, and begin today to develop just one area of your creativity.<br /><p>ASK AROUND. Don't reinvent the wheel. There's a goldmine waiting for you in the neighbor or friend or acquaintance who's already been there. He knows the pitfalls, barriers, and obstacles, especially if he's failed. Everyone loves to be an expert. Weigh their opinions against others’, and then come to a consensus. If you don't want to consult a local competitor, phone someone in another like-sized city who is traveling the same highway.<br /><br />ELIMINATE THE LOSERS. Take time to analyze what's working for your business and what's not. Parts of your business are moneymakers, others are not. Don't let sentiment or the tired phrase, "We've always done it this way," drag you down.<br />LOOK LIKE A PRO. Too many entrepreneurs feel that because their product is good, it should sell. Not so. A "better mousetrap" will not insure your product's success. Employ packaging techniques. You don't get a second chance at a first impression. If you want first class sales to your clients, give them first class treatment. Build a quality website. Invest in deluxe stationery, labels, and product packaging.<br />DO YOUR HOMEWORK. Jumping in with two feet and enthusiasm is fun and romantic, but unless you've checked to see if water is in the pool, you're in for some disappointments. If your enthusiasm is still high after you've done your research, you've got a winner.<br /><br />UNDERSTAND MARKETING. Your product will sell if you position yourself effectively. Super umbrellas won't sell on a sunny day, but even poor ones will sell easily in the rain. Your success today will reflect not only your product's worth to a customer, but your ability to find that customer's need and fill it.<br /><br />SPECIALIZE. In the last century, the keyword was 'versatile'. In this century, the markets are too fragmented to be able to be all things to all markets. Choose your corner of the market and develop it. Become an important resource only to certain consumers.<br /><br />BE BUDGET MINDED. You'll see your product in national circulation if you have the cash flow available to pay the production, phone, office, and other bills. Don't fall into the Madison Avenue trap of buying a new car, new clothes, new office equipment, over the counter drugs, high-calorie 'goodies', and other creature comforts that are supposed to make your life fulfilling. If you donate your cash to these dollar-gobblers, you have no cause to say, "The cost of getting into business on my own is too high."<br /><br />FAIL BUT DON'T QUIT. Are you afraid you are not going to make it? Fear of failing is one of the greatest deterrents to beginning entrepreneurs. That's why not too many succeed; they never get up after they've been knocked down. Most successful people in any field have failed many times. The difference between you and them is that they never quit.<br /><br />UNDERSTAND BRANDING. Develop a “style” about your stock photo business – and stick to it. That includes your actual photos right down to your stationery. Develop a logo and a simple “catch-phrase” you can use in your promotions and advertising.*<br /><br />PLAY NOT WORK. There's a saying, "The luckiest people sweat the most." Yes, it's going to require long hours. But don't translate that to mean work. If you love what you're doing, it's all play. Choose your area of stock photography interest first by asking yourself, "What area do I love most?" Then do your research and find out if there's a market for that area. If there is, it'll be all play.<br /><br />START TODAY. Most people spend their time preparing, rather than doing. "One for the money, two for the show, three to get ready, four to get ready, five to get ready..." Start today.</p>*Reference: The Brand Gap, Marty Neumeier, 15BN 0-321-31810-9; New Riders Press, ask@peachpit.com<br /><p>- - - - - - - - - - - -</p><b>Rohn Engh </b> is director of <i>PhotoSource International</i> and publisher of PhotoStockNotes. Pine Lake Farm, 1910 35th Road, Osceola, WI 54020 USA. 1 800 624 0266; Fax: 1 715 248 7394. <a target="_new" href="http://www.photosource.com/">http://www.photosource.com</a><br /><p>Article Source: <a href="http://ezinearticles.com/?expert=Rohn_Engh" target="_new">http://EzineArticles.com/?expert=Rohn_Engh</a></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1156032475319659452006-08-19T17:03:00.000-07:002007-06-16T14:22:18.626-07:00Photography Tip- When Is Permission RequiredBy <a href="http://ezinearticles.com/?expert=Rohn_Engh">Rohn Engh</a><p></p><br /><p><b>Q.</b> I just read a question answered by you about model releases of people in public. I have wondered about the same question. My specialty is creating shots that evoke a strong mood, and I need a human element to make the photo successful. My question is, I always thought that the rule was, "if the person is recognizable in the photo" you need a release. Alot of times I have shot pictures of people afar off, or as a silhouette, or with their back to me (so no parent or other person could threaten to sue me because they saw their son or daughter's face in a book or magazine without their permission). How do you avoid this from happening? If I remember what you said, if the picture is used for a book or magazine or newspaper and isn't being used for advertising, then a release is not required. I know that it may not matter to the photobuyer, yet again, if the parent sees the picture, could this pose a problem for the photobuyer as well as for me?</p><br /><p><b>A.</b> Ken, you said it best: "If the picture is used for a book or magazine or newspaper and isn't being used for advertising, then a release is not required." This is thanks to our Freedom of the Press.<br /><br />As you know, in the past – many regimes only let the public know what they (the ruling regime) wanted the public to hear. (Stalin, Hitler, Tojo, Mussolini, and more recently, Saddam). It's a convenient way to run a totalitarian government. But it isn't pleasant for those being ruled.<br /><br />The wisdom of our forefathers was to recognize that despite how much it might hurt, we have to report (and display photographically) what is happening around us. And yes, it might hurt the mother of a child who is photographed in public beating up on a smaller kid, or a drunk strolling down the street, or two lovers on a park bench. Our Freedom of the Press protects us, and sometimes embarrasses us. As you know, that's the way it is in a democracy.<br /><br />Most photographers who enter the field of editorial photography from a commercial background (fashion, corporate, aerial, real estate, food, photography and so on) are surprised that their new field, editorial photography, knows no restrictions.<br /><br />It's up to the PUBLISHER of a photograph to decide whether the picture might not be acceptable to his/her public, whether that might be in New York, Alabama, or California – where each location might have a different cultural outlook on the same subject matter.<br /><br />I've yet to hear of an editorial photographer being sued and losing the case on the kind of situations mentioned in the second paragraph above. Anyone can sue anyone. But smart lawyers know it's an uphill battle to try to win a Freedom of the Press case, let alone get any funds out of a freelance photographer. An attorney would always ask for a retainer first before taking on such a case.<br /></p><br /><p>The editorial photographer "greats" of the past, who have shown us what life was like during the roarin' 20's, the Great Depression, or the 60's, knew they had a mission: to show the world how they (the photographer) saw the world (Weltanschauung), leaving that as their legacy, and us to judge its merits.<br /><br />As an editorial photographer, you have to overcome your timidity to photograph some things that might be reprehensible to you: mental wards, homelessness, or unpleasant political or military situations. As the man said, "If it were easy, everyone would be doing it."</p><br /><p>Rohn Engh is director of PhotoSource International and publisher of PhotoStockNotes. Pine Lake Farm, 1910 35th Road, Osceola, WI 54020 USA. Telephone: 1 800 624 0266 Fax: 1 715 248 7394.</p><br /><p>Web site: <a target="_new" href="http://www.photosource.com/">http://www.photosource.com</a>.