Photo Articles Blog

Ansel Adams; Changing Photography Forever

2007-12-14T08:55:00.000-08:00

by Diana Cooper

Ansel Adams, most widely known in the photography world for his immaculate and accurate view of nature, changed the way people looked at photography. Adams described himself in three ways: a photographer, lecturer, and writer. But in actuality, you can combine these three facets and call him a communicator.

Born in 1902, Adams photographic vision was born immediately as he spent his childhood growing up in the natural beauty of San Francisco, California. As a shy and lonesome boy, Adams typically took long walks in the still-wild reaches of the Golden Gate observing and enjoying the nature.

Ansel Adams' true passion for nature photography came from the Yosemite Sierra, where he spent substantial time at from 1916 until his death in 1984. Starting with the Kodak No. 1 Box Brownie that his parents gave him, Adams hiked, climbed, and explored the beauty of nature.

In 1930 Adams met photographer Paul Strand, whose images had a huge impact on Adams. It was his images that helped move Adams from a pictorial style in the 1920's to straight photography. Adams eventually would become straight photography's most articulate and masterful photographer.

What characterizes Ansel Adams' nature photography more than anything was his will to travel all around the country in pursuit of both the natural beauty he photographed and the audiences he required. People began to connect Ansel Adams' work with any topic of nature or the environment itself.

While Ansel Adams is most known for his breathtaking nature photography, he also produced spectacular black and white photography. Adams made black and white photography what it is today through several pieces of work he created. His black and white images helped induce an emotion of timeliness and freeze a particular moment. While many believe color adds to a picture, Adams showed that a black and white image can say just as much, if not more, than that of a colored image.

One image that stands out that he created in 1938 was "Half Dome, Merced River, Winter", one of Adams' most beloved photographs of Yosemite Valley. He took the photograph with an 8"x10" view camera from the Old Sentinel Bridge near the Yosemite Chapel. This picture sums up his style perfectly with the gorgeous mountains covered in snow, trees all in front of the mountains also covered in snow, and a river flowing in the middle of the picture.

There are few photographers that have been able to leave a lasting image on people like Ansel Adams. His love and desire for nature enable him to take breathtaking nature photographs. And his black and white photography has made it what it is today.

Nature and wildlife photography: http://www.dianasphotography.com and http://www.cafepress.com/dianasphotos

Photographing Lightning

2007-07-15T16:03:00.000-07:00

Lightning can be both a beautiful and yet frightening part of nature. Many of us find awe in watching the momentary bolts of lightning and have seen photographs which seem to have captured more bolts of lightning than are possible in a split second. When photographing lightning, as with any unpredictable subject, the ability to capture that one fleeting moment is something we do not have the luxury of doing. Yet, what we can capture is quite impressive when we use the proper techniques. With lightning, the key is to let it do its show for us, and not to attempt to capture a momentary bolt. Here are some helpful lightning photography tips. As lightning is a split second event, and often lightning bolts come in groups, we can use the lightning for our source of light. We do this by using a slow speed film (a low ISO on digital cameras), a small aperture, and a long exposure time at a point when the lightning's activity has increased. This exposure can be from 1 second to many seconds depending on the amount of lightning activity, and if we are taking the shot during the day or night. Even if we are taking the exposure during the day, often lighting conditions are very reduced during a storm; by as much as 7 stops or more from sunny conditions. The idea is for us to pick our spot from which we are going to shoot during the storm; such as a cityscape, farm, church, or any other area we feel would make a good background (or subject) for the lightning. We can select areas from which we would like to shoot during a non-storm period and go to those locations when a storm is brewing. If we are to set up the camera in an outside location, we need a sturdy tripod with some additional weight to hold it down during potentially high winds, and some waterproof cover for the camera. The use of a cable release is a must, for the sake of safety, and the best type to use is an air-bulb release as it does not use metal in the tube; not giving a source of continuity back to us in case the camera is struck by lightning. We need to set the camera to the bulb (B) setting for shutter speed, and probably an f/16 with the lens set to infinity, or a pre-determined hyperfocal distance. We then need to get to our safe place from where we are to trip the shutter. An alternative to setting up the camera in an outdoor location is to use a windowpod we can attach to our car windows and attach the camera to it. The window should be rolled up as much as possible and the camera still needs to have a cover for protection. For those of us lucky enough to have a good view from our home, we can position the camera at a window, either opening the window or pushing the lens up against the window glass, making certain that any interior lights for the room we are using are turned off. Taking pictures is a matter of holding the shutter open for a few seconds so we can capture one or more bolts of lightning. For the best results, we need to do this several times as we cannot pre-measure the exposure value of the lightning. We should plan to kill of a full roll of film (here, digital cameras have an advantage) doing this for different exposure times and various lightning effects. The end result will be several successful exposures with some really neat lightning effects. A lesson on taking pictures of lightning cannot be closed without mentioning the potential danger in doing such. Lightning is electricity with an equivalency of thousands of volts of potential delivering enough joules to make the electric company salivate. Capital punishment by electrocution uses less power than what a lightning bolt can potentially deliver. Safety during a lightning storm involves keeping yourself in a protected place such as a shelter where you are not exposed to an opening or a vehicle which is well protected from lightning due to it not being grounded, as lightning is attracted to portions of the earth which have an imbalance in their electrical state. Being separated from the ground breaks the continuity and prevents you from becoming an attractor for the lightning. If you find yourself outside during a lightning storm and you feel the hair on the back of your neck and limbs stand up, quickly get away from the area as this is a precursor of a lightning strike. Wearing protective clothing such as a rubber raincoat and boots with rubber galoshes over them can add protection, but it is not a cure. Staying away from trees during a lightning storm is advised, not due to making you a better target (as it does not), but if the tree is hit and the ground is moist enough, you can still be struck due to continuity of the electrical charge or the splitting of the bolt; not to mention having a tree fall on you. The effects on someone from being struck by lightning can range from the loss of fingernails and toenails, loss of hearing, severe burns, loss of sight, loss of all body hair, organ and tissue damage, organ failure, brain damage, fusion of skin, to outright death which is not uncommon from lightning strikes. I hope my warnings about the dangers of lightning have not fallen on deaf ears. Taking photos of lightning can be quite a rewarding experience. Being alive to share those photos can be an even more rewarding experience. You do not want to end up being the butt of the old photographer joke where their last picture was a beauty. Bob This article is copyrighted 2005 by Robert Meeks. All rights reserved. Webmasters are allowed to use this article on their site so long as the content and copyright information stays intact and a link is provided, on the same page as the article, to Zhorkow's CargoShip.

About the Author

I have been involved with portrait and wedding photography professionally since the early 90s and been into photography since 1980. I presently write articles on photography and entertainment subjects as well do web design.

Making Money With Digital Photography And Live Events

2007-06-22T12:02:00.000-07:00

By Richard Meredith

A few years ago I became interested in digital photography, mainly for web publishing and personal reasons. You know, how nice is it now to NOT have to deal with film, scanning pictures, and the costs of developing all of those "not great" photos that you didn't know were so bad until you paid to have them developed!

So, at the time I got my first digital camera a friend of mine was playing in a rock band, and needed pictures for their web pages and promotional printings and ads. When I first began to do their photography, I had NO IDEA what it all would lead to... and now I will reveal to you some of the MANY ways to make money, part-time, with your love for photography!

Now, at the clubs my friend's band played in- a lot of the time they would be in a line-up of 3 bands for the evening, of which I shot live pictures of my friend's band's performance. Then I got another idea, I'm there already, usually to finish the night with the band, so I started to take pictures of the other bands. Afterwards, as they were breaking down their equipment, I introduced myself as the other bands photographer, and explained that I liked their music and look- and also took pictures of them also.

I got the names of the band members, jotted down notes about which instruments each one played, and then got a mailing address to reach them. I told them that I was going to print up some proof sheets and send them off to them... all were very agreeable and willing (and why not, it doesn't cost them a thing).

Then I printed the proof sheet(s), and selected three of what I thought were the best- of which I made a little bigger on a separate sheet and used Photoshop to refine and enhance the images
prior to printing (all on my little ink-jet printer).

I composed a form letter that I could customize for each mailing explaining details like:

- The first proof sheet was all of the raw digital images

- The second one with the larger images was digitally self enhanced

- I would professionally print any pictures they wanted for XXX cost (considering mailing costs, printing costs at a local printing shop, labor for digital enhancement, and healthy profit margin)

- For any order I would give them a CD with ALL of the photos in digital form for them to use any way they wanted

- Add my contact information

- And finally my availability to book shootings with them in the future

Now I could personalize this form letter and send it with the proof sheets to the band, and when I would call them about a 8 days after I made the mailing to ask them if they received the proof sheets and which ones they liked (and I liked)- and I simply asked for an order.

It was amazing how well this worked, and I expanded the idea.

I would go to fund-raising events, marathons, special events hosted by radio station
personalities... always getting the contact information for reaching whoever is in charge of promotions and following the same system!

As you go along, you realize some other benefits to you new "business"- like free admissions (and no club cover charges), press passes, exciting opportunities to meet
interesting people and celebrities, discount drinks, and much more! It's amazing what people will GIVE you, if you just ask!

Then there are the home-business tax deductions that are eye-opening in themselves!

As soon as you can, upgrade to more professional equipment so you can not only "play" the part, but also "look" the part. Print up business cards, and make up your own portfolio of your "best" digitally enhanced photos of all kinds of subjects and previous shootings.

Seriously, this could turn your love for digital photography into an exciting lifestyle and an income that could surpass your present one!

But then again, I know I have only just scratched the surface with professional digital photography, and I'm sure you now have just entered a "think-tank" that will spur many more ideas for you to make digital photography more than just a love. Make it a great life!

Richard Meredith is the Author of
"The BLACK BOOK of Online Business"- An amazing FREE SOURCE ebook for the online business person!

http://www.straight-talkmarketing.com

Feel free to distribute or publish this article conditional only by including the by-line intact.

Article Source: http://EzineArticles.com/?expert=Richard_Meredith

Great Wedding Photography

2007-06-15T17:37:00.000-07:00

By Beth Campbell

Some feel that taking wedding photos is only a casual affair, just do it and get it over with as they are only doing it for a family or friend. Others view it as a serious matter as it is their professional. Wedding photos can sometimes be difficult to take as there is a flurry of activity as well as varying lighting conditions, not to mention dealing with a nervous bride that wants everything to be perfect. Here are some strategies you can use for taking great wedding photos.

If you are going to take wedding photos, preparing ahead of time is vital. Many recommend that you prepare two months ahead. To start preparation, you must get to know the bride and groom taking, careful note of their needs and wants. Ways this can be done is by asking them the following questions:

1. How many photographers will there be at the wedding.

2. Do the guests consist of mostly family or, is there going to be a mixture of family and friends?

3. Which locations will be used? Will the wedding be at a church or in a backyard? Will there be a reception?

4. What types of photos would you like? Would you like formal group portraits or do you want romantic and candid couple pictures? This is an extremely important question. Be sure that you understand what type of photos the bride and groom want. Ask them to describe some of the favorite wedding photos they have seen. This will give you an idea of what they have in mind.

It is questions such as these that will help you understand the requirements of the wedding which will, in turn, enable you to take better shots.

After you have learned of the wedding locations, it is a good idea to go and scout them out. You will want to take note of the types of lighting as well as other features of the environment. If the wedding is going to be in a church, go there and check out the decor. It will also be beneficial to figure out where you will position yourself. Some churches do not allow flash photography so, it is a good idea to get a fast lens. If there will be a reception, check out the dance floor and ask for the seating arrangement.

Organizing the gear that you’ll need for taking the photos is another critical step. It is usually a good idea to do this a month ahead of time as it will leave you enough time to check and double check to see if you are missing any equipment. Here is a list that may help you keep in check;

1. Digital camera. You should also have a camera for backup.

2. Camera lenses and filters.
3. Tripod. This is critical for taking pictures indoors under low lighting conditions.

4. Memory cards. Bring ones that have a lot of space as you’ll be taking a great number of photos and always have an extra.

5. Portable drive. This is critical to bring along just in case you should run out of space on your memory cards.

6. Make sure the battery is charged and that you have a backup battery.

7. Assistant. It would be helpful to bring one along as he or she could help you set up and position the group. The assistant can be a family, friend, or whoever you decide to bring along.

Now, the wedding day has come, and there is a great deal of excitement. To help you keep in check, here is a sequence of events that will occur;

1. If you are taking pictures at the house, be one of the earliest to arrive so you will have time to set up your equipment as well as your positions.

2. When taking pictures at the church, take note of where the priest and couple will be standing and position yourself where you can get the shots you need but will be as unobtrusive as possible.

3. When it is time for the reception, get there faster than everyone else. This will give you time to set up your equipment as well as your position. This is the time where you can take all of the fun shots!

4. When taking formal photos, have your assistant there to help you. Start out with the large groups and then go smaller removing family members so you can get a variety.

5. It is common now to upload all the photos to an online gallery so that the couple can choose which and how many photos they wish to have edited and printed. You will need to know this information so that you know how much to charge them for the number of photos they have chosen unless an agreement was reached before hand. Even if an agreement was reached before hand, once they see the photos, they may want more than was originally agreed upon and you may have to charge a per photo price for photos in addition to the number that was originally agreed upon.

6. Once the couple chooses the photos they want, cleaning up and editing the photos is important as you want them to be as perfect as possible and be pleasing to the couple.

As taking wedding photos can be a challenge, it can also be rewarding as you have played a crucial part in helping the couple capture those precious memories.

To learn more about digital photography, visit mastering digital SLR photography. Want to improve your photography techniques? See digital photography technique. Find out more about how to take great wedding photos at digital wedding photography

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Photography Tip- Stock Photography - How To Counter Image Thievery

2007-06-15T17:27:00.000-07:00

By Eric Imboden

Most photographers who come to me raise this issue at the beginning: "How can I make sure no one will steal my photographs?". There is no way to be a 100% sure that your images won't be stolen but there are a few things you can do.

On the technical side, some photographers point out that if the right-click "Save image as..." option is disabled, their images are safe. No, there are not. First, on the Mac and on Linux, this doesn't work. Second, on Windows, if you turn off Javascript, this right-click option will work. Third, any image on displayed on your web browser (FireFox, Internet Explorer) can be saved if you look at the source of the page: it doesn't take a Computer Science degree to do that.
Also, some software vendors try to sell you plugins that should solve this problem. Usually these "solutions" are quite expensive and truth is that even those most complicated software that require server-side and client-side implementations cannot prevent a screen capture. It's as simple as that. Not matter how much money/time you spend, there is no technical solution.

If reading this statement makes you anxious, please consider this: How customer-friendly do you want to be? The more protective you are of your work, the harder for your clients it will be to see it. If they have to install a plugin to see your work, they might as well go next door. Besides, I personally dislike to be treated as a thief or a threat when I go shopping: that's bad security because it scares your customers away. In other words, don't "punish" 99% of your clients because 1% of them are thieves. If you don't trust people, don't get into any business at all.

So, what can you do? First thing, be careful to what you display and where you display it. It's never a good idea to make your high-resolution photographs available for download on photo-sharing websites like Flickr. Icelandic photographer Rebekka Guoleifsdottir had a bad experience about this: her work was supposedly taken from Flick, printed and sold by some third party. This is every photographers' nightmare. Of course, you can call your lawyer but it's going to cost a lot and, in this case, the supposedly thief was located in another country making things much more difficult.
First quick fix: if you are using these services, make sure you do not upload photos larger than 500 pixels (largest side). Even if someone would take the 500 pixel wide image, he would not be able to sell it: it's too small. Using Photoshop to make it bigger would only result in a pixelated image.
Second quick fix: apply a watermark. Don't be too aggressive with the watermark because it's visually annoying. If your image is no wider than 500 pixel, there's no point in putting it in the centre: your image is already small enough and remember, you do not want to scare your customers away. On your watermark, you should display the copyright symbol, your name, and optionally a web address where to find your work.