</p><br /><p>Article Source: <a href="http://ezinearticles.com/?expert=Rohn_Engh" target="_new">http://EzineArticles.com/?expert=Rohn_Engh</a></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1150884196290306072006-06-21T02:48:00.000-07:002007-06-16T14:26:00.862-07:00TIP- Making Money With Digital Photography And Live EventsBy <a href="http://ezinearticles.com/?expert=Richard_Meredith">Richard Meredith</a><p></p>A few years ago I became interested in digital photography, mainly for web publishing and<br /><p>personal reasons. You know, how nice is it now to NOT have to deal with film, scanning<br />pictures, and the costs of developing all of those "not great" photos that you didn't know were so<br />bad until you paid to have them developed!</p><p>So, at the time I got my first digital camera a friend of mine was playing in a rock band, and<br />needed pictures for their web pages and promotional printings and ads. When I first began to<br />do their photography, I had NO IDEA what it all would lead to... and now I will reveal to you some<br />of the MANY ways to make money, part-time, with your love for photography!</p><p>Now, at the clubs my friend's band played in- a lot of the time they would be in a line-up of 3<br />bands for the evening, of which I shot live pictures of my friend's band's performance. Then I got<br />another idea, I'm there already,usually to finish the night with the band, so I started to take pictures of the other bands. Afterwards, as they were breaking down their equipment, I introduced myself as the other bands photographer, and explained that I liked their music and look- and also took pictures of them also.</p><p>I got the names of the band members, jotted down notes about which instruments each one<br />played, and then got a mailing address to reach them. I told them that I was going to print up some proof sheets and send them off to them... all were very agreeable and willing (and why not,it doesn't cost them a thing).</p><p>Then I printed the proof sheet(s), and selected three of what I thought were the best- of which I<br />made a little bigger on a seperate sheet and used Photoshop to refine and enhance the images prior to printing (all on my little ink-jet printer).</p><p>I composed a form letter that I could customize for each mailing explaining details like:</p><p>- The first proof sheet was all of the raw digital images</p><p>- The second one with the larger images was digitally self enhanced</p><p>- I would professionally print any pictures they wanted for XXX cost (considering mailing costs,<br />printing costs at a local printing shop, labor for digital enhancement, and healthy profit margin)</p><p>- For any order I would give them a CD with ALL of the photos in digital form for them to use any<br />way they wanted</p><p>- Add my contact information</p><p> And finally my availability to book shootings with them in the future</p><p>Now I could personalize this form letter and send it with the proof sheets to the band, and<br />when I would call them about a 8 days after I made the mailing to ask them if they recieved the proof sheets and which ones they liked (and I liked)- and I simply asked for an order.</p><p>It was amazing how well this worked, and I expanded the idea.</p><p>I would go to fund-raising events, marathons, special events hosted by radio station personalities... always getting the contact information for reaching whoever is in charge of promotions and following the same system!</p><p>As you go along, you realize some other benefits to you new "business"- like free<br />admissions (and no club cover charges), press passes, exciting opportunities to meet<br />interesting people and celebrities, discount drinks, and much more! It's amazing what people will GIVE you,if you just ask!</p><p>Then there are the home-business tax deductions that are eye-opening in themselves!</p><p>As soon as you can, upgrade to more professional equipment so you can not only "play"the part, but also "look" the part. Print up business cards, and make up your own porfolio of your "best" digitally enhanced photos of all kinds of subjects and previous shootings.</p><p>Seriously, this could turn your love for digital photography into an exciting lifestyle and an<br />income that could surpass your present one!</p><p>But then again, I know I have only just scratched the surface with professional digital<br />photography, and I'm sure you now have just entered a "think-tank" that will spur many more ideas for you to make digital photography more than just a love. Make it a great life!</p><p>Richard Meredith is the Author of<br />"The BLACK BOOK of Online Business" -<br />An amazing FREE SOURCE ebook for the online business person!</p><p><a target="_new" href="http://www.straight-talkmarketing.com/">http://www.straight-talkmarketing.com</a></p><p>Feel free to distribute or publish this article conditional only by including the by-line intact.</p><p>Article Source: <a href="http://ezinearticles.com/?expert=Richard_Meredith" target="_new">http://EzineArticles.com/?expert=Richard_Meredith</a></p><p>Ski or Snowboard at one of the major USA Ski Resorts this winter and become an on-mountain<a href="http://www.digitalphotographywebsite.com/photographerjobs.html" target="new"> photographer</a>. Learn a professional workflow and skills that bring confidence.</p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1150343692345814732006-06-14T20:47:00.000-07:002007-06-16T14:30:21.710-07:00Restoring an Old PhotoBy <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman">Kenneth C. Hoffman</a><p></p><br /><p>While browsing through a box of photos handed down to you<br />from a relative, you come across a studio portrait of your great<br />grandfather and his family. The picture is in sepia tone, the edges<br />are tattered and there are deep scratches across the picture. To<br />make matters worse, someone folded the picture to fit into a small<br />box producing a crease across the center of the picture.</p><p>In spite of it’s faults, you would like to enlarge the picture and<br />frame it for your family gallery. With a photo editor, you and your<br />computer can make the photo like new. First scan the photo at<br />400 dpi resolution. Save the file as a .tif and scan again saving as<br />a .jpg file. Using the JPEG file to work with, choose the clone<br />tool to extend the corners and to remove any marks in the photo.<br />The clone size should be about twice as large as the blemish and<br />set to fifty per cent strength. Save your work after ten or so fixes,<br />more depending on your RAM memory.</p><p>There are three basic methods of fixing missing or damaged areas<br />in the photo. The source area of the clone tool is centered over an<br />area similar to the missing patch but undamaged. A fifty per cent<br />strength (eighty five per cent for skin) clone brush used in a tapping motion will replace the damaged area. A second method drags the<br />clone brush and source through the damaged area for replacement.<br />Finally, a third method involves masking out an undamaged area that<br />is identical to the damaged area, making it into an object and dragging<br />the object to the new location for a perfect fit. Some edge blending<br />may be necessary. Work at the highest magnification possible for an<br />invisible fix.</p><p>Most difficult are problems with the nose and eyes. If one eye is undamaged, it may be possible to make an object of the eye area, flip<br />it left for right and replace the damaged eye. Blend the edges and use<br />the smoothing brushes for a natural look. Do not sharpen the eyes<br />too much or they will look unnatural.</p><p>When satisfied with the retouching, open the histogram to stretch the contrast to a proper level. I recommend desaturating the image and using the color balance to simulate the original sepia tone. Some editors have a special sepia tool for this purpose. For enlarging more than<br />two hundred per cent, I recommend using PureImage or equivalent<br />software to reduce artifacts, smooth out the one tone areas and sharpen<br />the edges. Your efforts will be well appreciated, for after all, if it weren’t<br />for your ancestors, you wouldn’t be here.</p><br /><p>A retired portrait photographer, not quite as old as some pictures.</p><p>Article Source: <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman" target="_new">http://EzineArticles.com/?expert=Kenneth_C._Hoffman</a></p> <p>Check out <a href="http://digitalphotographywebsite.com/homepage.html">DigitalPhotographyWebsite.com</a> for lots of great photography related products and information.</p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1149933865831079882006-06-10T02:28:00.000-07:002007-06-16T14:32:26.764-07:00Copyrights IN Your PhotographsBy <a href="http://ezinearticles.com/?expert=Carolyn_Wright">Carolyn Wright</a><p></p><br /><p>You take a picture of a city street. Look closely and you’ll see copyrighted material everywhere in your photo. The obvious copyrights are on the billboard, the newspaper stand and products in the store window. The less obvious copyrights are in the sculptural ornamentation of the lamppost, the patterned fabric of a woman’s skirt and the toy the kid is holding. You will never be able to track down all of these copyright owners to get their permission to use the photo. Are you out of luck if you want to use it commercially? Maybe not.</p><p>While copyright law can be restrictive on photography, it is not irrational. Copyright law includes the doctrine of “fair use” that allows unauthorized use of copyrights in certain circumstances. The courts recognize that free expression and avoiding law suits over minor issues are more important than protecting intellectual property rights.</p><p>The doctrine of fair use means that copying will not infringe a copyright when it is “for purposes such as criticism, comment, news reporting, teaching, scholarship or research.” Four factors are considered to determine whether the use qualifies under the doctrine:</p><p>The purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;<br />The nature of the copyrighted work;<br />The amount and substantiality of the portion used; and<br />The effect of the use upon the potential market for or value of the copyrighted work.</p><p>So if the copyrighted material that appears in your photo is covered by these four categories, you do not have to be concerned with getting permission to use it. On the other hand, it’s a judgment call. Would a court agree with your position? It may be costly to find out. The next best alternative is to get a copyright lawyer’s advice. The lawyer can give you an opinion based on research and experience. But the safest and sure way to use a copyrighted work in a photograph is to get permission in writing from the copyright owner.</p><p>Take my advice; get professional help.<br />PhotoAttorney</p><p>Copyright 2005 Carolyn E. Wright All Rights Reserved</p><br /><p>--- ABOUT THE AUTHOR ---</p><p>Carolyn E. Wright, Esq., has a unique legal practice aimed squarely at the needs of photographers. A pro photographer herself, Carolyn has the credentials and the experience to protect photographers. She’s represented clients in multimillion dollar litigations, but also has the desire to help new photographers just starting their careers. Carolyn graduated from Emory University School of Law with a Juris Doctor, and from Tennessee Tech Univ. with a Masters of Business Administration degree and a Bachelor of Science degree in music.</p><p>She wrote the book on photography law. “88 Secrets to the Law for Photographers," by Carolyn and well-known professional photographer, Scott Bourne, is scheduled for fall 2005 release by Olympic Mountain School Press. Carolyn also is a columnist for PhotoFocus Magazine.</p><p>Carolyn specializes in wildlife photography and her legal website is <a target="_new" href="http://www.photoattorney.com/">http://www.photoattorney.com</a></p><p>Article Source: <a href="http://ezinearticles.com/?expert=Carolyn_Wright" target="_new">http://EzineArticles.com/?expert=Carolyn_Wright</a></p> <p>Have you ever considered taking some photography classes? It's a great way to learn new skills with your camera. At <a href="http://digitalphotographywebsite.com/homepage.html">DigitalPhotographyWebsite.com</a> you can <a href="http://digitalphotographywebsite.com/photographyschools.html">request free information</a> from many excellent online and campus programs. </p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1149822752272145002006-06-08T19:58:00.000-07:002007-06-16T14:37:11.951-07:00The Art of Communion PortraitsBy <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman">Kenneth C. Hoffman</a><p></p>The First Communion is first in many ways. It is the first formal event in a young person’s life, the beginning of a life of good character and a milestone in a seven year olds education. The First Communion portrait is especially treasured by the parents, showing the innocence and hope for the future in their young faces.<p>For these reasons, a natural, happy face takes precedence over creativity in posing. Communion poses are studies in confidence and naturalness. An ideal session starts with a standing full length pose holding the missal and rosary beads. Girls have their weight on the back foot, their front knee slightly bent toward the camera. Boys stand with legs slightly apart facing twenty degrees off center. Several shots from the left and right sides will assure a perfect expression.</p><p>While the subject is standing come in for a medium shot cropped just above the knee. Some happier expressions can be included in this variation. Lighting should be soft but modeling, say two and one half to one ratio.</p><p>Medium close up poses are the most popular, so concentrate on getting a good selection for the parents to choose from. A posing bench that simulates the altar rail places the hands and elbows comfortably at waist height. Variations include hands on missal, reading missal, looking up, smiling and serious. You should photograph both left and right sides for a good selection.</p><p>Girls allow a little more leeway in prop usage. White tulle placed over a bouquet of flowers, a white or brass candlestick with candle in the background or a small, round topped table holding the missal and gloves off to the side and behind the subject are appropriate props. If there is time, a seated pose for the girls can be effective. Boys can stand with their elbows on a raised marble column holding the missal, the other hand in their pocket.</p><p>Always check that the tie is centered and the collar fits snugly to the neck in front. If the shirt collar is too loose, place a roll of tissues behind the neck to tighten it up. Make sure the roll is not seen by the camera. Shirt cuffs ideally should show one half inch of white past the sleeve end. If this is impossible, then show no cuff at all. Too long cuffs can be rubber banded under the coat to the correct length. Veils should be checked for equal length on the sides and the crown centered on the head. Gloves look better held in the hand or on a pedestal, never worn. White dresses and accessories are a natural for high key photography. Boys in navy blue suits look better on a medium gray background with the edges darkened.</p><p>Some unusual shots can be tried for appreciative customers. A super close up with eyes raised is quite angelic. Place a small light above the lens for a nice catchlight. Profile shots with a candle and rosary are very effective for the more artistic clients. Throughout the session talk to your subject, tell them how nice they look and give them a chance to relax and look confident. At any sign of nervousness, take a break and distract them with conversation on another subject. Remember that expression is nine tenths of a good portrait.</p><br /><p>Retired portrait and wedding photographer. Any thoughts?</p><p>Article Source: <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman" target="_new">http://EzineArticles.com/?expert=Kenneth_C._Hoffman</a><br /></p> <p>Visit Digital Photography Website to compare and <a style="font-weight: bold;" href="http://www.digitalphotographywebsite.com/">Buy photography equipment</a> and services.<br /></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1149614543716684882006-06-06T10:16:00.000-07:002007-06-16T14:41:25.260-07:00The Rule of Thirds- Some Rules Are Meant To Be Broken, But Not This One!By <a href="http://ezinearticles.com/?expert=Warren_Lynch">Warren Lynch</a><p></p><br /><p>The "Rule of the Thirds" is a fundamental truth among photographers and artists. I suppose that it's not really a rule though. You can think of it more as a "guideline". So, in that case, I guess that there are times when it can be broken. Before we talk about breaking the rule, let's talk about what the rule is all about. It's tough to know when to break a rule if you don't know when to apply it.</p><p>The "Rule of Thirds" calls for you to draw imaginary lines that divide the scene into a grid of horizontal and vertical thirds. That is, you mentally "draw" two horizontal lines which divides your image equally into three rows or bands. Then you draw two vertical lines which divides your image equally into three columns. The end result is a checkerboard of nine evenly spaced squares.