To sum up, there's no ultimate solution about image thievery but you can take some proactive step to fight protect yourself against this. However, scaring away your customers won't do any good. In fact, don't forget that the web works differently than the "offline" world: your competitor is just a few clicks away and if someone steals one of your low-resolution image and put it on a personal website, ask him/her to delete your work or give you credit for it: they usually comply. After all, it's not a physical good: no money was lost.

Eric Imboden is passionate about stock photography. He can be seen at http://www.kumaru.com/ where he helps photographers promote their photos and sell them commission-free. He always welcomes new ideas or comments about his website or articles. Email him at: info@kumaru.com

Article Source: http://EzineArticles.com/?expert=Eric_Imboden

Photography Tip- Let's Do The Twist

2007-06-13T12:19:00.000-07:00

I'd like to share my model slenderizing photography tip with you, so that you can use it to help slim your subjects and trim their waists. The better your subjects look, the more they will appreciate your photos.

I was recently on a photo shoot with a couple at the lake. During the meet and greet before the shoot, the female subject said to me, "make me look thin and I'll buy a ton of photos", I told her "not-to-worry, I've got a magic lens!" Why was I so confident? I've got some tricks up my sleeve. I work on commission, so my life depends upon making her look good. I knew exactly what I was going do.

My first photographic pose was a standing shot of the couple. I used a technique I call, The Twist! To make the models appear thinner in the standing full length photograph. Here's how I did it:

I posed the subjects for a full length (head to toe) standing image, with the models standing together next to each other and facing me. Both models kept their feet together and parallel. The subjects turned their feet towards each other, not completely facing each other but definitely turned towards each other. They turned to the same degree so the couple was evenly balanced.

I had the models do The TWIST in which they rotate the upper body to the outside while keeping the lower body turned towards each other. In other words, they kept their feet planted and facing in towards each other. Then I had them twist at the waist and brought the subjects-chests around so they were pointing at me. Photography Tip: Men and women alike generally look better when the chest is facing the camera rather than a shoulder.

It was amazing at what The Twist did. It made the hips appear narrower and the tummy look tighter! It also brought attention to the chest so that the viewers eye is drawn away from the mid section. This technique also produced neat, tidy and balanced subjects.

I adjusted a few more subtle details from this basic position to change the look and feel of the pose. I had the models move their outside feet straight ahead, say two inches. Then I had the models turn the toe on the outside foot out slightly. and lastly I had the female subject place the outside foot on it's toe and turn the heel in and then bend the knee in for a zesty twist.

A couple more more last minute adjustments like straightening posture, sucking in the belly, and some silly antics to spark genuine smiles up on the couple and I had the shots I was after. From each variation of the pose, I quickly shot several vertical full length and horizontal full length portraits.

I then zoomed in for some waist-up shots and even more for chest/head close-up portraits of the couple. Photography Tip: If you have a client that is self-conscious about their bodily appearance, shoot extra head shots.

Experiment with these photography tips and add your own variations of The Twist. Implementing these and other posing techniques can eliminate potential objections on the sales floor in the studio. Take control of the portrait from the start, It's your job! Your clients will appreciate your attention to detail.

Photography tips are great, but if your really serious about having fun as a professional photographer, it begins with a photography education. Compare online and campus based photography schools for the program that best fits your field of study.

Photography Tips
Photography Tip

Photography School- Choose The Right School

2007-06-10T23:18:00.000-07:00

Thanks to the revolution in digital photography, the industry is growing quickly, photographers are more in demand than ever before and some very specialized fields of study are facing shortages, while other fields are extremely competitive. The key is to choose the right specialty and then a photography school to prepare you for your field of study...

By Brandon Baumgarten

Why go to school for photography can't you just freelance? Well, you could. But a degree from photography school opens up opportunities that would be out of reach without a formal education.

You have the opportunity to learn the occupational skills necessary to become a professional photographer. You'll also make contacts that help your career as a professional photographer. In fact many photography schools have placement programs to assist graduates connect with employers after they graduate. Plus, photographers attending college, can enhance their future resume by completing an internship with a major newspaper or magazine during the summer months.

There are many things to consider prior to selecting the school you will attend.

Choose a field of study- Thoroughly research each field of study, to get a feel for which one is best for you. By narrowing down your field of photographic study, to the job profiles you are most interested in pursuing when you graduate. You can concentrate on learning the occupational competencies for your specialty.
What is the demand for your field of study? In some specialized fields of photography photographers are really in demand. For example medical and scientific photographers with a chemistry degree or degree in medicine are highly sought after right now. Other fields like media photographer jobs are much more competitive.
School Location- The location of the photography school is an important factor. If the schools are not nearby, consider the cost of living in the area. Search CraigsList to get an idea of rent cost, job availability etc. If moving to another location is not feasible, community colleges and online classes are a popular option.
Tuition Cost- The cost of tuition while attending photography school can play a major role in your ultimate decision. Research scholarships and financial aid that may be available. Keep in mind that a good education isn't expensive, it's invaluable.
Read school reviews- When choosing the right school from your top picks, do some research for objective reviews of the institution and it's staff.

Request information from each photography school you are considering attending and maybe even a few more just for reference purposes. Most schools will send you a free no-obligation information package. Compare programs for the schools that match your goals and narrow the list down to two or three that provide the curriculum required for your field of study.

Narrow your choice of photography schools down to two or three that match your field of study. Now go check them out! There is no substitute for visiting the school in person. You can meet with the faculty, inspect the facility and get a feel for the local community.

Find out more about choosing a field of study and compare online and campus based photography schools for the program that best fits your field of study.

Brandon is a professional digital photographer from Lake Tahoe, California. Brandon specializes in on-mountain action and portrait sports photography during the winter months, photographing skiers and snowboarders on the slopes. Brandon also has a digital photography website which is full of excellent tips and techniques.

Article Source: http://EzineArticles.com/?expert=Brandon_Baumgarten
Photography Tips

Photography School - Choose The Right Field Of Study

2007-06-10T23:08:00.000-07:00

Here's a photography tip to help professional photographers get more out of each group they shoot! This very simple technique can help you sell more pictures and substantially increase your income.
By Brandon Baumgarten

Photographers may specialize in one field of photography or they may generalize in a combination of two or more types of photography. Prior to selecting the photography school you are going to attend. Narrow down the specific fields of photography you are most interested in. The differences between photographer specialties are in the subject matter, work conditions and in the type of equipment used and required for design and composition of the photograph.

Photographer fields of study for you to consider:

Wedding and Portrait Photographers pose their subjects and carefully set up lighting and use flash units to enhance the images.

Fine arts photographers sell their images as fine artwork. In addition to technical proficiency, fine arts photographers need artistic talent and creativity.
Commercial Photographers shoot scenic photography for advertising, stock image and print sales. They also photograph products like food and merchandise or buildings and architecture.
News Photographers typically work on location at news-worthy events. They take pictures that enhance stories used by the news media.
Industrial Photographers shoot photos of machinery, employees working, equipment, products, and company officials. The images are typically done on location and used for the analysis of engineering projects, publicity, or company records.
Medical Photographers specialize in more technical forms of photography, such as Ophthalmic, Surgical or Pathological photography.
Freelance Photographers line up their own work and projects. Then they sell their photography directly to clients. They must be highly motivated to become successful.

Which field should you pursue? Ask yourself, why do I want to be a professional photographer, for the love or the money? Most of us do it for the love of photography. If you do it for the love of photography, consider combining your passion for photography with other interests like chemistry, medicine, news, special events etc. Important things to consider when choosing a specialized area of photography:

Working Conditions- If you want to work indoors in an air conditioned office or outdoors in the elements and on the move.
Salary Range- The compensation you can expect from each field of photography varies greatly. Research pay ranges before you select your field of study.
Educational Requirements- In some fields of photography like portrait and fine art, talent and experience are enough for motivated individuals. However additional education in areas such as engineering, medicine, biology, or chemistry are required for other fields.
Advancement Opportunities- Opportunities for advancement at a small photography studio are limited. Photographers in other industries such as media, medical and scientific photography can find room for moving up.

Careers in traditional photography like the media positions are highly competitive, since salaried jobs are extremely desirable. Some of the less crowded fields in the photography profession are the aerial, industrial and scientific fields of photography. In addition to photography skills, these jobs require college degrees and specialized technical training. When you carefully consider all of the factors, I'm confident you will choose the right career path.

Find out more about choosing a field of study and compare online and campus based photography schools for the program that best fits your field of study.

http://EzineArticles.com/?expert=Brandon_Baumgarten
Photography Articles

Photography Tip- Total Breakdown

2007-06-10T22:52:00.000-07:00

Here's a photography tip to help professional photographers get more out of each group they shoot! This very simple technique can help you sell more pictures and substantially increase your income.

By Brandon Baumgarten

Recently, I had an appointment for a photography shoot with a wonderful family. We made plans to meet at the lake for their yearly family photo shoot. As usual I got there well before the family was scheduled to arrive so I could set up the equipment and be ready to go. The family of five and one pair of grandparents pulled up in a black Hummer. I introduced myself and as we were walking to the lake, Mrs Weber said to me I love pictures, my husband let's me buy whatever I want. Do you sell photo gifts? I got a little spring in my step and answered, "yes we have a variety of cool things like photo mugs and puzzles you can see our full selection when you order." Then she said she wanted a close-up portrait with Lake Tahoe behind her for her blog. I said, "just go with the flow!" Now I'm thinking to myself, it's time for a Total Breakdown!

I started with a photo shoot of the entire group of seven. We did a few different poses and I shot a ton of photos. Then, I broke it down!
I had the grandparents step out of the picture and photographed just the family of five. We had fun shooting poses for the family portrait and did some creative and traditional portrait photos. Then I broke it down again!
I had Mr and Mrs Weber step over with the grandparents out of the picture, who by the way were throughly enjoying the entertainment, but the best was yet to come, the kids were next! They were great fun, so I got wild and crazy shots with them. We did a ton of cool shots. What now? Break it down!
I shoot three or four quick shots of each kid. I'll do a standing full length pose. Some mid and close-up shots and something unique and different for each kid. Another breakdown? You bet! I'll keep going till they beg me to stop! Why do you think I sell so many pictures?
I had grandma and grandpa step-back into the beautiful outdoor studio overlooking the lake. I shot a wonderful photo of the lovely couple, then breaking it down again, I photographed grandma and grandpa separately.
Next, I had Mrs Weber join her mom and dad (grandma and grandpa) for a photo of her together with her parents.
Now your thinking what else can you do with this? I had grandma and grandpa exit-stage-left and photographed mom by herself, remember she wanted a head-shot with the lake in it for her blog bio photo?
Wow!!! We still don't have a shot of mom and dad together! So I have dad come over and join mom. The couple is easy to work with because now they are in sync with my flow. We capture some gorgeous pictures of them.
I wrap up the shoot with some handsome photos of dad by himself.

I could have kept going all day, but the kids are climbing trees in their nice clothes and mom... So I call it a wrap! The key to The Total Breakdown Method is transitioning from one combination of subjects to another quickly and smoothly without interruption. With an attitude of professional confidence go from one pose to the next.

The Don't ask! Do Tell Policy states that you never ask a client if they want a break down! If you display skill and confidence, clients will allow you to do your job and take control. For instance "Mom-n-Dad, please step to the side, I'm going to get some pictures of the kids". And that's what happens. If I had asked Mrs Weber "would you like to get a photo of the kids" she may have said no, after that, I'm in the situation of getting every photo approved and I don't want Mrs Weber to decide on whether or not to get an image, until we are looking at them on the monitor on the sales floor or at our online photo sharing pro gallery!

If you use this photography technique with every group, you should see an increase in image sales. If you haven't been doing any breakdowns, the increase in photography sales could be substantial. By the way, Mr Weber slipped me a very generous, "thank you" after the family photo shoot and said I did a great job! In addition they spent well over $1000 on photos.

Brandon is a professional digital photographer from Lake Tahoe, California. Brandon specializes in on-mountain action and portrait photography during the winter months, photographing skiers and snowboarders on the slopes. Brandon also has a digital photography website which is full of excellent techniques, products and services. Including tips to help you create your own impressive online gallery, with flashy photography templates that are designed for serious photographers.

Article Source: Photography Tips

Photography Tip- Start Today to Sell Your Photos

2006-09-01T09:44:00.000-07:00

By Rohn Engh

"I have a great product, and I know exactly where it can be sold at this moment. But the only thing standing between me and seeing my product in national circulation is procrastination." Have you heard this before?

By applying the same management techniques that are used by successful businesses, you can move your stock photography operation forward. Here are some self-management principles for the small business entrepreneur:

GET IT DONE. It's easy to slip into the habit of narcoticizing yourself with the evening news or a sitcom. Change your habits. Buy a $4.95 quartz alarm to beep the same time every evening to remind you and others in your household that it's "Marketing Time" -- in others words, time to devote some specific time to getting your business off the ground.,br>DO ONE THING WELL. Creative people often do themselves in because they are talented in many areas -- music, writing, painting, crafts, and so on. Choose one, and begin today to develop just one area of your creativity.

ASK AROUND. Don't reinvent the wheel. There's a goldmine waiting for you in the neighbor or friend or acquaintance who's already been there. He knows the pitfalls, barriers, and obstacles, especially if he's failed. Everyone loves to be an expert. Weigh their opinions against others’, and then come to a consensus. If you don't want to consult a local competitor, phone someone in another like-sized city who is traveling the same highway.

ELIMINATE THE LOSERS. Take time to analyze what's working for your business and what's not. Parts of your business are moneymakers, others are not. Don't let sentiment or the tired phrase, "We've always done it this way," drag you down.
LOOK LIKE A PRO. Too many entrepreneurs feel that because their product is good, it should sell. Not so. A "better mousetrap" will not insure your product's success. Employ packaging techniques. You don't get a second chance at a first impression. If you want first class sales to your clients, give them first class treatment. Build a quality website. Invest in deluxe stationery, labels, and product packaging.
DO YOUR HOMEWORK. Jumping in with two feet and enthusiasm is fun and romantic, but unless you've checked to see if water is in the pool, you're in for some disappointments. If your enthusiasm is still high after you've done your research, you've got a winner.

UNDERSTAND MARKETING. Your product will sell if you position yourself effectively. Super umbrellas won't sell on a sunny day, but even poor ones will sell easily in the rain. Your success today will reflect not only your product's worth to a customer, but your ability to find that customer's need and fill it.

SPECIALIZE. In the last century, the keyword was 'versatile'. In this century, the markets are too fragmented to be able to be all things to all markets. Choose your corner of the market and develop it. Become an important resource only to certain consumers.

BE BUDGET MINDED. You'll see your product in national circulation if you have the cash flow available to pay the production, phone, office, and other bills. Don't fall into the Madison Avenue trap of buying a new car, new clothes, new office equipment, over the counter drugs, high-calorie 'goodies', and other creature comforts that are supposed to make your life fulfilling. If you donate your cash to these dollar-gobblers, you have no cause to say, "The cost of getting into business on my own is too high."

FAIL BUT DON'T QUIT. Are you afraid you are not going to make it? Fear of failing is one of the greatest deterrents to beginning entrepreneurs. That's why not too many succeed; they never get up after they've been knocked down. Most successful people in any field have failed many times. The difference between you and them is that they never quit.