</p><p>Now all you have to do is compose your image so that the main elements which are the most important or interesting are placed at any of the four intersecting points of a horizontal and vertical line. Yes, you can use "any" of the four points. Which one you use will be determined by the scene you are shooting and the natural placement of the subjects in it.</p><p>Experts say that by using the lines as a guide it's easy to produce a nicely composed image that avoids the common practice of centering your subject in the middle of the shot. Since there is no intersecting pair of lines in the center of the image, it's impossible to place your subject there if you follow the rule.</p><p>Camera manufacturers aren't big supporters of the "rule" because they design their auto focus circuitry around the assumption that the subject of the photograph will always be centered in the viewfinder. So, when shooting using the Rule of Thirds, you may need to switch to manual focus if your camera refuses to focus properly.</p><p>Now that you understand the rule, let's explore the wisdom of breaking it from time to time.</p><p>An interesting result of drawing those imaginary lines is that not only do they intersect, but they also run parallel to each other. That results in a side benefit which can give you an entirely different perspective when composing certain shots.</p><p>Let's suppose you're in the desert on a clear night with a full moon and a sky full of stars. You've got nothing but a miles of white sand, glistening in the moonlight, between you and a large butte in the distance.</p><p>Instead of placing the butte at one of the intersecting points, like the rule requires, center the butte horizontally in the viewfinder and then move the camera so that you place the top third of the butte slightly above the bottom horizontal line. The result will be a dramatic dwarfing of the mountain by that magnificent night sky and a perspective that the average photographer would have never seen if it weren't for the "rule".</p><p>The nice thing about the "Rule of Thirds" is that it always works when there isn't something else that will work better. That means that if you don't have time to compose a perfect shot, you'll at least end up with one that's better than ordinary if you let the "Rule of Thirds" take over.</p><br /><p>Have more questions about <a target="_new" href="http://www.photopheed.com/archive/message-20050302171001.html">rule of thirds</a>. This <a target="_new" href="http://www.photopheed.com/">digital photography tip</a> article is brought to you by award-winning professional photographer Warren Lynch. Exciting articles gives both beginners and advance digital camera enthusiast the leg up. With cutting-edge digital photography blogs, forum and review resources.</p><p>Article Source: <a href="http://ezinearticles.com/?expert=Warren_Lynch" target="_new">http://EzineArticles.com/?expert=Warren_Lynch</a><br /></p> <p><a style="font-weight: bold;" href="http://www.digitalphotographywebsite.com/">Digital Photography Website</a> has <a style="font-weight: bold;" href="http://www.digitalphotographywebsite.com/photographyarticles.html">photography tips</a> by Expert Professional Photographers.<br /></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1149565786557213282006-06-05T20:47:00.000-07:002007-06-16T14:49:41.982-07:00How to win at Photography CompetitionsBy <a href="http://ezinearticles.com/?expert=David_R_Butcher">David R Butcher</a><p></p>Entering photo competitions is a great way to practise and improve your photography and have some fun in the process. One of the greatest morale boosters a photographer can get is to win or even placed in a highly regarded competition. It means that others have seen your work and judged it worthy. There are a few pointers that you need to know about competitions that will increase your chances of winning however<p>First find your competition. Luckily photographic competitions can be found in many places such as in magazines (both photographic and other specialities), local newspapers, local promotions as well as here on the Internet. Why do people run competitions and give away lovely prizes? Well photographic clubs use competitions as one of their chief sources of entertainment and encourages the members to take photographs. Competitions are also used as promotional or advertising tools for products or companies.</p><p>The prizes offered can vary from cash, certificates, film, photographic goodies to cars and exotic holidays. Some photographers make a handy bit of extra cash by entering competitions on a regular basis. Though prizes are a definite draw, many just enter competitions to test their skill against others.</p><p>If you are thinking of entering a competition or you have had little success before, here are a few tips to set you on the right track toward entering and hopefully winning a photographic competition.</p><p><b>Shoot for the competition!</b></p><p>The best pictures in a competition are often those that are shot especially for the competition in question. Most competitions have a theme and certain guidelines to be followed. Sometimes even the organisation running the competition must be considered before even composing that winning shot.</p><p><b>The Theme</b> - This is the most important thing to remember. Most competitions have a theme or a specific subject they want portrayed. For example, entering a dog picture for a landscape is a sure fire way of joining the rejection pile. Far too often shots are sent into competitions which, seen on their own merits are technically superb and artistically excellent. But, if the picture doesn't fit the them then the judges have to reject the image.</p><p><b>The Organisation</b> - Often the company or organisation running the competition will conjure an idea of the type of images they want to see. For example, a travel business that runs a competition for the best holiday snaps. They are probably expecting to use the winning images to promote their business. So knowing what holiday destinations they cover and supplying nice bright images of those destinations will probably score higher than others.</p><p><b>Use Impact in Your Entries</b><br />When you enter a competition just think how many other may or will be entering. It could just be a few entries in a local camera club competition or it could be thousands in an international competition. Whatever the numbers your image must stand out amongst them. In order to achieve this the subject of your photo must have an eye catching feature or form of impact.</p><p>Landscapes for example are a popular subject for competitions, everybody knows what a landscape is and can usually find a nice location not too far from home. But to stand out from the crowd you have to consider the impact and with landscapes its all about the lighting. Sunsets are pretty, and can be spectacular but if the judges have seen hundreds of them then the sunset is very 'samey' as all the other sunsets and become mundane.</p><p>For other subjects for impact use colour, shapes or creative lighting, try unusual angles for shooting common subjects. You must find something that will make your image jump out from the crowd.</p><p><b>Technical ability</b><br />The last important aspect of your entry is purely technical. If the image is badly exposed, has washed out highlights for example or is out of focus or exhibits camera shake then the image will be rejected.</p><p>So with all the above in mind, happy shooting and just remember, shoot for the competition and go for impact with nice sharp well exposed images and you will increase your chances of winning those prizes.</p><p>Good luck</p>David R. Butcher Bsc., LRPS has over 35 years experience in photography and is a co-founder of School of Photography.com (<a target="_new" href="http://www.schoolofphotography.com/">http://www.schoolofphotography.com</a>) established in 1999. He has been awarded the Licentateship of the Royal Photographic Society of Great Britain.<p>Article Source: <a href="http://ezinearticles.com/?expert=David_R_Butcher" target="_new">http://EzineArticles.com/?expert=David_R_Butcher</a></p><p><a style="font-weight: bold;" href="http://www.digitalphotographywebsite.com/">Digital Photography Website</a> has<span style="font-weight: bold;"> </span><span style="font-weight: bold;">more selected </span><a style="font-weight: bold;" href="http://www.digitalphotographywebsite.com/photographyarticles.html">photography articles</a><span style="font-weight: bold;"> </span>by Expert Professional Photographers.<br /></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1149231856807255762006-06-02T00:03:00.000-07:002007-06-16T14:54:05.996-07:00Photography Tip- Photographing FacesBy <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman">Kenneth C. Hoffman</a><p></p>Every emotion and depth of feeling can be shown on the human face. To capture that fleeting moment on film is a challenge fit for the most talented of photographers. How can the average photographer improve his chances of recording that one-in-a-lifetime image or at least improve the ratio of interesting,<br /><p>true life images to the unusable, ‘too-bad-she-turned-her-head snapshots?</p><p>First you must prepare your camera for the task. If the social event you are to attend is indoors, an ISO setting of 400 or 800 is recommended. A bounce flash head adds another dimension to the lighting and at the same time freezes that portion of the action not lit by strong ambient light. A fifty per cent mix of bounce electronic flash and available light usually allows a high enough shutter speed to freeze most action. A shutter speed of 1/30th is a minimum speed for hand held cameras and 1/4 sec is acceptable for a supported camera. A tripod is definitely preferred for absolutely sharp photos, but can be clumsy and obtrusive for candid work. The recent invention of the stabilized lens or CCD will add two or three lower shutter speeds without blurring. Using doorways, railings, furniture, or just the two-elbows-on-a-table method is helpful in steadying your shot.</p><p>A medium telephoto zoom lens simplifies the task of cropping in the camera. Preferable would be an F2.8 28 - 105mm zoom lens or closest equivalent. Longer telephoto lens settings are difficult to keep cropped, and require a higher shutter speed. Wider lenses introduce too much distortion for rendering the human face naturally and produce too much busyness in the composition.</p><p>Once the camera is set on the proper settings and the flash (with newly charged batteries) is bounced backwards and to the upper left portion of the room, you are ready to record those faces. In a room with low ceilings, a flash bounced straight up and used with a telephoto setting on the lens is acceptable and you are now ready to record those faces. Two or more faces in the picture should be relating to each other or to a third party. No one should be looking at the camera or the photographer. Six too ten feet away from the action is sufficient for your compositional purposes and presents a buffer zone that protects you (the photographer) from being included in the conversation. Individual faces should almost fill the view finder for good impact.</p><p>Tune your mind to an awareness of uninhibited laughter, serious facial expressions showing concentration, moments of love with hugs and kisses and hands touching. Any and all stiff frozen faces staring into the camera waiting for the flash to go off should be avoided. This is not to say you can’t apportion some time to group pictures and memory shots since they are great to have, too. Try to anticipate reactions and make several exposures in a series. You can always delete the missed shots. Be patient, keep moving and be ready to move to another location if you are discovered. Of the hundreds of images you take, you will only be remembered for that one great shot.</p><p>At your first viewing of the photographs, edit them mercilessly, removing all photos which do not meet your standards of acceptable emotional content, composition, facial expression or focus. With any luck, you’ll be the talk of the town.</p>Three hundred photos per wedding, fifty wedding a year, thirty years - but who's counting?<p>Article Source: <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman" target="_new">http://EzineArticles.com/?expert=Kenneth_C._Hoffman</a></p><p><a style="font-weight: bold;" href="http://www.digitalphotographywebsite.com/">Digital Photography Website</a> has <span style="text-decoration: underline;"></span><a style="font-weight: bold;" href="http://www.digitalphotographywebsite.com/photographyarticles.html">photography techniques</a> by Expert Professional Photographers.<br /></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1149231705327049872006-06-01T23:59:00.000-07:002007-06-16T14:58:41.705-07:00Photography Tip- Digital Art Made EasyBy <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman">Kenneth C. Hoffman</a><p></p>Everybody who likes to take pictures would love to have some of them enlarged and framed for their walls. Its very presence would give you instant satisfaction and the confidence that you, do have an artistic bone in your body after all. A casual perusal of you snapshots, however, might lead you to believe that not one of these snapshots are good enough for the wall. Now, just for a moment, make believe that you could change anything you don’t like about a picture of yours and that you could match that image to the image in your mind. You can - with the help of a scanner and a photo enhancement program. Of course, if you have a digital camera, you don’t even need a scanner.<p>There are four basic levels of photo software. Freebee programs meant only to crop, change the color balance, and fix red eye in your pictures. A middle quality program uses a macro to change shapes, improve sharpness, and offer some filters for creating a few special effects, like crude oil paintings or black and white charcoal effects. The next step up often will cost $30.00 to $50.00, but will include all the basic tools you need to create a proud-to-display masterpiece. Micrografx (now Corel) Picture Publisher presents six sizes of paint brushes, an air brush, pastel chalks and colored pencils. You can change the size of your picture, crop it any way you want, and take advantage of dozens of filters which simulate real art textures like water color on parchment paper, palette knife paintings, etc. Turn white skies into blue skies with fleecy clouds, soften some of Grandma’s wrinkles or remove a garbage can from an otherwise perfect picture. A cloning tool permits the addition of outside elements, skin retouching, background cleaning and the filling in of empty spaces. A magic cropping knife can isolate a subject, move it onto another background and let you move the objects in your picture around at will, like decoupage, creating a whole new world of graphic manipulation.</p><p>The top of the line is Adobe PhotoShop and its competitors. This program is considered professional software, costing $300 to $700. The basic tools are the same, but many more levels of manipulation are offered. The dozens of filter you used with Picture Publisher have multiplied but keep in mind that dozens of filters and effects can still be utilized by both programs through plug-in filter software. A two week course is recommended in order to learn how to use the Adobe program effectively while the Picture Publisher help boxes are considered sufficient instruction for most people.</p><p>Your finished artistic creations can be saved in computer albums against the time you need a nice graphic for decorating an article or for an artistic card. They can be put on tee shires, mugs, calendars, Holiday Cards, stationary, post cards and business cards.<br />Wall enlargements up to 13 x 19 are easily produce with a Hewlett Packard 1220 Deskjet printer or an Epson printer. Both are available with archival inks lasting over 60 years without fading. But the most of the enjoyment comes from the creating!</p><br /><p>As a retiree, I can take any pictures I want.</p><p>Article Source: <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman" target="_new">http://EzineArticles.com/?expert=Kenneth_C._Hoffman</a></p><p><a style="font-weight: bold;" href="http://www.digitalphotographywebsite.com/">DigitalPhotographyWebsite.com</a> has free photo software. Make calendars, business cards and more with these computer <a href="http://www.digitalphotographywebsite.com/freephotographysoftware.html">software freebies</a><span style="font-weight: bold; font-style: italic;">!</span><br /></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1149231466574583012006-06-01T23:56:00.000-07:002007-06-16T15:03:56.029-07:00How to Pose a Bride and GroomBy <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman">Kenneth C. Hoffman</a><p></p><br /><p>Of all the pictures taken at a wedding, the one most important is the portrait of the bride and groom. Some wedding couples depend on a relative or a friend to take a few good photos for their album and others reserve a professional photographer to do the honors. This article is for both the real and wanna-be photographers at the wedding.