UNDERSTAND BRANDING. Develop a “style” about your stock photo business – and stick to it. That includes your actual photos right down to your stationery. Develop a logo and a simple “catch-phrase” you can use in your promotions and advertising.*

PLAY NOT WORK. There's a saying, "The luckiest people sweat the most." Yes, it's going to require long hours. But don't translate that to mean work. If you love what you're doing, it's all play. Choose your area of stock photography interest first by asking yourself, "What area do I love most?" Then do your research and find out if there's a market for that area. If there is, it'll be all play.

START TODAY. Most people spend their time preparing, rather than doing. "One for the money, two for the show, three to get ready, four to get ready, five to get ready..." Start today.

*Reference: The Brand Gap, Marty Neumeier, 15BN 0-321-31810-9; New Riders Press, ask@peachpit.com

- - - - - - - - - - - -

Rohn Engh is director of PhotoSource International and publisher of PhotoStockNotes. Pine Lake Farm, 1910 35th Road, Osceola, WI 54020 USA. 1 800 624 0266; Fax: 1 715 248 7394. http://www.photosource.com

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Photography Tip- When Is Permission Required

2006-08-19T17:03:00.000-07:00

By Rohn Engh

Q. I just read a question answered by you about model releases of people in public. I have wondered about the same question. My specialty is creating shots that evoke a strong mood, and I need a human element to make the photo successful. My question is, I always thought that the rule was, "if the person is recognizable in the photo" you need a release. Alot of times I have shot pictures of people afar off, or as a silhouette, or with their back to me (so no parent or other person could threaten to sue me because they saw their son or daughter's face in a book or magazine without their permission). How do you avoid this from happening? If I remember what you said, if the picture is used for a book or magazine or newspaper and isn't being used for advertising, then a release is not required. I know that it may not matter to the photobuyer, yet again, if the parent sees the picture, could this pose a problem for the photobuyer as well as for me?

A. Ken, you said it best: "If the picture is used for a book or magazine or newspaper and isn't being used for advertising, then a release is not required." This is thanks to our Freedom of the Press.

As you know, in the past – many regimes only let the public know what they (the ruling regime) wanted the public to hear. (Stalin, Hitler, Tojo, Mussolini, and more recently, Saddam). It's a convenient way to run a totalitarian government. But it isn't pleasant for those being ruled.

The wisdom of our forefathers was to recognize that despite how much it might hurt, we have to report (and display photographically) what is happening around us. And yes, it might hurt the mother of a child who is photographed in public beating up on a smaller kid, or a drunk strolling down the street, or two lovers on a park bench. Our Freedom of the Press protects us, and sometimes embarrasses us. As you know, that's the way it is in a democracy.

Most photographers who enter the field of editorial photography from a commercial background (fashion, corporate, aerial, real estate, food, photography and so on) are surprised that their new field, editorial photography, knows no restrictions.

It's up to the PUBLISHER of a photograph to decide whether the picture might not be acceptable to his/her public, whether that might be in New York, Alabama, or California – where each location might have a different cultural outlook on the same subject matter.

I've yet to hear of an editorial photographer being sued and losing the case on the kind of situations mentioned in the second paragraph above. Anyone can sue anyone. But smart lawyers know it's an uphill battle to try to win a Freedom of the Press case, let alone get any funds out of a freelance photographer. An attorney would always ask for a retainer first before taking on such a case.

The editorial photographer "greats" of the past, who have shown us what life was like during the roarin' 20's, the Great Depression, or the 60's, knew they had a mission: to show the world how they (the photographer) saw the world (Weltanschauung), leaving that as their legacy, and us to judge its merits.

As an editorial photographer, you have to overcome your timidity to photograph some things that might be reprehensible to you: mental wards, homelessness, or unpleasant political or military situations. As the man said, "If it were easy, everyone would be doing it."

Rohn Engh is director of PhotoSource International and publisher of PhotoStockNotes. Pine Lake Farm, 1910 35th Road, Osceola, WI 54020 USA. Telephone: 1 800 624 0266 Fax: 1 715 248 7394.

Web site: http://www.photosource.com.

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TIP- Making Money With Digital Photography And Live Events

2006-06-21T02:48:00.000-07:00

By Richard Meredith

A few years ago I became interested in digital photography, mainly for web publishing and

personal reasons. You know, how nice is it now to NOT have to deal with film, scanning
pictures, and the costs of developing all of those "not great" photos that you didn't know were so
bad until you paid to have them developed!

So, at the time I got my first digital camera a friend of mine was playing in a rock band, and
needed pictures for their web pages and promotional printings and ads. When I first began to
do their photography, I had NO IDEA what it all would lead to... and now I will reveal to you some
of the MANY ways to make money, part-time, with your love for photography!

Now, at the clubs my friend's band played in- a lot of the time they would be in a line-up of 3
bands for the evening, of which I shot live pictures of my friend's band's performance. Then I got
another idea, I'm there already,usually to finish the night with the band, so I started to take pictures of the other bands. Afterwards, as they were breaking down their equipment, I introduced myself as the other bands photographer, and explained that I liked their music and look- and also took pictures of them also.

I got the names of the band members, jotted down notes about which instruments each one
played, and then got a mailing address to reach them. I told them that I was going to print up some proof sheets and send them off to them... all were very agreeable and willing (and why not,it doesn't cost them a thing).

Then I printed the proof sheet(s), and selected three of what I thought were the best- of which I
made a little bigger on a seperate sheet and used Photoshop to refine and enhance the images prior to printing (all on my little ink-jet printer).

I composed a form letter that I could customize for each mailing explaining details like:

- The first proof sheet was all of the raw digital images

- The second one with the larger images was digitally self enhanced

- I would professionally print any pictures they wanted for XXX cost (considering mailing costs,
printing costs at a local printing shop, labor for digital enhancement, and healthy profit margin)

- For any order I would give them a CD with ALL of the photos in digital form for them to use any
way they wanted

- Add my contact information

And finally my availability to book shootings with them in the future

Now I could personalize this form letter and send it with the proof sheets to the band, and
when I would call them about a 8 days after I made the mailing to ask them if they recieved the proof sheets and which ones they liked (and I liked)- and I simply asked for an order.

It was amazing how well this worked, and I expanded the idea.

I would go to fund-raising events, marathons, special events hosted by radio station personalities... always getting the contact information for reaching whoever is in charge of promotions and following the same system!

As you go along, you realize some other benefits to you new "business"- like free
admissions (and no club cover charges), press passes, exciting opportunities to meet
interesting people and celebrities, discount drinks, and much more! It's amazing what people will GIVE you,if you just ask!

Then there are the home-business tax deductions that are eye-opening in themselves!

As soon as you can, upgrade to more professional equipment so you can not only "play"the part, but also "look" the part. Print up business cards, and make up your own porfolio of your "best" digitally enhanced photos of all kinds of subjects and previous shootings.

Seriously, this could turn your love for digital photography into an exciting lifestyle and an
income that could surpass your present one!

But then again, I know I have only just scratched the surface with professional digital
photography, and I'm sure you now have just entered a "think-tank" that will spur many more ideas for you to make digital photography more than just a love. Make it a great life!

Richard Meredith is the Author of
"The BLACK BOOK of Online Business" -
An amazing FREE SOURCE ebook for the online business person!

http://www.straight-talkmarketing.com

Feel free to distribute or publish this article conditional only by including the by-line intact.

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Ski or Snowboard at one of the major USA Ski Resorts this winter and become an on-mountain photographer. Learn a professional workflow and skills that bring confidence.

Restoring an Old Photo

2006-06-14T20:47:00.000-07:00

By Kenneth C. Hoffman

While browsing through a box of photos handed down to you
from a relative, you come across a studio portrait of your great
grandfather and his family. The picture is in sepia tone, the edges
are tattered and there are deep scratches across the picture. To
make matters worse, someone folded the picture to fit into a small
box producing a crease across the center of the picture.

In spite of it’s faults, you would like to enlarge the picture and
frame it for your family gallery. With a photo editor, you and your
computer can make the photo like new. First scan the photo at
400 dpi resolution. Save the file as a .tif and scan again saving as
a .jpg file. Using the JPEG file to work with, choose the clone
tool to extend the corners and to remove any marks in the photo.
The clone size should be about twice as large as the blemish and
set to fifty per cent strength. Save your work after ten or so fixes,
more depending on your RAM memory.

There are three basic methods of fixing missing or damaged areas
in the photo. The source area of the clone tool is centered over an
area similar to the missing patch but undamaged. A fifty per cent
strength (eighty five per cent for skin) clone brush used in a tapping motion will replace the damaged area. A second method drags the
clone brush and source through the damaged area for replacement.
Finally, a third method involves masking out an undamaged area that
is identical to the damaged area, making it into an object and dragging
the object to the new location for a perfect fit. Some edge blending
may be necessary. Work at the highest magnification possible for an
invisible fix.

Most difficult are problems with the nose and eyes. If one eye is undamaged, it may be possible to make an object of the eye area, flip
it left for right and replace the damaged eye. Blend the edges and use
the smoothing brushes for a natural look. Do not sharpen the eyes
too much or they will look unnatural.

When satisfied with the retouching, open the histogram to stretch the contrast to a proper level. I recommend desaturating the image and using the color balance to simulate the original sepia tone. Some editors have a special sepia tool for this purpose. For enlarging more than
two hundred per cent, I recommend using PureImage or equivalent
software to reduce artifacts, smooth out the one tone areas and sharpen
the edges. Your efforts will be well appreciated, for after all, if it weren’t
for your ancestors, you wouldn’t be here.

A retired portrait photographer, not quite as old as some pictures.

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Copyrights IN Your Photographs

2006-06-10T02:28:00.000-07:00

By Carolyn Wright

You take a picture of a city street. Look closely and you’ll see copyrighted material everywhere in your photo. The obvious copyrights are on the billboard, the newspaper stand and products in the store window. The less obvious copyrights are in the sculptural ornamentation of the lamppost, the patterned fabric of a woman’s skirt and the toy the kid is holding. You will never be able to track down all of these copyright owners to get their permission to use the photo. Are you out of luck if you want to use it commercially? Maybe not.

While copyright law can be restrictive on photography, it is not irrational. Copyright law includes the doctrine of “fair use” that allows unauthorized use of copyrights in certain circumstances. The courts recognize that free expression and avoiding law suits over minor issues are more important than protecting intellectual property rights.

The doctrine of fair use means that copying will not infringe a copyright when it is “for purposes such as criticism, comment, news reporting, teaching, scholarship or research.” Four factors are considered to determine whether the use qualifies under the doctrine:

The purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
The nature of the copyrighted work;
The amount and substantiality of the portion used; and
The effect of the use upon the potential market for or value of the copyrighted work.

So if the copyrighted material that appears in your photo is covered by these four categories, you do not have to be concerned with getting permission to use it. On the other hand, it’s a judgment call. Would a court agree with your position? It may be costly to find out. The next best alternative is to get a copyright lawyer’s advice. The lawyer can give you an opinion based on research and experience. But the safest and sure way to use a copyrighted work in a photograph is to get permission in writing from the copyright owner.

Take my advice; get professional help.
PhotoAttorney

--- ABOUT THE AUTHOR ---

Carolyn E. Wright, Esq., has a unique legal practice aimed squarely at the needs of photographers. A pro photographer herself, Carolyn has the credentials and the experience to protect photographers. She’s represented clients in multimillion dollar litigations, but also has the desire to help new photographers just starting their careers. Carolyn graduated from Emory University School of Law with a Juris Doctor, and from Tennessee Tech Univ. with a Masters of Business Administration degree and a Bachelor of Science degree in music.

She wrote the book on photography law. “88 Secrets to the Law for Photographers," by Carolyn and well-known professional photographer, Scott Bourne, is scheduled for fall 2005 release by Olympic Mountain School Press. Carolyn also is a columnist for PhotoFocus Magazine.

Carolyn specializes in wildlife photography and her legal website is http://www.photoattorney.com

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Have you ever considered taking some photography classes? It's a great way to learn new skills with your camera. At DigitalPhotographyWebsite.com you can request free information from many excellent online and campus programs.

The Art of Communion Portraits

2006-06-08T19:58:00.000-07:00

By Kenneth C. Hoffman

The First Communion is first in many ways. It is the first formal event in a young person’s life, the beginning of a life of good character and a milestone in a seven year olds education. The First Communion portrait is especially treasured by the parents, showing the innocence and hope for the future in their young faces.

For these reasons, a natural, happy face takes precedence over creativity in posing. Communion poses are studies in confidence and naturalness. An ideal session starts with a standing full length pose holding the missal and rosary beads. Girls have their weight on the back foot, their front knee slightly bent toward the camera. Boys stand with legs slightly apart facing twenty degrees off center. Several shots from the left and right sides will assure a perfect expression.

While the subject is standing come in for a medium shot cropped just above the knee. Some happier expressions can be included in this variation. Lighting should be soft but modeling, say two and one half to one ratio.

Medium close up poses are the most popular, so concentrate on getting a good selection for the parents to choose from. A posing bench that simulates the altar rail places the hands and elbows comfortably at waist height. Variations include hands on missal, reading missal, looking up, smiling and serious. You should photograph both left and right sides for a good selection.

Girls allow a little more leeway in prop usage. White tulle placed over a bouquet of flowers, a white or brass candlestick with candle in the background or a small, round topped table holding the missal and gloves off to the side and behind the subject are appropriate props. If there is time, a seated pose for the girls can be effective. Boys can stand with their elbows on a raised marble column holding the missal, the other hand in their pocket.

Always check that the tie is centered and the collar fits snugly to the neck in front. If the shirt collar is too loose, place a roll of tissues behind the neck to tighten it up. Make sure the roll is not seen by the camera. Shirt cuffs ideally should show one half inch of white past the sleeve end. If this is impossible, then show no cuff at all. Too long cuffs can be rubber banded under the coat to the correct length. Veils should be checked for equal length on the sides and the crown centered on the head. Gloves look better held in the hand or on a pedestal, never worn. White dresses and accessories are a natural for high key photography. Boys in navy blue suits look better on a medium gray background with the edges darkened.

Some unusual shots can be tried for appreciative customers. A super close up with eyes raised is quite angelic. Place a small light above the lens for a nice catchlight. Profile shots with a candle and rosary are very effective for the more artistic clients. Throughout the session talk to your subject, tell them how nice they look and give them a chance to relax and look confident. At any sign of nervousness, take a break and distract them with conversation on another subject. Remember that expression is nine tenths of a good portrait.

Retired portrait and wedding photographer. Any thoughts?

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The Rule of Thirds- Some Rules Are Meant To Be Broken, But Not This One!

2006-06-06T10:16:00.000-07:00

By Warren Lynch

The "Rule of the Thirds" is a fundamental truth among photographers and artists. I suppose that it's not really a rule though. You can think of it more as a "guideline". So, in that case, I guess that there are times when it can be broken. Before we talk about breaking the rule, let's talk about what the rule is all about. It's tough to know when to break a rule if you don't know when to apply it.

The "Rule of Thirds" calls for you to draw imaginary lines that divide the scene into a grid of horizontal and vertical thirds. That is, you mentally "draw" two horizontal lines which divides your image equally into three rows or bands. Then you draw two vertical lines which divides your image equally into three columns. The end result is a checkerboard of nine evenly spaced squares.

Now all you have to do is compose your image so that the main elements which are the most important or interesting are placed at any of the four intersecting points of a horizontal and vertical line. Yes, you can use "any" of the four points. Which one you use will be determined by the scene you are shooting and the natural placement of the subjects in it.

Experts say that by using the lines as a guide it's easy to produce a nicely composed image that avoids the common practice of centering your subject in the middle of the shot. Since there is no intersecting pair of lines in the center of the image, it's impossible to place your subject there if you follow the rule.