</p><p>A good time to photograph the bride and groom is after the ceremony and before the reception. Ideal is an open lawn away from any building. Other photogenic locations are at the edge of a treed area, under an arcade or<br />at home in the backyard. Important is to choose an evenly lit background: one that does not contain light and dark areas. Place the couple in the shade at least thirty feet away from any background objects with their faces toward the main source of light.</p><p>Turn the bride thirty degrees away from the camera and fluff the train behind her so that only half of the train is visible from the camera position. Never pull the train around to the front of the bride since this is most unnatural and would never occur in real life. Pose the groom slightly facing the bride and have him offer his arm for her to pass her through. Make sure her ring is visible. The groom’s outside hand can be in his pocket or touching the bride’s hand. The bride should shift most of her weight to the foot furthest from the camera and the groom should have his weight evenly distributed on slightly spread feet. Never let his hand drop straight down at his side. The bride may hold her bouquet in her outside hand at a level below her waist with some daylight or background showing between her elbow and her waist. An alternate place for the bouquet is on the ground next to the groom’s feet. Turn their faces toward the camera but not fully straight on, but at a slight angle toward each other. Their expressions should show their happiness, but not laughing.</p><p>Angles other than the view straight on without changing their positions often present another good composition for a portrait. Consider also a view from behind the couple, requesting them to turn their heads directly toward each other, giving the photographer a profile of their faces. A variety of shots are possible with this pose. A medium shot (at the knees) with their faces closer together and an even closer pose with the cheeks almost touching make wonderful portraits. Try having them look into each other’s eyes with his arms around her. Natural light from the side is the most beautiful source as long as the reflector of some sort balances the light. Watch your cropping in the viewfinder carefully and leave some space over their heads. Pay attention to the position of the feet (no soles showing) and be sure only the sides of the bride’s hands are presented to the camera. The groom’s coat collar should fit snug to the neck.</p><p>A beautiful portrait of the bride and groom can be their most treasured reminder of the most important day in their lives. You can make it happen.</p><br /><p>Comments Welcome.</p><p>Article Source: <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman" target="_new">http://EzineArticles.com/?expert=Kenneth_C._Hoffman</a></p><p> <a style="font-weight: bold;" href="http://www.digitalphotographywebsite.com/">Photography Website</a> has an excellent selection of Wedding <a style="font-weight: bold;" href="http://www.digitalphotographywebsite.com/photographybookstore.html">Photography Books</a> written by professional wedding photographers. These expert authors give you insights about how to improve your own Wedding Photography Business.</p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1149231201137160032006-06-01T23:51:00.000-07:002007-06-16T15:09:30.404-07:00Photography Tip- Business Practices for PhotographersBy <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman">Kenneth C. Hoffman</a><p></p>There must be as many business policies as there are photographers<br /><p>in business. Through the years I have learned by my mistakes and<br />by observing other successful photography business. Here are some<br />policies that have added to the success of my business.</p><p>Concerning weddings, require the full payment for the basic package that<br />the bride and groom order. Extras must be paid at the time of the final<br />order. The argument that no goods are in the hands of the buyer must be<br />politely put aside.</p><p>If actual proofs are supplied for perusal, one successful photographer I<br />know actually supplies these proofs (over 300 3x5s) to the bride and groom<br />free of charge. The theory is (and it works) that more people over a longer period of time will see the pictures and place more orders. These proofs are too<br />small to use as gifts or for display and their gratitude for the free gift is<br />wonderful for word-of-mouth advertising. I suggest that the proofs be<br />heavily textured to prevent illegal digital scanning.</p><p>I believe that a full guarantee of customer satisfaction be a major policy of<br />the professional photographer. The consumer is entitled to be happy with<br />their purchase, even though some criterions are subjective and not the fault<br />of the photographer. No customer should be left with a bad taste in their<br />mouth when they leave the studio. You will reap the rewards in additional<br />referrals and increased orders.</p><p>Offer as many free retakes of sessions that have gone wrong for one reason<br />or another. I know that this policy represents additional costs to the studio<br />but the clients have no fault when the two year old won’t sit or grandmother<br />gets sick. Some clients might try to take advantage of this policy by trying<br />to get free sessions for individuals in a group picture, but the rules must be<br />stated clearly and posted in the studio for the customers to see.</p><p>Some photographers expand the price list lower and higher, quoting higher<br />and lower levels of quality. I know that the reason is to present more choices<br />in cost to the customer, but the down side is that the cheaper products will<br />not represent your best work and the customer may feel cheated. All your<br />work must be of the finest quality you can produce. Lower prices can only<br />reflect smaller sizes or fewer quantities.</p><p>Promise a realistic date for the work to be completed and make sure that the<br />work is ready on time. A variable date for completion only serves to undermine<br />the customer’s faith in your efficiency and good work habits. Reminder calls<br />are a good idea if the work is not picked up within a reasonable time period.</p><p>Assuage the customer’s important concerns and fears early on in your relationship.<br />Some clients are reluctant to bring up their fears and end up not booking if those<br />concerns are not addressed.</p><p>Never offer any extra pictures you have at no charge to the customer. For some<br />reason, this never works in favor of the photographer. Be meticulous in preparing<br />the exact sizes and amounts of their order. On the other hand, you may include a small<br />(non photographic) gift for their continued support of your services.</p><p>Generally, your prices should be commensurate with your major competition, using your<br />expertise and talent as the reason your customers are satisfied and return for more business.<br />Bi-annual reappraisal of your price list should be a regular habit. Everything goes up and<br />you should be no different. Photographers are a dime a dozen but good, successful<br />photographers are rare.</p>I was a portrait and wedding photographer for 40 years and enjoyed every minute.<p>Article Source: <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman" target="_new">http://EzineArticles.com/?expert=Kenneth_C._Hoffman</a></p> <p>Build a photography business online <a style="font-weight: bold;" href="http://digitalphotographywebsite.com/">Digital Photography</a> Website is your source for information about how to <a style="font-weight: bold;" href="http://www.digitalphotographywebsite.com/easywebsitebuilders.html">create photo website</a>. </p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1149230725576959732006-06-01T23:43:00.000-07:002007-06-16T15:14:31.499-07:00Planning Photo Day TripsBy <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman">Kenneth C. Hoffman</a><p></p>How many of you budding photographers own an expensive SLR camera or the latest digital<br /><p>camera with tripod and haven’t a clue how to get started using them? Raise your hand. Hmmmm. What you need is a whole day out in the field taking beautiful pictures for your album, contests, your scanner and your walls. Here are some ideas for photo opportunities you can count on to produce a high percentage of winners.