Camera manufacturers aren't big supporters of the "rule" because they design their auto focus circuitry around the assumption that the subject of the photograph will always be centered in the viewfinder. So, when shooting using the Rule of Thirds, you may need to switch to manual focus if your camera refuses to focus properly.

Now that you understand the rule, let's explore the wisdom of breaking it from time to time.

An interesting result of drawing those imaginary lines is that not only do they intersect, but they also run parallel to each other. That results in a side benefit which can give you an entirely different perspective when composing certain shots.

Let's suppose you're in the desert on a clear night with a full moon and a sky full of stars. You've got nothing but a miles of white sand, glistening in the moonlight, between you and a large butte in the distance.

Instead of placing the butte at one of the intersecting points, like the rule requires, center the butte horizontally in the viewfinder and then move the camera so that you place the top third of the butte slightly above the bottom horizontal line. The result will be a dramatic dwarfing of the mountain by that magnificent night sky and a perspective that the average photographer would have never seen if it weren't for the "rule".

The nice thing about the "Rule of Thirds" is that it always works when there isn't something else that will work better. That means that if you don't have time to compose a perfect shot, you'll at least end up with one that's better than ordinary if you let the "Rule of Thirds" take over.

Have more questions about rule of thirds. This digital photography tip article is brought to you by award-winning professional photographer Warren Lynch. Exciting articles gives both beginners and advance digital camera enthusiast the leg up. With cutting-edge digital photography blogs, forum and review resources.

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How to win at Photography Competitions

2006-06-05T20:47:00.000-07:00

By David R Butcher

Entering photo competitions is a great way to practise and improve your photography and have some fun in the process. One of the greatest morale boosters a photographer can get is to win or even placed in a highly regarded competition. It means that others have seen your work and judged it worthy. There are a few pointers that you need to know about competitions that will increase your chances of winning however

First find your competition. Luckily photographic competitions can be found in many places such as in magazines (both photographic and other specialities), local newspapers, local promotions as well as here on the Internet. Why do people run competitions and give away lovely prizes? Well photographic clubs use competitions as one of their chief sources of entertainment and encourages the members to take photographs. Competitions are also used as promotional or advertising tools for products or companies.

The prizes offered can vary from cash, certificates, film, photographic goodies to cars and exotic holidays. Some photographers make a handy bit of extra cash by entering competitions on a regular basis. Though prizes are a definite draw, many just enter competitions to test their skill against others.

If you are thinking of entering a competition or you have had little success before, here are a few tips to set you on the right track toward entering and hopefully winning a photographic competition.

Shoot for the competition!

The best pictures in a competition are often those that are shot especially for the competition in question. Most competitions have a theme and certain guidelines to be followed. Sometimes even the organisation running the competition must be considered before even composing that winning shot.

The Theme - This is the most important thing to remember. Most competitions have a theme or a specific subject they want portrayed. For example, entering a dog picture for a landscape is a sure fire way of joining the rejection pile. Far too often shots are sent into competitions which, seen on their own merits are technically superb and artistically excellent. But, if the picture doesn't fit the them then the judges have to reject the image.

The Organisation - Often the company or organisation running the competition will conjure an idea of the type of images they want to see. For example, a travel business that runs a competition for the best holiday snaps. They are probably expecting to use the winning images to promote their business. So knowing what holiday destinations they cover and supplying nice bright images of those destinations will probably score higher than others.

Use Impact in Your Entries
When you enter a competition just think how many other may or will be entering. It could just be a few entries in a local camera club competition or it could be thousands in an international competition. Whatever the numbers your image must stand out amongst them. In order to achieve this the subject of your photo must have an eye catching feature or form of impact.

Landscapes for example are a popular subject for competitions, everybody knows what a landscape is and can usually find a nice location not too far from home. But to stand out from the crowd you have to consider the impact and with landscapes its all about the lighting. Sunsets are pretty, and can be spectacular but if the judges have seen hundreds of them then the sunset is very 'samey' as all the other sunsets and become mundane.

For other subjects for impact use colour, shapes or creative lighting, try unusual angles for shooting common subjects. You must find something that will make your image jump out from the crowd.

Technical ability
The last important aspect of your entry is purely technical. If the image is badly exposed, has washed out highlights for example or is out of focus or exhibits camera shake then the image will be rejected.

So with all the above in mind, happy shooting and just remember, shoot for the competition and go for impact with nice sharp well exposed images and you will increase your chances of winning those prizes.

Good luck

David R. Butcher Bsc., LRPS has over 35 years experience in photography and is a co-founder of School of Photography.com (http://www.schoolofphotography.com) established in 1999. He has been awarded the Licentateship of the Royal Photographic Society of Great Britain.

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Photography Tip- Photographing Faces

2006-06-02T00:03:00.000-07:00

By Kenneth C. Hoffman

Every emotion and depth of feeling can be shown on the human face. To capture that fleeting moment on film is a challenge fit for the most talented of photographers. How can the average photographer improve his chances of recording that one-in-a-lifetime image or at least improve the ratio of interesting,

true life images to the unusable, ‘too-bad-she-turned-her-head snapshots?

First you must prepare your camera for the task. If the social event you are to attend is indoors, an ISO setting of 400 or 800 is recommended. A bounce flash head adds another dimension to the lighting and at the same time freezes that portion of the action not lit by strong ambient light. A fifty per cent mix of bounce electronic flash and available light usually allows a high enough shutter speed to freeze most action. A shutter speed of 1/30th is a minimum speed for hand held cameras and 1/4 sec is acceptable for a supported camera. A tripod is definitely preferred for absolutely sharp photos, but can be clumsy and obtrusive for candid work. The recent invention of the stabilized lens or CCD will add two or three lower shutter speeds without blurring. Using doorways, railings, furniture, or just the two-elbows-on-a-table method is helpful in steadying your shot.

A medium telephoto zoom lens simplifies the task of cropping in the camera. Preferable would be an F2.8 28 - 105mm zoom lens or closest equivalent. Longer telephoto lens settings are difficult to keep cropped, and require a higher shutter speed. Wider lenses introduce too much distortion for rendering the human face naturally and produce too much busyness in the composition.

Once the camera is set on the proper settings and the flash (with newly charged batteries) is bounced backwards and to the upper left portion of the room, you are ready to record those faces. In a room with low ceilings, a flash bounced straight up and used with a telephoto setting on the lens is acceptable and you are now ready to record those faces. Two or more faces in the picture should be relating to each other or to a third party. No one should be looking at the camera or the photographer. Six too ten feet away from the action is sufficient for your compositional purposes and presents a buffer zone that protects you (the photographer) from being included in the conversation. Individual faces should almost fill the view finder for good impact.

Tune your mind to an awareness of uninhibited laughter, serious facial expressions showing concentration, moments of love with hugs and kisses and hands touching. Any and all stiff frozen faces staring into the camera waiting for the flash to go off should be avoided. This is not to say you can’t apportion some time to group pictures and memory shots since they are great to have, too. Try to anticipate reactions and make several exposures in a series. You can always delete the missed shots. Be patient, keep moving and be ready to move to another location if you are discovered. Of the hundreds of images you take, you will only be remembered for that one great shot.

At your first viewing of the photographs, edit them mercilessly, removing all photos which do not meet your standards of acceptable emotional content, composition, facial expression or focus. With any luck, you’ll be the talk of the town.

Three hundred photos per wedding, fifty wedding a year, thirty years - but who's counting?

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Photography Tip- Digital Art Made Easy

2006-06-01T23:59:00.000-07:00

By Kenneth C. Hoffman

Everybody who likes to take pictures would love to have some of them enlarged and framed for their walls. Its very presence would give you instant satisfaction and the confidence that you, do have an artistic bone in your body after all. A casual perusal of you snapshots, however, might lead you to believe that not one of these snapshots are good enough for the wall. Now, just for a moment, make believe that you could change anything you don’t like about a picture of yours and that you could match that image to the image in your mind. You can - with the help of a scanner and a photo enhancement program. Of course, if you have a digital camera, you don’t even need a scanner.

There are four basic levels of photo software. Freebee programs meant only to crop, change the color balance, and fix red eye in your pictures. A middle quality program uses a macro to change shapes, improve sharpness, and offer some filters for creating a few special effects, like crude oil paintings or black and white charcoal effects. The next step up often will cost $30.00 to $50.00, but will include all the basic tools you need to create a proud-to-display masterpiece. Micrografx (now Corel) Picture Publisher presents six sizes of paint brushes, an air brush, pastel chalks and colored pencils. You can change the size of your picture, crop it any way you want, and take advantage of dozens of filters which simulate real art textures like water color on parchment paper, palette knife paintings, etc. Turn white skies into blue skies with fleecy clouds, soften some of Grandma’s wrinkles or remove a garbage can from an otherwise perfect picture. A cloning tool permits the addition of outside elements, skin retouching, background cleaning and the filling in of empty spaces. A magic cropping knife can isolate a subject, move it onto another background and let you move the objects in your picture around at will, like decoupage, creating a whole new world of graphic manipulation.

The top of the line is Adobe PhotoShop and its competitors. This program is considered professional software, costing $300 to $700. The basic tools are the same, but many more levels of manipulation are offered. The dozens of filter you used with Picture Publisher have multiplied but keep in mind that dozens of filters and effects can still be utilized by both programs through plug-in filter software. A two week course is recommended in order to learn how to use the Adobe program effectively while the Picture Publisher help boxes are considered sufficient instruction for most people.

Your finished artistic creations can be saved in computer albums against the time you need a nice graphic for decorating an article or for an artistic card. They can be put on tee shires, mugs, calendars, Holiday Cards, stationary, post cards and business cards.
Wall enlargements up to 13 x 19 are easily produce with a Hewlett Packard 1220 Deskjet printer or an Epson printer. Both are available with archival inks lasting over 60 years without fading. But the most of the enjoyment comes from the creating!

As a retiree, I can take any pictures I want.

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How to Pose a Bride and Groom

2006-06-01T23:56:00.000-07:00

By Kenneth C. Hoffman

Of all the pictures taken at a wedding, the one most important is the portrait of the bride and groom. Some wedding couples depend on a relative or a friend to take a few good photos for their album and others reserve a professional photographer to do the honors. This article is for both the real and wanna-be photographers at the wedding.

A good time to photograph the bride and groom is after the ceremony and before the reception. Ideal is an open lawn away from any building. Other photogenic locations are at the edge of a treed area, under an arcade or
at home in the backyard. Important is to choose an evenly lit background: one that does not contain light and dark areas. Place the couple in the shade at least thirty feet away from any background objects with their faces toward the main source of light.

Turn the bride thirty degrees away from the camera and fluff the train behind her so that only half of the train is visible from the camera position. Never pull the train around to the front of the bride since this is most unnatural and would never occur in real life. Pose the groom slightly facing the bride and have him offer his arm for her to pass her through. Make sure her ring is visible. The groom’s outside hand can be in his pocket or touching the bride’s hand. The bride should shift most of her weight to the foot furthest from the camera and the groom should have his weight evenly distributed on slightly spread feet. Never let his hand drop straight down at his side. The bride may hold her bouquet in her outside hand at a level below her waist with some daylight or background showing between her elbow and her waist. An alternate place for the bouquet is on the ground next to the groom’s feet. Turn their faces toward the camera but not fully straight on, but at a slight angle toward each other. Their expressions should show their happiness, but not laughing.

Angles other than the view straight on without changing their positions often present another good composition for a portrait. Consider also a view from behind the couple, requesting them to turn their heads directly toward each other, giving the photographer a profile of their faces. A variety of shots are possible with this pose. A medium shot (at the knees) with their faces closer together and an even closer pose with the cheeks almost touching make wonderful portraits. Try having them look into each other’s eyes with his arms around her. Natural light from the side is the most beautiful source as long as the reflector of some sort balances the light. Watch your cropping in the viewfinder carefully and leave some space over their heads. Pay attention to the position of the feet (no soles showing) and be sure only the sides of the bride’s hands are presented to the camera. The groom’s coat collar should fit snug to the neck.

A beautiful portrait of the bride and groom can be their most treasured reminder of the most important day in their lives. You can make it happen.

Comments Welcome.

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Photography Tip- Business Practices for Photographers

2006-06-01T23:51:00.000-07:00

By Kenneth C. Hoffman

There must be as many business policies as there are photographers

in business. Through the years I have learned by my mistakes and
by observing other successful photography business. Here are some
policies that have added to the success of my business.

Concerning weddings, require the full payment for the basic package that
the bride and groom order. Extras must be paid at the time of the final
order. The argument that no goods are in the hands of the buyer must be
politely put aside.

If actual proofs are supplied for perusal, one successful photographer I
know actually supplies these proofs (over 300 3x5s) to the bride and groom
free of charge. The theory is (and it works) that more people over a longer period of time will see the pictures and place more orders. These proofs are too
small to use as gifts or for display and their gratitude for the free gift is
wonderful for word-of-mouth advertising. I suggest that the proofs be
heavily textured to prevent illegal digital scanning.

I believe that a full guarantee of customer satisfaction be a major policy of
the professional photographer. The consumer is entitled to be happy with
their purchase, even though some criterions are subjective and not the fault
of the photographer. No customer should be left with a bad taste in their
mouth when they leave the studio. You will reap the rewards in additional
referrals and increased orders.

Offer as many free retakes of sessions that have gone wrong for one reason
or another. I know that this policy represents additional costs to the studio
but the clients have no fault when the two year old won’t sit or grandmother
gets sick. Some clients might try to take advantage of this policy by trying
to get free sessions for individuals in a group picture, but the rules must be
stated clearly and posted in the studio for the customers to see.

Some photographers expand the price list lower and higher, quoting higher
and lower levels of quality. I know that the reason is to present more choices
in cost to the customer, but the down side is that the cheaper products will
not represent your best work and the customer may feel cheated. All your
work must be of the finest quality you can produce. Lower prices can only
reflect smaller sizes or fewer quantities.

Promise a realistic date for the work to be completed and make sure that the
work is ready on time. A variable date for completion only serves to undermine
the customer’s faith in your efficiency and good work habits. Reminder calls
are a good idea if the work is not picked up within a reasonable time period.

Assuage the customer’s important concerns and fears early on in your relationship.
Some clients are reluctant to bring up their fears and end up not booking if those
concerns are not addressed.

Never offer any extra pictures you have at no charge to the customer. For some
reason, this never works in favor of the photographer. Be meticulous in preparing
the exact sizes and amounts of their order. On the other hand, you may include a small
(non photographic) gift for their continued support of your services.

Generally, your prices should be commensurate with your major competition, using your
expertise and talent as the reason your customers are satisfied and return for more business.
Bi-annual reappraisal of your price list should be a regular habit. Everything goes up and
you should be no different. Photographers are a dime a dozen but good, successful
photographers are rare.

I was a portrait and wedding photographer for 40 years and enjoyed every minute.

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Planning Photo Day Trips

2006-06-01T23:43:00.000-07:00

By Kenneth C. Hoffman

How many of you budding photographers own an expensive SLR camera or the latest digital

camera with tripod and haven’t a clue how to get started using them? Raise your hand. Hmmmm. What you need is a whole day out in the field taking beautiful pictures for your album, contests, your scanner and your walls. Here are some ideas for photo opportunities you can count on to produce a high percentage of winners.

The New York skyline or any famous city within travel distance are sure fire people pleaser's when photographed in an unusual way. If you have access to a view of the city from a westerly point, try to arrive at the scenic point one hour before sunset. As long as the sun is out, the city buildings will be bathed in a warm light, while the clouds or sky will appear many shades bluer. This color contrast highlights the importance of the buildings and provides a visual interest not available at other time of the day. Place the horizon one third from the bottom of the picture for a ‘sweeping sky’ look. If possible, scout around for a tree or other over hanging structures for framing and foreground interest. A secondary center of interest in the mid-ground helps the feeling of depth. After the sun series, an hour wait for near dark presents another ‘magic’ time for an interesting shot. A clear dark sky will photograph royal blue when a short time exposure is used. The warm incandescent lights of the city are further enhanced by the comparison. A slow to medium speed ISO setting requires a shutter speed of two to three minutes at F5.6 or F8.

A visit to a local antique store is a gold mine of beautiful pictures. A kind word to the owner and a promise of a picture or two usually insures their cooperation. Set your camera on a tripod in order to take advantage of the natural light in the room An edge-darkening filter in front of the lens greatly improves the pictures. You can make your own by cutting a four by four inch piece of 2x neutral density plastic filter material. Cut a one inch by three-quarter inch oval hole in the middle. When placed in front of the lens, a natural fad-out is produced on the edges of the picture. Look for interesting subjects to photograph like a sleeping doll, light coming through colored bottles, antique items on a dresser top, an old rocking chair with the old owner int, or an antique hobby horse. Try to stay away from straight lines and very dark objects. Window light is best, so you may find it necessary to relocate the item of interest nearer to a window. The owner surely knows many interesting stories about their antiques. Altogether a fun day!

Another fun spot laden with picture possibilities is the local arboretum or formal gardens. Depending on the time of year, spectacular photos can be made from the many unusual plant life. You can photograph tiny blooms from one inch away, discover patterns in strange leaves or capture the mood of a forest with a creative filter on your lens.

At certain times of the year, you can find a lake or local body of water blanketed by a transparent layer of fog. I know it’s hard to get up before dawn, but for this field trip it will be necessary. Bring along waders if you have them or rent a row boat or canoe. Unless building are particularly photogenic, don’t use them in your composition. A horizon line one third from the top will place more importance on the water and fog. A super saturated film or setting on your digital camera will enhance the color of the scene. Strong foreground interest and small apertures with long exposures are important features of the day. A small stone thrown into the still water simulates a hungry fish and a few handy large leaves floating past can help capture interest.

If there are no overhanging branches at the chosen location, a cut branch held over the lens a few feet away can substitute. The best photographs in the scenario will be fore the sun comes up. If you can, include the rising sun in you composition for a different look. For variety, shoot a few super close-ups of flowers, insects or leaves. Since the sun will give you a false exposure, a meter reading of the darkest portion of the scene can be set manually for a proper exposure. Work fast sine one hour is the most time you can expect to have Bring along a fishing pole and enjoy the rest of the day. Happy shooting.

I used to photograph only people. Now I photograph everything.

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Albums - An Arranged Marriage

2006-06-01T23:40:00.000-07:00

By Kenneth C. Hoffman

We often put off finishing an album of photographs because of the daunting challenge it presents even to the creative mind.

It’s difficult to discard a not-so-good photograph even though an identical, but wonderful photograph exists right next to it. In order for an album to capture the attention of the viewer and hold it, it must be provocative, show variety, and progress in a timely fashion.

First, separate you photographs in piles representing events. Then choose one photograph with impact that also summarizes the main subject. For example, at you grandmother’s birthday party the presence of most of your immediate family afforded you the opportunity to take lots of pictures including all the action. The aforementioned cover shot would be a close up of Grandma and Grandpa in a hug opening her present.

Next, separate the main groups according to chronological order. Further divide these groups in a series of threes: one scene setting shot, one medium action shot and one close up. Of course, you have to work with what you have, so make the best of it. There will be many posed pictures of various family members, so in order to separate them, distribute the series of three at different points throughout the album. No chronological order is necessary since these photograph could have been taken at any time throughout the evening.

It is important to discard any pictures that an unflattering (unless comedic), especially ones in which the subject blinked. It serves no purpose to embarrass the subject, and only promises to disappoint. If there are two or more snaps of the same subject and you need only one, discard or store the extra images for safe keeping. If they are place in your story album, you risk boring the viewer to death with repetition. Save a particularly nice shot of the main subject (Grandma) for the last photo in the album for a warm, happy ending. I suspect this memory album will take its place as one of her most treasured possessions.

Retired portrait and wedding photographer. What do YOU think?

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Photography Tip- Dreamy Studio Backgrounds Made Easy

2006-06-01T23:37:00.000-07:00

By Kenneth C. Hoffman

So you’ve got your basement studio all set up with lights, camera, tripod and a plain white background. Great. Wouldn’t it be terrific if you could add one of those beautiful muslin backgrounds you see in the catalogs and used

by the big studios? Yeah, right. Seven hundred dollars for one. Here’s a method to make a background of your own design at a cost of under twenty dollars.

First decide how you would like your background to look. Find a greeting card or postcard you like. It could be a forest of trees with sunlight slanting to the ground, a quiet lake scene, pine trees under a new fall of snow, an old fashioned garden in France or even a picture of yours that you love.

Make a slide or viewgraph transparency of your selection and prepare the surface for the artwork. An old king-sized sheet will do very nicely or you can use the wall itself. If using the sheet, stretch it firmly on the wall and project the transparency on it. Make sure the projector is firmly supported and square to the wall. Mark the position with tape in case it moves. Using a charcoal stick, trace in all the edges of the picture on the wall. If a removeable background is desired, stretch a king size white or light gray or beige sheet on the wall. Make sure it is firmly attached since you w will be drawing on it later.

Buy a gallon of white ceiling paint (for its matte surface) and some tubes of color. Mix enough paint of the needed colors in a few plastic buckets. With a two inch brush, paint the picture on the wall, using the photograph as a guide. You don’t have to be an artist since the rendition should be loose and a water color like representation of the chosen subject. Avoid using black or very dark colors and tone down any brightly hued colors with white or gray paint. If the scene is to portray a high key effect, one further step is recommended. Mix some white paint with an equal amount of water and roll or brush on a semi transparent layer over the dry painting.

If a more classic look is wanted, you may skip the transparency and paint right on the sheet or wall. Start in the lower center with beige and light gray
and work your way toward the edges, mixing the colors on the wall using veridian/brown, alarizen red/brown and brown/dark blue. These colors are sure to compliment skin tones. Use a four inch brush with either a diagonal stroke for the whole background or a quarter moon shaped overlapping brush stroke. Work fast, using the darker colors toward the edges. One warning: never go back to correct an effect after the paint has partially dried. One advantage of the classic background is that the edges can be extended around the corners of the room, allowing larger subjects to be photographed. The character of your unusual and beautiful background will be limited only by your imagination.

My home made backgrounds were so much in demand, other studios paid me $400 to paint one on their studio wall.

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Setting Up Group Portraits

2006-06-01T23:32:00.000-07:00

By Kenneth C. Hoffman

“We don’t want any posed pictures” is a common admonishment from young people these days. What they mean is that they want to appear natural and relaxed in their portrait of the family. A certain amount of

posing is a necessary evil in order to accomplish what they want. Of course, it is up to the photographer to make this as painless as possible.

There are some general ‘rules’ of group portraiture that have been around since Rembrandt. Never line up the faces vertically or horizontally. The reason for this rule is that curves, triangles and diagonals create a more dynamic flow and are more pleasing to the eye.. Straight lines are static and tend to line up with the edges of the picture. Another rule is never to have faces look straight into the camera for if they do, unsymmetrical features are more easily apparent and the eyes take on a stare. Now, rules were meant to be broken, but first you have to know the rules.

While couples can be considered a group, I will start with a group of three. The easiest of numbers, three people make an automatic triangle. Heads can be placed in an uneven triangle, foundation side down. Spacing should be varied, but similar in distance. Other successful patterns are the inverted curve with the middle person highest, a diminishing, flatter curve with the smallest person nearest the camera, and a stacked triangle in a vertical format. Groups of three generally look more together when the outside persons face in to the center. Enough body should be included in the composition so an not to appear bodiless. A general rule is to leave twice as much space above the heads as below the feet or hands in the picture. Spacing between heads are measured from the center of the eyes, not the edge of the head. Please do not crop off at the wrists and ankles.

Hands play an important part in the language of the portrait. To look graceful and slender, hands should present their edges to the camera. Oppositely, to appear strong, the backs of hands should face the lens. Never allow the arms to hang down vertically, but find something for the hands to do so the arms are bent at the elbow. Arm rests, furniture and other people are handy tools for creating a dynamic angle for the arms.

Shoulders look best when placed at a slight angle to the camera. Views across the back play up the curve of the spine and the jut of the jaw instead of the breadth of the shoulders. Too much of an angle will make the near shoulder appear too large, due to foreshortening.

Groups of four present an interesting challenge. You don’t want to place one head in each corner, making a square. People are basically made up of curves, not straight lines and appear mechanical and lifeless in this configuration. So what can you do with four people? An inverted curve can be formed with the two highest people in the middle. Make sure one is higher than his neighbor. For a more compact composition, overlap the shoulders, fitting them together like a jigsaw puzzle. This places the heads closer together without dead, empty spaces in between shoulders. Remember to turn the outside faces toward the center for a cohesive look. Other shapes that fit the quad portrait are an off center vertical diamond or rhomboid, a staggered vertical or horizontal zigzag line and an inverted curve of three with the smallest below in the center. Be aware that vertical faces should never be in line.

Five is an interesting and easy number to pose. Spacing becomes more important, informing the viewer of the warm relationship between family members. Basically, the faces place themselves in two triangles, the lower middle person sharing the triangles. A vertical composition stretches the space vertically and compresses the spaces horizontally. Six faces can be grouped as two uneven triangles, one slightly higher than the other. The classic oil paintings of large groups of people contain masterful examples of group posing.

Environmental settings play an important part in the balance of a portrait, creating a foil of shapes against the more important faces. If there are masses of light areas, they must be balanced with the appropriate mass of darker areas elsewhere in the picture. The eye travels an omega curve, starting in the lower left corner and wandering through the centers of interest (faces) until exiting out the lower right corner. The centers of interest should fall along this comfortable line.

The skills of the photographer retain the interest of his subjects with a constant patter, all the while making decisions pertaining to height and placement of faces pertaining to the over all pattern. Time should be allotted to the straightening of clothing without seeming too fussy. All eyes should be in one direction, that is on the photographer for a cohesive look. An exposure where one person is looking at the camera lens can not be considered as a viable pose. Try to make the process fun so that your subjects appear relaxed and natural. To quote a famous philosopher, they’ll never look younger.

A retired portrait photographer would like your comments.

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Seven Ways to Increase Portrait Sales

2006-06-01T23:28:00.000-07:00

By Kenneth C. Hoffman

A good portrait photographer can do his or her best but still be plagued with no shows, minimum orders, and low profits. Here are seven tips to help you succeed.

A pre-session consultation is a good idea. It serves to answer any fears your clients may have about having their portrait taken. It also gives them an opportunity to get your opinion about what is best to wear. Tips on makeup and hair can be helpful. A brief description of their available wardrobe will give you an idea of what to suggest for the session. Of course, plaids and wild designs are to be avoided. Naturally, you must compliment them on their chosen outfit.

Secondly, confirm your appointments the day before. A gentle reminder while ‘touching base’ with your client is usually sufficient to ensure their arrival at the studio the next day. Any last minute changes in clothing can be discussed and a reminder that the parents may be included in some of the pictures of their children is wise. If something comes up that will prevent their making the appointment, it is best that you know ahead of time so that you can rearrange your schedule.

The samples on your studio walls should reflect the finest you can produce and instill in your clients a desire to own a similar portrait of themselves or of their family. Display only a variety of large sizes on your walls. A minimum size of sixteen by twenty and a maximum of thirty by forty inches will give the right impression. Eleven by fourteens and eight by tens look much too small on a wall. The profit margin is much greater in proportion to the increasing size of the portrait. A small area near the selling desk can be put aside for samples of these small sizes. I recommend that four by sixes be made unavailable and wallets not be displayed at all. Make sure that the eight by ten and five by seven samples are of a group portrait so that the head sizes are small in the photograph. The larger wall sizes look best when depicting five to seven people. Fewer heads will appear too large and more figures than seven in the sample portrait will seem lost and hard to see.

One key to larger orders is to present a variety of poses to the client. A normal set of head shots is not conducive to large orders. On the other hand, when each pose shows a different side of the sitter’s personality, the parent can not resist ordering at least one of the different poses. First, ensure the regular poses by photographing the sitter from different sides and using different expressions. Since ninety percent of pose decisions are made on facial expression, it is important to get all the different smiles and pleasant looks that you can. When you are satisfied with the head and shoulder portraits, design a seated pose for more interest. A book may be held or a favorite pet in their lap. These middle shots are a natural for larger portrait sizes. Teens and young children often can strike cute full length poses showing off their new Gap togs. Sport equipment, games or accessory clothing give hands something to do. A few super close ups in serious expressions will add spice to the poses and are great for wallet sales.

Word of mouth is traditionally the best form of advertising, but every avenue of spreading the word is to be taken advantage of. Wallet size photos with your name and telephone on the back make great reminders to future clients. It also makes it convenient for relatives to reorder additional and larger sizes. Most digital orders can be placed on the day of the session, but there are many interested family members at home who would order their own preferences if they could see all the poses. An inkjet printer can make a copy of the parent’s favorite poses in a few minutes for them to take home. The draft copy is fine for choosing their favorite expressions but too poor to be copied on a home scanner. I believe normal retouching should be included as a free service with the session fee but extensive time consuming retouching be charged by the hour.

The summer doldrums can be somewhat alleviated with a beautiful child contest. Other variations are the model search or a pet and child contest . A free session for each child is quite attractive to the parents. A requisite that the parents come in with the children ensures that you are afforded the opportunity to photograph the whole family. Grandchildren group portraits are popular as gifts, but are poor profit makers by themselves. You must insist that the studio be able to photograph each individual family while they are in the studio with the grandchildren. This may involve four or five families, so be sure to allot enough time to accommodate everyone. Since orders from this type of portrait session can run very high, it may be wise to waive the session fees for the individual families.

Finally, a word about break downs is in order. When photographing a family, you can suggest some fun pictures with different combinations of family members. Grandma would love to have a picture of herself with the grandchildren, Dad would be interested in a shot of he and his two boys. Mom and her little girl helper make a cherished portrait and a picture of just the two boys and a separate shot of the three girls is an irresistible photograph. Any resistance can usually be jollied along with a request for the Grandma to “Help me out a little”. A little coaxing and good natured joshing will get them over their shyness. Don’t forget to photograph the grandparents together and individually. These portraits may become very valuable in the future. The family pet make a wonderful action portrait with the family as well as with the children. Even a pet portrait can boost your orders.

Retired portrait photographer. Comments welcome, please.

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Photographing Flowers

2006-06-01T23:22:00.000-07:00

By Kenneth C. Hoffman

One of the easiest ways to end up with a frame worthy photograph is to photograph flowers. Their symmetry and beauty makes every close up photograph a joy to behold. Flowers and photographers are everywhere and since almost every digital camera has a macro lens setting, this photographic subject is often overdone and seems to present no challenge to the aspiring photographer.

Au contraire, I say. There is no limit to the level of composition and treatment you can give your flower pictures. You can go for a color scheme to match your current décor, you can choose a famous artist and emulate his style. Your creations may contain two, three, five or many blooms (try to stay away from the one big bloom in the middle). Attractive compositions can contain two flowers, one large, one small forming a diagonal. Three blooms create a triangle with one acting as the main subject and the other two as their counterparts. Racemes offer a built in curve and specie tulips are in a class of their own.

Photoshop and their like offer thousands of ways to improve your flower photographs. Unwanted items in the background can be cloned out, flower heads may look better moved over to a better location and additional blooms can be added to fill in an empty spot. Don’t neglect the edges, for special treatments like bevels, chalk borders and faded out vignettes can add interest to the piece. With digital photography there are no limits to attaining the image created in your mind.