</p><p>The New York skyline or any famous city within travel distance are sure fire people pleaser's when photographed in an unusual way. If you have access to a view of the city from a westerly point, try to arrive at the scenic point one hour before sunset. As long as the sun is out, the city buildings will be bathed in a warm light, while the clouds or sky will appear many shades bluer. This color contrast highlights the importance of the buildings and provides a visual interest not available at other time of the day. Place the horizon one third from the bottom of the picture for a ‘sweeping sky’ look. If possible, scout around for a tree or other over hanging structures for framing and foreground interest. A secondary center of interest in the mid-ground helps the feeling of depth. After the sun series, an hour wait for near dark presents another ‘magic’ time for an interesting shot. A clear dark sky will photograph royal blue when a short time exposure is used. The warm incandescent lights of the city are further enhanced by the comparison. A slow to medium speed ISO setting requires a shutter speed of two to three minutes at F5.6 or F8.</p><p>A visit to a local antique store is a gold mine of beautiful pictures. A kind word to the owner and a promise of a picture or two usually insures their cooperation. Set your camera on a tripod in order to take advantage of the natural light in the room An edge-darkening filter in front of the lens greatly improves the pictures. You can make your own by cutting a four by four inch piece of 2x neutral density plastic filter material. Cut a one inch by three-quarter inch oval hole in the middle. When placed in front of the lens, a natural fad-out is produced on the edges of the picture. Look for interesting subjects to photograph like a sleeping doll, light coming through colored bottles, antique items on a dresser top, an old rocking chair with the old owner int, or an antique hobby horse. Try to stay away from straight lines and very dark objects. Window light is best, so you may find it necessary to relocate the item of interest nearer to a window. The owner surely knows many interesting stories about their antiques. Altogether a fun day!</p><p>Another fun spot laden with picture possibilities is the local arboretum or formal gardens. Depending on the time of year, spectacular photos can be made from the many unusual plant life. You can photograph tiny blooms from one inch away, discover patterns in strange leaves or capture the mood of a forest with a creative filter on your lens.</p><p>At certain times of the year, you can find a lake or local body of water blanketed by a transparent layer of fog. I know it’s hard to get up before dawn, but for this field trip it will be necessary. Bring along waders if you have them or rent a row boat or canoe. Unless building are particularly photogenic, don’t use them in your composition. A horizon line one third from the top will place more importance on the water and fog. A super saturated film or setting on your digital camera will enhance the color of the scene. Strong foreground interest and small apertures with long exposures are important features of the day. A small stone thrown into the still water simulates a hungry fish and a few handy large leaves floating past can help capture interest.</p><p>If there are no overhanging branches at the chosen location, a cut branch held over the lens a few feet away can substitute. The best photographs in the scenario will be fore the sun comes up. If you can, include the rising sun in you composition for a different look. For variety, shoot a few super close-ups of flowers, insects or leaves. Since the sun will give you a false exposure, a meter reading of the darkest portion of the scene can be set manually for a proper exposure. Work fast sine one hour is the most time you can expect to have Bring along a fishing pole and enjoy the rest of the day. Happy shooting.</p>I used to photograph only people. Now I photograph everything.<p>Article Source: <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman" target="_new">http://EzineArticles.com/?expert=Kenneth_C._Hoffman</a></p> Compare and buy photo equipment at <a style="font-weight: bold;" href="http://digitalphotographywebsite.com/">Digital Photography</a> Read <a style="font-weight: bold;" href="http://www.digitalphotographywebsite.com/photoequipmentreviews.html">camera reviews</a> then shop and save.Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1149230526899057152006-06-01T23:40:00.000-07:002007-06-16T15:20:51.552-07:00Albums - An Arranged MarriageBy <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman">Kenneth C. Hoffman</a><p></p>We often put off finishing an album of photographs because of the daunting challenge it presents even to the creative mind.<p>It’s difficult to discard a not-so-good photograph even though an identical, but wonderful photograph exists right next to it. In order for an album to capture the attention of the viewer and hold it, it must be provocative, show variety, and progress in a timely fashion.</p><p>First, separate you photographs in piles representing events. Then choose one photograph with impact that also summarizes the main subject. For example, at you grandmother’s birthday party the presence of most of your immediate family afforded you the opportunity to take lots of pictures including all the action. The aforementioned cover shot would be a close up of Grandma and Grandpa in a hug opening her present.</p><p>Next, separate the main groups according to chronological order. Further divide these groups in a series of threes: one scene setting shot, one medium action shot and one close up. Of course, you have to work with what you have, so make the best of it. There will be many posed pictures of various family members, so in order to separate them, distribute the series of three at different points throughout the album. No chronological order is necessary since these photograph could have been taken at any time throughout the evening.</p><p>It is important to discard any pictures that an unflattering (unless comedic), especially ones in which the subject blinked. It serves no purpose to embarrass the subject, and only promises to disappoint. If there are two or more snaps of the same subject and you need only one, discard or store the extra images for safe keeping. If they are place in your story album, you risk boring the viewer to death with repetition. Save a particularly nice shot of the main subject (Grandma) for the last photo in the album for a warm, happy ending. I suspect this memory album will take its place as one of her most treasured possessions.</p>Retired portrait and wedding photographer. What do YOU think?<p>Article Source: <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman" target="_new">http://EzineArticles.com/?expert=Kenneth_C._Hoffman</a><br /></p> <p>Read reviews and save by comparison shopping for photo equipment at <a href="http://www.digitalphotographywebsite.com/photoequipmentreviews.html">Digital Photography Website</a>. Check out our wonderful <a href="http://www.digitalphotographywebsite.com/photogallerytemplates.html">photography website templates</a>. for an online photo gallery that looks like you spent thousands of dollars.<br /></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1149230360013551602006-06-01T23:37:00.000-07:002007-06-16T15:54:30.470-07:00Photography Tip- Dreamy Studio Backgrounds Made EasyBy <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman">Kenneth C. Hoffman</a><p></p>So you’ve got your basement studio all set up with lights, camera, tripod and a plain white background. Great. Wouldn’t it be terrific if you could add one of those beautiful muslin backgrounds you see in the catalogs and used<br /><p>by the big studios? Yeah, right. Seven hundred dollars for one. Here’s a method to make a background of your own design at a cost of under twenty dollars.</p><p>First decide how you would like your background to look. Find a greeting card or postcard you like. It could be a forest of trees with sunlight slanting to the ground, a quiet lake scene, pine trees under a new fall of snow, an old fashioned garden in France or even a picture of yours that you love.