In the field, special attention must be paid to the overall look of the picture. Try to decide what it is about a particular scene that grabs you fancy. Is it the unusual light descending on your subject, the quality and tone of a different looking background, or is it just the way your subjects relate to each other? Choose one quality and try to capture the peak of that essence in your digital camera. If you are successful in this respect at the expense of another facet of the picture, it can be fixed later on your computer.

Arboretums and botanical gardens are a bonanza of opportunities for the nature photographer. Even the pollinating insects can get into the act. The subject of flower photography may be the easiest to get started on, but can be the most rewarding for the creative artist.

Retired portrait and wedding photographer. Has had three art exhibitions.

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How to Choose Your Photo Paper Wisely

2006-06-01T14:18:00.000-07:00

By Ann Woods

Choosing the right paper for printing is one of the most important factors in producing great prints. Be it pictures or text, you usually just borrow what's in the copier. But the right paper makes an immense difference in print quality. To make the right choice, we must know the basics of selecting and printing on paper for general use and pictures.

• Paper Basics:
To choose the right paper for the required print keep in mind –the opacity, brightness, weight, caliper and finish. First, it is important to know what you are printing. Black and white documents are very different from full color photos. There are some multipurpose papers which are good for both. But if you want crisp, vibrant photos that will last a long time, then of course you need to use paper which is designed just for photos.

• Opacity:
This means how see-through is the paper? The more the opacity, less of the printed text will bleed through to the other side. This is especially important for double-sided prints. High opacity paper is considered good for documents such as brochures, newsletters and calendars. Photo papers have high opacity of about 94-97 usually.

• Weight:
Paper weight is expressed in pounds (lb.) or as grams per square meter (g/m2).This ranges from light weight newsprint to very heavy cardboard. Mostly quality business paper is 20 to 24 pound bond; the greeting card paper is heavier – usually in the range of 60 – 65 lb.

• Brightness:
Brightness basically means the amount of light reflected from the surface of the paper. Higher brightness will produce crisper text with better contrast and a brighter background for color and images. It is expressed in numbers 1 to 100. Photo papers have brightness number in high 90's. But then not all papers are labeled with their brightness rating. You will simply have to compare two or more papers side by side to compare their brightness.

• Caliper:
This is basically the thickness of the paper. Thickness affects its handling; whether the paper is stiffer and will resist creases and tears etc. Its unit of measure is 'mil'. Photo paper is usually 7 to 10 mils thick.

• Finish:
The finish of the paper can be matte glossy with lessening degrees of glossiness as semi-gloss, soft-gloss or satin-gloss. It is the coating on paper as glossy photo paper gives the printed photos the look and feel of photographs. Glossy papers take time in drying as the coating keeps the paper from readily absorbing the ink. However, quick dry gloss finishes are available nowadays. Mirror-like finish of high-gloss media is preferred for color photographs and smooth matte finishes for black and white photographs and business documents.

Paper has come a long way in the last decade. Choosing the right paper for printing is one of the most important decisions in creating great pictures. It is also important to know that the paper designed for your printer looks and performs better every time. The print depends upon what happens when the ink hits the paper. The wrong amount of ink can lead to jagged images that are too saturated or sometimes too light.

The synergy of ink, paper and printer is important so as to create color photos that are as bright as your memories. The latest coating technology prevents photo jams, curling and printed pages from sticking together.
Lastly, you know how sunlight damages a printed page. Special photo inks and special coating premium photo papers are available that resist the effects of indoor halogen and glowing light. You will be able to frame your photos and display them proudly as they will resist fading longer than most traditionally developed photographs.

Therefore, the right printer paper will not only give better results, it will also be more economical in the long run. There will be fewer paper jams and the output will look great every time.

Article Source: http://EzineArticles.com/?expert=Ann_Woods

Photography - Photographing Children

2006-06-01T14:12:00.000-07:00

By Michael Russell

Ever see the movie where the photographer is trying to take a family photo and the kid is doing everything he can, short of starting World War III, to keep that photo from being taken? Every tantrum in the world ever taken is captured in that one scene. Very funny, yes. But the truth is, photographing children is not an easy task for several reasons.

For starters, kids have a very short attention span. To get them to sit still for even a minute is like asking for a miracle. Fidgeting is like a way of life for kids. Bill Cosby used to have a blast doing comic bits about the brother and sister who couldn't stop touching each other and were always getting into some kind of trouble. Sit still? Not a chance.

Aside from that, children don't take direction very well even if they aren't restless. To say to a child, "turn your head slightly to the left" is like asking him to do advanced calculus. It isn't going to happen. Either the kid is going to move his head so little that it won't have made a difference or he'll turn his head half way around. "A little to the left" is a foreign concept to children.

So what is a photographer to do, especially if his assignment is to take photos of a church directory, or maybe of kids in school? Well, there are a few tricks he can use that will actually produce very good results. However, these tricks aren't going to work without one very key ingredient and this is the hardest thing to be able to do because you either have it or you don't.

The number one key to being able to photograph a child is to be able to relate to the child one on one. You have to have the kind of personality that either mesmerizes the child or at least makes him feel enough at ease with you that he or she can follow simple instructions. Unfortunately, some photographers have the personality of a fig leaf and there is just nothing you can do about it. These people probably shouldn't be photographing kids at all. But if you do have a bubbling personality, use it. Make the kid laugh and feel at home.

If, however, you're not exactly personality plus, there are some things you can do to get the kid's attention. One of the oldest and most effective tricks in the book is to bring along objects with you that the child can either play with or look at.

For example, if you want to get the child to tilt his head and look in a certain direction, the easiest way to do this is to hold up an object. It doesn't have to be anything fancy, but the more colorful the better. All you need to do is hold the object up in the direction you want the child to look. So let's say you want him to move his head slightly to his right. What you do is hold the object in your left hand and move it to your left to the point where you want the child to look. Then simply tell him to look at the object, using the object's name. So if you're holding up a small brown bear, tell the child to look at the brown bear. Also, smile when you do this. Eventually the child's head will be in the exact position where you want it so you can take the photo.

Another thing you can do, in the case of a child who won't sit still, is to give him something to play with. While he's looking at the object, simply call his name or do something to get his attention and as soon as he looks up you can take the photo. Yes, you have to be fast. But with a lot of practice you'll get real good at this.

Michael Russell

Your Independent guide to Photography

Article Source: http://EzineArticles.com/?expert=Michael_Russell

Photo Websites- Sell Photos Online For a Profit

2006-06-01T13:32:00.000-07:00

By Brandon Baumgarten

Would you like to sell photos online at your own gallery? Send people to your very own web address to purchase the photos you've taken of them. There's more than one way to go about it. Here we take a look at the benefits of building a photo website, using services designed for professional photographers.

Not long ago it would have been a major project starting your own photography business. My how things have changed. Today, the new online photo services let you up load all of your photos to your own gallery and set your own prices. Shoot whatever you want and send your customers to your beautiful online gallery, to purchase the shots.

It's the easy way to get your photos and video on line for family, friends and customers to view. They can click to order any size prints or a variety of gifts like coffee mugs, sweatshirts, holiday cards etc... and you make money on every sale you set your own prices. So now you just upload the pictures and Aunt Alice can order what she wants and stop bugging you for copies! Get carried away, upload UNLIMITED photos with a click, shoot a million pictures if you want, you can't out grow that! Your precious family heirlooms, safely stored in full resolution. Download them anytime you want, because it's a photo storage website too. Hey, backup is good right? Organizing photo albums could not be simpler with the easy to use tools these companies provide. As with everything each photo sharing website has its advantages, click on the link at the bottom of this ezinearticle to compare the different services.

One of the photo gallery website providers called Smugmug has teamed up with GoogleMaps to create SmugMaps, I would have named it smoogle maps, whatever you call it, it's so cool! Install GoogleEarth, then click on the green GoogleEarth botton. Then while your logged into your smugmug account click on the map, the photos you select are tagged to that spot and displayed for the world to see, promoting your art gallery. You can also SmugMap by typing in the street address or gps coordinates.

Are you an artist waiting to be discovered? Get your work out there today. Whether your shooting the local cheerleader squad or an expedition to Alaska. Selling your photos is now very easy to do. You don't really want to go thru the hassle of setting up a merchants account to charge peoples credit cards do you? Good because you don't have to! You don't really want to print, trim, pack, address, ship, and provide customer service on each order do you? Good because you don't have to. (if you answered yes, we have an opening for a lab tech) of course I'm just kidding, we don't have time for all that, were out shooting more pictures to sell!

That's right, now you actually have the time to go out and take lots and lots of pictures. Go crazy you can take a million photos if you want. There's no limit to number of photos that you can upload on some of the professional photo sharing web sites. Hey your goal oriented right? How long would it take you to shoot a million photos? Let's see, this should be easier than figuring out the Tootsie Pop thing. If you shoot everyday for 10 years you'd have to shoot 274 pictures per day, because I don't think you can take 2739 photos every day for a year!

Here are some suggestions on what to shoot:

1. TAKING PICTURES ON VACATION
a) Museums and Historical Landmarks
b) National Parks and Monuments
c) City Skylines and Architecture
d) Amusement Parks
e) Back Roads and Byways
f) Scenic Overlooks

2. SCHOOL SPORTING EVENTS- Especially regional and state tournaments or championships. They are a goldmine, parents love pictures of their superstars. If you take a photo of each kid and then a team group picture, many of the parents will buy a few. One for the house, one for grandma etc. When you add up all the kids from all the teams, you're looking at hundred's kids. The money starts adding up real quick.
a) Football Team Photo
b) Cheerleader Squad photo
c) Homecoming Activities
d) Regional & State Championships
e) Soccer, Wrestling, Swimming etc...
f) School Plays, Concerts and more
g) Little League Baseball
h) Soccer Teams
i) Basketball Teams

3. LOCAL EVENTS- Check the local paper and see what's happening in your area
a) Hot Air Balloon Races and Air Shows
b) Car Shows & Motorcycle Rally’s
c) Parades & Fireworks
d) County And State Fairs
e) Craft Shows
f) Trade shows
g) Concerts
h) Tail Gate Parties

4. BOY SCOUTS AND GIRL SCOUTS- Many kids don't play soccer or basketball, they enjoy scouting, and they buy lots of pictures of the kids during scouting activities. Just go around the event and shoot it up, try to get a nice posed photo of each scout, then a troop shot with the leaders. Make sure you get permission from the appropriate council.
a) Camp outs
b) Hikes
c) The Annual Jamboree
d) Pinewood derby
e) Fundraisers

5.PROPERTY- Real estate agents need quality photographs to promote their listed properties. Let your local agencies know your available on call and watch the cash start flowing in. Architects need photos of the properties they design for many reasons. Show me the money!
a) Real Estate Agencies
b) Commercial Properties
c) Architectural Photography
d) Builders and Contractors

6. RECREATIONAL ACTIVITIES- This is my favorite, I live up in the mountains and we have a lot of these type of adventures available close by. Folks on vacation sure like photos of themselves while participating in activities. If you have activities like these in your area, talk with a local outfitter, they are usually very receptive to the idea of photo souvenirs, because it promotes their service long after the adventure is over.
a) Whitewater River Rafting
b) Horseback Riding Outfitters
c) Ski Resorts
d) Snowmobile Trails
e) Golf Tournaments

7. INSURANCE COMPANIES- Most insurance companies require documentation to reimburse policy holders for a loss. A photographic inventory of all items covered by the policy is recommended by insurance adjusters, this is a huge market.
a) Residential
b) Commercial

8. FAMILY PORTRAITS- Many families have a portrait done annually. I like to photograph the family during fun time, rather than a studio. I like to have a good time with them. I always get better smiles and more interesting images on location. This year suggest doing the photo at an activity that the whole family enjoys participating in together "A family that plays together, stays together"
a) At home
b) In the studio
c) On location
d) Holiday Cards in October

9. SCHOOL ACTIVITIES- If I told you how much money you could make in one day photographing graduates, clubs, dances or homecoming activities, you wouldn't believe me. So I am going to let you find out for yourself. Then you email me and tell me and I will believe it! Photographing some of the school events like graduation and plays should be done at a dress rehearsal prior to the actual event. Always make prior arrangements with the school before you shoot.
a) Graduation
b) School Plays
c) Dances
d) Marching Band
e) Homecoming

10. STOCK PHOTOGRAPHY AGENCYS- there are many agencies that will purchase quality images to package and resell. Check stock photo agencies many of them accept freelance work.

Here's how it goes. Take the photo, give the client a card with your photo gallery web site address on it. Up load the pictures to your gallery. They go to your website and pick out the ones they want and order prints or coffee mugs, whatever they want. Then the photos are printed and shipped by the company that hosts your gallery. Then the company sends you a check. How much you make on each image is up to you. The Photo gallery hosting company charges you say, $1.99 for an 8"x 10" print. You set your retail prices at 24.99 for the print. You just made $23.00. The magic happens when you use the intrinsic artistic value, to increase the value of an otherwise inexpensive piece of paper. Most retailers wish they had a markup this good!

Once you get going, you will be lining up jobs at all sorts of events. Even taking photos while traveling and writing off your business expenses. If you really love photography you should consider your own gallery online.

When I got my gallery, I had so much fun thinking of creative titles for the galleries and getting all my pictures set up and organized. For instance, I have one gallery that is a tribute to trees. Everytime I see a beautiful tree, I capture a picture and display it in a gallery that I named Treebute.

Start your online photo website gallery today and start selling your photos online for a profit. Visit
DigitalPhotographyWebsite.com

I have been a professional photographer at several western ski resorts including Vail and Breckenridge. I started out at Grand Targhee Wyoming, where I landed my first professional photography job taking action photos of skiers on the slopes at Grand Targhee. I am currently a freelance photographer based out of Lake Tahoe, CA.

Article Source: http://EzineArticles.com/?expert=Brandon_Baumgarten

Optimize Your Photos for the Web

2006-05-30T21:11:00.000-07:00

By Kelly Paal

It doesn’t matter if your emailing photos of your grandson or putting images of your latest product on your online store. Too many people don’t consider optimizing their photos for the web. We’ve all been on too many web pages where it seemed that the photos would never load, and sometimes they didn’t. So here are some steps to make sure that your photos show up on your site.

1. Always have a back up original format copy of your image. Never alter the original. Believe me you will regret it.

2. Crop to size. Make sure that you crop out any extra information that isn’t needed. Remember the larger the photo the longer it takes to load or send.

3. Resize to reduce pixels. There should be an option to resize according to pixels. You’re going to want the largest size to be no more than 250 pixels or you can reduce the dpi to no more than 96.

4.Reduce the color palette. Many images have millions of colors so the first thing that you need to do is reduce the colors to 256. You will lose some depth with this.

5. Save the file in a standard format. JPEG is the most common for photos and you can compress the image with a JPEG for further reduction in file size. It’s not unusual to see GIF or PNG as well.

Remember that with a 56k connection a 150k file will take 20 seconds to load. If you’re creating a web page every photo that you add will add to the time it takes to download all of the images. If you keep the images small in size the smaller resolution will not be as obvious.

About The Author

Kelly Paal is a Freelance Nature and Landscape Photographer, exhibiting nationally and internationally. Recently she started her own business Kelly Paal Photography (www.kellypaalphotography.com). She has an educational background in photography, business, and commercial art. She enjoys applying graphic design and photography principles to her web design.

Article Source: http://EzineArticles.com/?expert=Kelly_Paal

How to win at Photography Competitions

2006-05-23T20:42:00.000-07:00

By David R Butcher

Shoot for the competition!

For other subjects for impact use colour, shapes or creative lighting, try unusual angles for shooting common subjects. You must find something that will make your image jump out from the crowd.

Good luck

Article Source: http://EzineArticles.com/?expert=David_R_Butcher

Photography School Reviews

2006-05-23T20:30:00.000-07:00

By Andy Holloway

"Any good photography is a successful synthesis of technique and art.” - Andreas Feininger

This article will attempt to help you come to a clearer understanding of the photography schools and colleges available, what they can offer you in terms of photo and arts education, and guide you towards investigating more about specific schools and where you can find out more information.

Photography SchoolsPhotography is a wonderful choice when it comes to a career. Photography is a versatile path that allows you to specify within the degree, and move from different types of photography within your lifetime. From magazine covers to exotic locations to local newspapers, a career in photography will allow you to pick and choose exactly what you want to photograph. However, a career in photography doesn't happen with well wishes and hopes...you have to work to get there! So where do you begin in your search for photography schools? Right here!

You'll have to learn about the photography business, learn how to deal with copyright issues and information, manage your photo porfolio and how to work with others in the field. There are many courses in the field of photography taught at many of the schools, teaching you in a variety of areas including:

* Photographic equipment

* Photographic processes

* Photograph techniques

* Color theory

* Special skills

* Digital imaging and photo processing

There are many many more fields available when it comes to your career path in photography, the above were simply some examples.

If you're passionate about photography and want to pursue this versatile career, it's important that you take the time to learn from experienced professionals that can guide you in your efforts to pursue professional photography, motion picture and video photography, visual journalism, and thinks like visual communications. What's great about attending photography schools nationwide is that you dont' have to begin an expert, you begin a beginner! Many of you are pursuing this field because you have a natural eye for photography, and that's great - but maybe you're just developing one. That's great too! What you probably didn't know is that photography school will teach you much more than simply how to snap a few brief pictures and dip em in developer. They teach you the scientific processes of film, chemistry, optics, color theory, lighting rations, and digital and computer skills.

You'll also find collegues and students at your school that share your passion, talents, and skill and want to join in mutual efforts to further your careers. Here are a few photography school frequently asked questions that might help you!

* What is the objective of many photography schools?

* What types of photography might I choose to go into?

* What type of school should I look for?

* What are some of the top schools in the US?

What is the objective of many photography schools?

The objective (or the objective I believe is crucial to selecting a school) of many is to develop photographers that are technically and professionally sound, enabling them to pursue any photographic field and compete in the job marketplace.

What types of photography might I choose to go into?

There are many different types of photography fields, including fasion photography, digital photography, advertising photography, editorial photography, documentary style, wedding photography, portrait photography, or photo technician style work. You'll be prepared to do any of these with a solid education at a photo college or school.

What type of school should I look for?

My recommendation is a school that teaches nothing but photography! Obviously affordability is important, but a photo only institute is a great way to go!

What are some of the top schools in the US?

There are several wonderful photography schools, but some of ones we'll choose to highlight are Brooks Institute of Photography and the Art Institute of Colorado. For a more detailed list of Photography schools and information, please click here or continue browsing this article.

Brooks is a world leader when it comes to visual arts and photographic education. You'll want to find a photography school that helps to meet career oriented needs that you establish before you search. You'll want one with experience in the field for a long period of time, not just a hokey internet college.

You want want that can offer you a chance to broaden your resume through internships and opportunities. The joy of this career is that you get to turn your photographic ambition into something that pays the bills and you love to do every single day! Who wouldn't want that! I hope this article has proved even a little helpful, and that you'll consider going into the wonderful field of photography!

Andy is the owner of YouSeekIt.com, an article resource site, and this article can also be found here =>Photography Schools

Article Source: http://EzineArticles.com/?expert=Andy_Holloway

The Seven Most Popular Wedding Shots

2006-05-17T23:56:00.000-07:00

By Kenneth C. Hoffman

If you plan on taking some pictures at a wedding, there are a few shots
That seem to end up in every album. If you capture all of these events,
you will be known as a great photographer.

Number one is the cutting of the cake picture. The usual sequence starts with a close up of the cake followed by both bride and groom looking down and cutting then looking up (this is the best shot). It ends with a ritual feeding each other and hopefully not a smash job. One full length shot is enough. The rest should be cut at the knees for a medium crop. The feeding can be closer.

Second is the first kiss after the ceremony. This event can come quickly so you’d better be positioned ahead of time with your finger on the button and the camera to your eye. You only get one chance. This picture is mostly symbolic so it doesn’t matter if you can’t see all of the faces.

Third most popular is the picture of the bride and groom getting in the limousine after the ceremony. Right after the throwing of the rice shot, you must race around to the street side of the car, open the door and be prepared to stop the bride from entering prematurely. You must get the bride and groom’s faces close to each other for a good shot. Take two to be sure.

Loved by brides, grooms and parents alike is the close up picture of the bride looking up into the groom’s eyes. Include the bouquet and show the rings in the shot. Make several variations: looking at the camera, touching heads, and looking out to the distance. Of course take some full length pictures, some with the flowers on the ground , the bride and groom hugging.

Fifth is the toast picture. It makes a great wallet and thank you card as well as ending up in every album. Because it is so popular, take one toasting each other and two looking at the camera. The same shot works well with the parents as well. If engraved, be sure the glasses are turned toward the camera.

Pictures in the house are kind of anticlimactic, but there is one shot that gets all the oohs and aahs. This one has the bride with her bouquet looking out of the living room window for the limousine to arrive. Usually no flash is needed, the light from the window supplying a perfect portrait quality. Her left hand can be parting the curtain and the right hand holds the bouquet. The lace always looks great.

Finally, the first dance picture showing happiness, togetherness and action at the same time. The ideal shot is full length taken as the bride and groom tilt toward the camera. The photographer is at a low angle and the bride and groom are cheek to cheek. Because the timing is so difficult, no one will mind if you take several tries for the perfect shot. Though these wedding shots are the most popular, the most important shots are the family picture and the portrait of the bride and groom.

Retired portrait and wedding photographer. Comments anyone?

Article Source: http://EzineArticles.com/?expert=Kenneth_C._Hoffman

How Much Money do Photographers Make?

2006-05-17T23:45:00.000-07:00

By John S

Interested in knowing the average salary of a photographer? Well the answer to such a questions is always a little more complex and therefore requires a little thought before a solid number is able to be given. First of all, it should be noted that there is a wide discrepancy between the earnings of photographers. Some make very little money, others spend more money than they make, while still others make decent livings, some of whom even make upwards of $100,000 a year. However, according to statistics the average photographer makes between $14,000 and $54,748 with the median falling somewhere in between those two numbers.

If you want to be a photographer who makes more money than average you’ll need to be very strategic with how you approach your career. Below are some tips to ensure that you earn as much as possible during your tenure as a photographer.

1) Get as much photography education is possible. This industry is very “status” oriented. The more education you get the better chance you have of finding someone will want to employ your services. Photographers with more photography and artistic education will earn more than those without.

2) Another equally important, if not more important element to a successful and profitable photography career is to shoot as many great shots as possible of high profile events or people. Being able to name drop, or event drop in this industry will ensure you can charge the best rates in the industry. Try your hardest to get a couple high profile people, places or things under your belt. To the average person or business your credibility will automatically shoot up. Imagine you’re looking to get some family portraits done and you have the option of choosing two different photographers. One of the photographers has photographed a couple of celebrities while the other hasn’t. You will probably be more likely to want the higher profile photographer. Buying photography is very emotional just like all other buying. While the photographer who photographs celebrities isn’t necessarily better than the other photographer, but the public will see it that way. Plus, when they tell their friends who their photographer is they will enjoy saying “they are the same photographer that photographed ____________ (insert high profile name or event here)”.

3) Get as much experience as possible and build a breathtaking portfolio. In this industry you can greatly improve your earning potential by having a strong eye for detail. Look at other photographers portfolios and incorporate all of the most eye catching elements into your own portfolio. Always present yourself in a professional manner and make sure you get to show people your work and talk about your accomplishments.

4) A photography career requires a wide degree of creativity. You’ll need to be able to change with the times and quickly change to meet someone else’s photographic expectations. Working as a photographer means you’ll be working in a very competitive environment. This is because many creative and entrepreneurial people feel passionate about this industry. You’ll need to ensure you separate yourself from the pact with your own unique style and good sense of creativity. Buy various style magazines and photography journals. Watch creative movies and learn as much about fashion as possible. The better your understanding of style the more employable you’ll be.

The above will hold true whether you are like half of the photographers out there today and self employed or if you are employed by a company or other institution. Being able to tell a story visually can be a very exciting thing. Now you just have to find a way to be able to do it and get paid for it!

Stare Photography School
http://www.starephotography.com

Article Source: http://EzineArticles.com/?expert=John_S

Rights of Publicity For All - Model Releases in Foreign Countries

2006-05-17T23:29:00.000-07:00

By Carolyn Wright

In general, you may photograph people when they are in public. The use of those photographs, however, can be restricted due to certain privacy rights. Privacy rights are recognized in most states, but are different for each one. Since it’s tricky to know what you can do, the safest approach to follow is the most restrictive one.

One right of privacy – also known as the right of publicity – is the commercial appropriation of someone’s name or likeness. It happens when the name or likeness of someone is used without consent to gain some commercial benefit, such as when a photograph of a person is used in an advertisement without the person’s permission. That is why model releases are so important. It is evidence that you have the person’s permission to use his image for certain purposes.

So what do you do when you travel to foreign countries to photograph the people there? Do you need a model release? What if the people don’t speak English?

Nevada Wier has published thousands of travel photographs from all over the world. Her advice in her book, Adventure Travel Photography, is:

"If you plan to use your photographs for publication or stock, I think it is wise to have signed model releases from any people you photograph in a foreign city, no matter what their nationality or what the shooting situation is. (Even though lawsuits aren't currently common in the rest of the world, this might change.) Translate your release forms into the language of the country you'll be traveling and photographing in. In more remote regions it is a bit trickier to get signed model releases, and not always appropriate. People may be suspicious, confused or frightened if they're asked to sign a piece of paper. Use your common sense."

I couldn’t have said it better.

Take my advice; get professional help.

Photo Attorney

--- ABOUT THE AUTHOR ---

Carolyn specializes in wildlife photography and her legal website is http://www.photoattorney.com

Article Source: http://EzineArticles.com/?expert=Carolyn_Wright

Better Late Than Never - Register Your Published Photographs

2006-05-17T23:19:00.000-07:00

By Carolyn Wright

There’s no doubt that it’s easier to register your photographs before you publish them. But if you didn't get it done then, it's better late than never to register your published images. The good news is that it’s more convenient and cheaper than ever to register your photographs after they have been published.

Pursuant to a recent change in copyright law, you now can register a group of published images on one form. The only requirements are that the photos must have been published in the same year, made by the same photographer and have the same copyright claimant. This should fit the profile of most photographers and their work.

Another beneficial change in the law is that group registration of published images currently requires only one “deposit” or copy of the image. Previously, you had to submit two of the actual published copies. Now you can register your published images on one form, with only one deposit, one application and one filing fee, as long as they meet the above requirements.

Specific instructions on how to prepare your registration forms for published photographs are available from the Picture Archive Council of America at http://www.pacaoffice.org/copyright.html in “The Importance of Copyright Registration”

You no longer have an excuse. Go to the dentist, change the oil in your car, and register your images, both unpublished and published. It’s better late than never.

Take my advice; get professional help.

PhotoAttorney

--- ABOUT THE AUTHOR ---

Carolyn specializes in wildlife photography and her legal website is http://www.photoattorney.com

Article Source: http://EzineArticles.com/?expert=Carolyn_Wright

Protecting and Prosecuting Your Images

2006-05-17T23:13:00.000-07:00

By Carolyn Wright

You’re sitting in your easy chair and surfing the web. You’re not paying much attention, until you see it. It’s your photo, but you did not post it there. You can’t believe they used your photo without your permission.

Do you care? Maybe your photo is being used by a family to decorate its news page. Maybe it’s being used to sell a product. Does that make a difference to you?

If the answer to both questions is no, then read no further. If the answer is yes to one or both, then pay attention.

Creating and Owning Your Copyright

A copyright is created at the moment the work is made into a fixed form. For photographers, it happens at the click of the shutter. The image then is protected by a copyright regardless of whether it is recorded on film or digitally. Copyrights give the owner the exclusive right to do, or to authorize others to do, specific things to the property. Specifically, the copyright owner has complete control to reproduce the image, to prepare derivative works based on the image, to distribute them by sale, rental or lending, and/or to display the image.

The photographer who clicks the shutter owns the copyright. The only exception to this rule is when you shoot the image in a work-for-hire condition. This relationship is created only in two situations: (1) when you are an employee hired to photograph for your employer, such as a photojournalist who is an employee of a newspaper; or (2) you are hired to photograph pursuant to a contract, and the contract specifically includes the provision that the copyrights to the images you shoot for the contractor belong to the contractor.

You own the copyright even if you don’t register it. Registration does not give you the copyright. The copyright is established when you take the photograph. Registration is only a legal formality that gives you certain additional rights.

You can only transfer your copyright in writing. Giving a slide to a publisher, giving digital files to a client or selling a print does not transfer the copyright. While these acts grant what is called “non-exclusive rights,” you still own the copyright to the image. The transfer must be specifically described in writing and it must be signed by the copyright owner.

Protecting Your Copyright

When you own a copyright, there are things you can do to protect your rights. The copyright notice – the “©” with a date and name of the copyright owner – is not required for protection, but it may help to guard your images. It may stop someone from copying your image, either because the person will be reminded that the image belongs to someone else or because your notice impairs the image for the person’s use. Also, it helps to include a copyright notice with your image because if it is stolen, the defendant is prevented from using the defense of innocent infringement.

Registering your copyright with the U.S. Copyright Office is required to file suit against an infringer. Registration provides other advantages, as well. These include: establishing a public record of the copyright; establishing evidence of copyright ownership if registered within five years of publication; providing for statutory damages and attorney’s fees if registered before or within three months of infringement; and preventing the importation of infringing copies. You have more rights if the image was registered prior to infringement; but register it anyway, even if it is after the violation.

To make the registration process easier, bulk register both your unpublished and published images (separate bulks; not together).

Prosecuting Your Copyright

When your image is used without your permission, your copyright is infringed. You have several options at this point.

You always have the option of doing nothing. You may not care that the non-profit wolf society is using one of your wolf images. You may only want the society to give you proper credit. If so, write the society a letter officially giving it the right to use the image (be sure to designate the parameters of that use), but insist that you get a photo credit with a copyright notice. Also ask the society to add your website name. You may get additional work from the society or others.

Thanks to the Digital Millennium Copyright Act enacted in 1998, you have another option when your copyright is infringed on the web. While the Internet Service Provider [“ISP”] is not liable for transmitting information that infringes a copyright, the ISP must remove the infringing materials from a user’s website after receiving proper notice of the violation. The notice must: be in writing, be signed by the copyright owner or the owner’s agent, identify the copyrighted work claimed to be infringed (or list of infringements from the same site) and identify the material that is infringing the work.

Additionally, the notice must include the complaining party’s contact information, a statement that the complaint is made in “good faith,” and a statement, under penalty of perjury, that the information contained in the notification is accurate and that the complainer has the right to proceed (because he is the copyright owner or agent). Because the notification requirements must be strictly followed, legal assistance can help to make the claim.

Your most aggressive option is to pursue your legal remedies by filing suit. Remember, your copyright must have been registered with the Copyright Office. To file suit, get an attorney to help you because the legal procedures are complicated.