</p><p>Make a slide or viewgraph transparency of your selection and prepare the surface for the artwork. An old king-sized sheet will do very nicely or you can use the wall itself. If using the sheet, stretch it firmly on the wall and project the transparency on it. Make sure the projector is firmly supported and square to the wall. Mark the position with tape in case it moves. Using a charcoal stick, trace in all the edges of the picture on the wall. If a removeable background is desired, stretch a king size white or light gray or beige sheet on the wall. Make sure it is firmly attached since you w will be drawing on it later.</p><p>Buy a gallon of white ceiling paint (for its matte surface) and some tubes of color. Mix enough paint of the needed colors in a few plastic buckets. With a two inch brush, paint the picture on the wall, using the photograph as a guide. You don’t have to be an artist since the rendition should be loose and a water color like representation of the chosen subject. Avoid using black or very dark colors and tone down any brightly hued colors with white or gray paint. If the scene is to portray a high key effect, one further step is recommended. Mix some white paint with an equal amount of water and roll or brush on a semi transparent layer over the dry painting.</p><p>If a more classic look is wanted, you may skip the transparency and paint right on the sheet or wall. Start in the lower center with beige and light gray<br />and work your way toward the edges, mixing the colors on the wall using veridian/brown, alarizen red/brown and brown/dark blue. These colors are sure to compliment skin tones. Use a four inch brush with either a diagonal stroke for the whole background or a quarter moon shaped overlapping brush stroke. Work fast, using the darker colors toward the edges. One warning: never go back to correct an effect after the paint has partially dried. One advantage of the classic background is that the edges can be extended around the corners of the room, allowing larger subjects to be photographed. The character of your unusual and beautiful background will be limited only by your imagination.</p>My home made backgrounds were so much in demand, other studios paid me $400 to paint one on their studio wall.<p>Article Source: <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman" target="_new">http://EzineArticles.com/?expert=Kenneth_C._Hoffman</a><br /></p> <p>Read more selected articles by expert authors at<a href="http://www.digitalphotographywebsite.com/photographyarticles.html"> Digital Photography Website</a>. Digital Photography website has excellent <a href="http://www.digitalphotographywebsite.com/photoequipmentreviews.html">digital camera reviews</a>. Compare digital cameras and <a href="http://www.digitalphotographywebsite.com/photographyequipmentstore.html">buy the digital camera</a> that's best for you.<br /></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0tag:blogger.com,1999:blog-28062109.post-1149230039156106712006-06-01T23:32:00.000-07:002007-06-16T15:59:16.783-07:00Setting Up Group PortraitsBy <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman">Kenneth C. Hoffman</a><p></p>“We don’t want any posed pictures” is a common admonishment from young people these days. What they mean is that they want to appear natural and relaxed in their portrait of the family. A certain amount of<br /><p>posing is a necessary evil in order to accomplish what they want. Of course, it is up to the photographer to make this as painless as possible.</p><p>There are some general ‘rules’ of group portraiture that have been around since Rembrandt. Never line up the faces vertically or horizontally. The reason for this rule is that curves, triangles and diagonals create a more dynamic flow and are more pleasing to the eye.. Straight lines are static and tend to line up with the edges of the picture. Another rule is never to have faces look straight into the camera for if they do, unsymmetrical features are more easily apparent and the eyes take on a stare. Now, rules were meant to be broken, but first you have to know the rules.</p><p>While couples can be considered a group, I will start with a group of three. The easiest of numbers, three people make an automatic triangle. Heads can be placed in an uneven triangle, foundation side down. Spacing should be varied, but similar in distance. Other successful patterns are the inverted curve with the middle person highest, a diminishing, flatter curve with the smallest person nearest the camera, and a stacked triangle in a vertical format. Groups of three generally look more together when the outside persons face in to the center. Enough body should be included in the composition so an not to appear bodiless. A general rule is to leave twice as much space above the heads as below the feet or hands in the picture. Spacing between heads are measured from the center of the eyes, not the edge of the head. Please do not crop off at the wrists and ankles.</p><p>Hands play an important part in the language of the portrait. To look graceful and slender, hands should present their edges to the camera. Oppositely, to appear strong, the backs of hands should face the lens. Never allow the arms to hang down vertically, but find something for the hands to do so the arms are bent at the elbow. Arm rests, furniture and other people are handy tools for creating a dynamic angle for the arms.</p><p>Shoulders look best when placed at a slight angle to the camera. Views across the back play up the curve of the spine and the jut of the jaw instead of the breadth of the shoulders. Too much of an angle will make the near shoulder appear too large, due to foreshortening.</p><p>Groups of four present an interesting challenge. You don’t want to place one head in each corner, making a square. People are basically made up of curves, not straight lines and appear mechanical and lifeless in this configuration. So what can you do with four people? An inverted curve can be formed with the two highest people in the middle. Make sure one is higher than his neighbor. For a more compact composition, overlap the shoulders, fitting them together like a jigsaw puzzle. This places the heads closer together without dead, empty spaces in between shoulders. Remember to turn the outside faces toward the center for a cohesive look. Other shapes that fit the quad portrait are an off center vertical diamond or rhomboid, a staggered vertical or horizontal zigzag line and an inverted curve of three with the smallest below in the center. Be aware that vertical faces should never be in line.</p><p>Five is an interesting and easy number to pose. Spacing becomes more important, informing the viewer of the warm relationship between family members. Basically, the faces place themselves in two triangles, the lower middle person sharing the triangles. A vertical composition stretches the space vertically and compresses the spaces horizontally. Six faces can be grouped as two uneven triangles, one slightly higher than the other. The classic oil paintings of large groups of people contain masterful examples of group posing.</p><p>Environmental settings play an important part in the balance of a portrait, creating a foil of shapes against the more important faces. If there are masses of light areas, they must be balanced with the appropriate mass of darker areas elsewhere in the picture. The eye travels an omega curve, starting in the lower left corner and wandering through the centers of interest (faces) until exiting out the lower right corner. The centers of interest should fall along this comfortable line.</p><p>The skills of the photographer retain the interest of his subjects with a constant patter, all the while making decisions pertaining to height and placement of faces pertaining to the over all pattern. Time should be allotted to the straightening of clothing without seeming too fussy. All eyes should be in one direction, that is on the photographer for a cohesive look. An exposure where one person is looking at the camera lens can not be considered as a viable pose. Try to make the process fun so that your subjects appear relaxed and natural. To quote a famous philosopher, they’ll never look younger.</p><br /><p>A retired portrait photographer would like your comments.</p><p>Article Source: <a href="http://ezinearticles.com/?expert=Kenneth_C._Hoffman" target="_new">http://EzineArticles.com/?expert=Kenneth_C._Hoffman</a><br /></p> <p>There are some very well written books on portrait photography at Digital <a href="http://www.digitalphotographywebsite.com/">Photography Website</a> also check our <a href="http://www.digitalphotographywebsite.com/tipstutorials.html">photo tips</a> section for free tips to improve your images. The More You Know...<br /></p>Flowski Pixhttp://www.blogger.com/profile/04557467576700040267noreply@blogger.com0