Usually, your most profitable and easiest road is the middle one. Since you have your proof of registration, you need only to contact the infringer to put him on notice. If the infringer is a business-savvy person, he will know that he’s in trouble. If he doesn’t understand the trouble he’s in, he will as soon as he counsels with his attorney. He will want to avoid the legal fees that will be imposed both by his and your attorney. So make your demand for statutory damages by letter and you will get your just rewards much more quickly.

The weight of your demand letter is dramatically increased if it comes from an attorney. The infringer will recognize that you mean business and are prepared to go forward with suit if the infringer doesn’t respond appropriately.

It’s a Two-Step Process

Protecting and prosecuting your images go hand-in-hand. If you don’t protect them, you can’t prosecute them. If you don’t prosecute them, then infringers will continue to take advantage of artists, and soon you won’t be able to protect your images.

Take my advice; get professional help.

PhotoAttorney

--- ABOUT THE AUTHOR ---

Carolyn specializes in wildlife photography and her legal website is http://www.photoattorney.com

Article Source: http://EzineArticles.com/?expert=Carolyn_Wright

Don't Sit On Your Copyright Infringement Claim!

2006-05-17T23:10:00.000-07:00

By Carolyn Wright

When someone infringes your copyright, you have a limited time to make your claim. This is based on a legal principle called “statute of limitations.” Statutes of limitation, in general, are laws that prescribe the time limit to file lawsuits. The deadlines vary by the type of claim and maybe by the state where you live. The purpose of them is to reduce the unfairness of defending actions after a substantial period of time has elapsed. They allow people to go on with their lives, regardless of guilt, after a certain time.

Because copyrights are governed by federal law, there is only one statute of limitations for claims related to them. Copyright infringement claims have a three-year statute of limitations from the “last act” of the infringement. What constitutes the last act can vary. For example, if your image is published in a newspaper without your permission, you have three years from the date that the newspaper was distributed to file your claim in court. But if the infringement is continuing, such as when someone is using your image on the web without your consent, then the time to calculate the statute has not started to run. Instead, it would start when your photo is removed from the website. Determining when a statute has started to run can get a bit tricky. It sometimes starts when you have “constructive” notice of the infringement, even if you don’t have actual knowledge of it.

If someone uses your photo without your permission, you may seek legal remedy from that person within three years of the last act of infringement. So don’t sit on your claim once you have it. Note, however, to pursue any copyright infringement claims in court, you must first register your copyright with the U.S. Copyright Office.

Take my advice; get professional help.

PhotoAttorney

--- ABOUT THE AUTHOR ---

Carolyn specializes in wildlife photography and her legal website is http://www.photoattorney.com

Article Source: http://EzineArticles.com/?expert=Carolyn_Wright

Copyright Licensing Issues

2006-05-17T23:05:00.000-07:00

By Carolyn Wright

When you own a copyright to a photograph, you have complete and exclusive control of how it is reproduced, displayed and distributed. These rights may be assigned, sold, transferred or given away. If you decide to authorize others to use your copyright, also known as licensing, you may want to consider the following items:

a) Who are you giving the rights to?

b) What specific rights are you granting?

c) Are you authorizing print and/or electronic rights?

d) If you grant electronic rights, what kind? CD? Web?

e) For what time are you granting the rights?

f) Will the rights be exclusive?

g) How will the rights be used? What market or industry?

h) What territory is covered by the rights? North America? English-speaking countries? Worldwide?

i) Are there any work-for-hire implications?

j) How will you be paid? By a flat fee? By royalties?

k) If paid by royalties, how will the royalties be calculated?

l) When will you be paid?

m) Will you allow certain alterations of the work in the use?

n) Will you require certain items with the usage? Copyright notice? Photo credit?

o) Who is responsible for loss, damage or theft of the work?

p) Do you want samples of the use?

q) Specifically retain all other rights to your copyrights - you never know what future usage technology will bring.

r) Make the license subject to being paid in full.

While licensing rights like those referenced above can be done verbally, it is best to put them in writing. You will minimize confusion, and you will have something concrete to rely upon if a dispute arises. To be sure that every important aspect of licensing is addressed, ask an attorney who is familiar with these issues to review the license.

Take my advice; get professional help.
PhotoAttorney

--- ABOUT THE AUTHOR ---

Carolyn specializes in wildlife photography and her legal website is http://www.photoattorney.com

Article Source: http://EzineArticles.com/?expert=Carolyn_Wright

Joint Copyright Issues - When You Work With Someone Else

2006-05-17T23:02:00.000-07:00

>By Carolyn Wright

In general, when the shutter on a camera is tripped to make a photo, the photographer who pressed the button owns the copyright. But photographers often work with others when making their photographs, such as the art director, stylist, assistant or even the Photoshop editor. So does that person get to share with the photographer the copyright of the photograph? It depends.

Unless it is agreed to in writing, if the work done by the other person would not qualify on its own to be copyrightable -- such as when the art director has the “idea” to place the model on the hood of a red car -- then the copyright is not jointly held. Neither will a copyright for a photograph automatically be deemed shared even though the contributors intended to create a “unified” work. Note that these rules do not apply to the “work for hire” scenario or when you are transferring a copyright.

Instead, for a photograph’s copyright to be jointly held with someone other than the photographer, both the photographer and the contributors must have intended at the time the photograph was made to be joint authors. Specifically, the Copyright Act of 1976 states that a joint work is “a work prepared by two or more authors with the intention that their contributions be merged into inseparable or inter-dependent parts of a unitary whole.” This question is important because when you share the copyright of a photograph with others, you have to agree on how it is to be exploited or licensed, and you must share the profits.

Regardless of the law, though, a contributor to your photograph still may make a claim for joint copyright ownership of it. While you should be able to thwart those efforts, it can cost you time and money and create ill will. So be sure that any documentation that you are required to sign for a job clearly gives you sole ownership of the copyright. And when you hire assistants for your shoot or for Photoshop editing, put it in writing with your assistant that you retain sole ownership of the copyrights regardless of the work performed.

Take my advice; get professional help.
PhotoAttorney

--- ABOUT THE AUTHOR ---

Carolyn specializes in wildlife photography and her legal website is http://www.photoattorney.com

Article Source: http://EzineArticles.com/?expert=Carolyn_Wright

The Model Release Passes Muster

2006-05-17T22:52:00.000-07:00

By: Carolyn Wright

Photographers often follow certain legal practices to protect themselves,
but cannot be sure that they will work when challenged. One such
example is using a model release to obtain a model’s permission to use
photographs taken of him or her in specific ways. The good news is that
the standard model release was recently put to the test, and it passed
with flying colors.

In 2002, Russian tennis player, Anastasia Myskina, who then was 20
years old, posed for photographs by Mark Seliger. Seliger first
photographed Myskina for the Gentleman's Quarterly's 2002 "Sports"
issue and then photographed her topless. Myskina had signed a model
release that said she consented to the use of her name and the pictures
by the magazine and by "others it may authorize, for editorial purposes."

After winning the French Open in 2004, a Russian newspaper published
the topless photos. Myskina filed an $8 million lawsuit against the
publisher, Conde Nast Publications Inc., Gentleman's Quarterly and
Seliger alleging emotional distress and economic injury.

The New York judge who presided over the case held that Myskina's
rights were not violated despite her insistence that she did not
understand the signed model release and was not fluent in English at
the time. Instead, the Judge stated that, "absent allegations of fraud,
duress or some other wrongdoing, Myskina's claimed misunderstanding
of the release's terms does not excuse her from being bound on the
contract. Nor can she avoid her obligations under the release because
of her purported failure to read its contents."

Even though the photographer allegedly told Myskina that the topless
photos were for “himself,” the Judge found that the oral agreement
contradicted the plain language of the written agreement and was not
admissible. The Judge then dismissed the case.

As a photographer, it is important to protect yourself as much as
possible. Fortunately, the model release is one way that has been
proven to be effective.

Take my advice; get professional help.
PhotoAttorney

--- ABOUT THE AUTHOR ---

Carolyn E. Wright, Esq., has a unique legal practice aimed squarely at
the needs of photographers. A pro photographer herself, Carolyn has
the credentials and the experience to protect photographers. She’s
represented clients in multimillion dollar litigations, but also has the
desire to help new photographers just starting their careers. Carolyn
graduated from Emory University School of Law with a Juris Doctor, and
from Tennessee Tech Univ. with a Masters of Business Administration
degree and a Bachelor of Science degree in music.

She wrote the book on photography law. “88 Secrets to the Law for
Photographers," by Carolyn and well-known professional photographer,
Scott Bourne, is scheduled for fall 2005 release by Olympic Mountain
School Press. Carolyn also is a columnist for PhotoFocus Magazine.

Carolyn specializes in wildlife photography and her legal website is
http://www.photoattorney.com

Article Source: http://EzineArticles.com/?expert=Carolyn_Wright

Copyright Notice - Not Required But Helpful

2006-05-17T22:41:00.000-07:00

By Carolyn Wright

You’ll often see a copyright “notice” – the familiar © or the word
“copyright” with a date and name of the copyright owner - posted on
works of authorship. This copyright notice is no longer required for
copyright protection, but it may be a good idea to use it.

Copyright is a legal form of protection granted by the U.S. Constitution
for original works of authorship. Things such as books, plays, music,
photographs and even websites are protected by copyright law.

If you use the copyright notice, it may stop someone from stealing your
work, either because it reminds them that the work is protected or
because the notice interferes with their use of the work. Also, it helps to
post a copyright notice on your work because the infringer then can’t say
the use was innocent. You can even use the copyright notice without
registering your work with the U.S. Copyright Office, but there are many
other reasons why you should register your work.

If you have a website to show your photographs, it likewise is helpful to
post a copyright notice on your website’s pages. Again, there are no
specific requirements for the notice or no certain language is needed for
copyright protection for your photos on your website or even the website
itself. One caveat – the words “All Rights Reserved” are needed for
protection in places like South America, but it’s hard to prosecute your
images there anyway.

It’s odd that a company (whose owners are not lawyers) would “license”
copyright language for others to use on their websites for $9.95, when
nothing is required for protection. Put what you want on your website.
Put only the basic notice like this: Copyright 2005 Carolyn E. Wright All
Rights Reserved. Or, be more aggressive and use the language I use
on my photography websites:

- All photographs appearing on this site are the property of Carolyn
Wright Photography. They are protected by U.S. Copyright Laws, and
are not to be downloaded or reproduced in any way without the written
permission of Carolyn Wright Photography. Copyright 2005 Carolyn E.
Wright All Rights Reserved.

Feel free to copy and use that statement at no charge from me. Instead,
take the $9.95 that you would have spent on licensing copyright
language and put it towards registering your website and photographs.
You’ll be better off in the long run.

Take my advice; get professional help.

PhotoAttorney

--- ABOUT THE AUTHOR ---

Carolyn E. Wright, Esq., has a unique legal practice aimed squarely at
the needs of photographers. A pro photographer herself, Carolyn has
the credentials and the experience to protect photographers. She’s
represented clients in multimillion dollar litigations, but also has the
desire to help new photographers just starting their careers. Carolyn
graduated from Emory University School of Law with a Juris Doctor, and
from Tennessee Tech Univ. with a Masters of Business Administration
degree and a Bachelor of Science degree in music.

She wrote the book on photography law. “88 Secrets to the Law for
Photographers," by Carolyn and well-known professional photographer,
Scott Bourne, is scheduled for fall 2005 release by Olympic Mountain
School Press. Carolyn also is a columnist for PhotoFocus Magazine.

Carolyn specializes in wildlife photography and her legal website is
http://www.photoattorney.com

Article Source: http://EzineArticles.com/?expert=Carolyn_Wright

Shooting Stock: The Art of Stock Photography and how to Make Money with it Online

2006-05-15T22:38:00.000-07:00

By George Ryan

Stock photography in itself is not new, as so many photographers starting their careers believe, but online stock photo agencies certainly are. Stock agencies of yesteryear simply consisted of an image bank of hundreds of thousands of slides/negatives and prints, from which a buyer had to manually select his perfect image, the difference being almost the same as that of a conventional library of books as compared to an online one. The rules and methods of catering to a stock photo agency remain the same, as do the agreement terms ‘royalty paid’ and ‘royalty free’ , both of which will be discussed in more detail later in this article.

The business of buying and selling stock photographs online can certainly be a tricky one, as it is not always the ‘pretty picture’ that gets selected for a sale, as one learns with a bit of experience. Any beginning photographer learns from his ‘guru’ or from experience, to show the client the final image created for them , not the five or so he rejected before he was satisfied he’d captured the right effect, but this doesn’t apply to stock photography , as there is no one particular client in question. The saying goes "one man’s meat is another’s poison" and it is just as true that what one stock photography client wants will be nothing like what another is looking for, sometimes a photo YOU would have rejected is just the one someone else loves!

The beginner needs to understand the terms 'royalty free’ and ‘royalty paid’. Just as implies, the term ‘royalty paid’ means that whenever an image sells, the photographer gets a percentage. For example, if it is sold for the use of a book or magazine publishing, the photographer gets paid a ‘royalty’ every time a book is sold. On the other hand, the term ‘royalty free’ implies that the photographer has given total rights to the publisher, for the specified usage, and gets no commission on every sale of the publishing. It is wrong to generalise that one kind of agreement is ‘better’ than the other. A royalty paid agreement may or may NOT give long term returns, whereas a royalty free image will give a high initial income. There really is no rule of thumb about this , and it is only by experience and preference that you will find out what works for you.

As a side note, it's always a good idea to check the reputation of the publishing house when making a royalty paid agreement.

Now, some more on the nature of images suitable for stock photography. When shooting for stock sales, remember to get every possible angle and every possible lighting effect, all permutations and combinations. When offering a set of images, offer every one that you shot. Try and look from the publishers’ point of view, and understand that something as seemingly trivial as a pen or a glass of water may be required by an advertising company across the globe, who would really hate their time wasted on setting up a photoshoot specially for that. Also, remember that we live in a globalized world today, and the more diverse the people are in your photographs, the better the chances of one of them being sold.

Micro payment agencies have sprung up of late, which allow the buyer to download and use an image for several dollars, royalty free! Shocking as this may sound, photographers who market their work this way CAN make a steady income – where they lose on higher payments , they make up in number of sales. But some leading stock agencies refuse to market photographers who cater to micro payment agencies, and understandably so.

The beauty of mastering the shooting and sales of stock photography is, that they allows the photographer to live life more or less according to his or her terms, up to a point. Some pioneering stock photographers travel as they please, uploading their images to stock agencies, and getting paid online!

George Ryan works for HeyGeek! Inc, administrating and managing several websites including http://www.ebooks.cc and the wildly successful stock photo marketplace http://www.greatstockphoto.com, where photographers get $0.95 per download.

Article Source: http://EzineArticles.com/?expert=George_Ryan

Wedding Photography - Tips for a Wonderful Session

2006-05-15T22:22:00.000-07:00

By Juan Carlos Torres

Every couple wants wonderful photos of their wedding day that capture the celebration, details, romance and beauty.
Here are a few tips for a successful photo session:

1. Hire a professional qualified wedding photographer. Don't be tempted to hire "Uncle Harry" to do your wedding photos. Focus on quality wedding photography. At the end in won't matter how much you save or spend if you end up with bad photos or no photos at all.

2. Take the time to select the best wedding photographer that you can have. Make sure that you are in agreement regarding the style of photography.

3. Don't give your wedding photographer a long list of must have photos that you printed from the Internet. You will only hinder the photographer's creativity and the capture of true spontaneous photographs. Hire a photographer with a style that you like and then give him or her artistic freedom to capture your wedding day photography.

4. If you are going to have a ceremony outdoors please plan it away from the harsh sun. Shaded areas and afternoon sunlight are best.

5. Try to have an engagement session with the same photographer that will photograph your wedding. It will allow you to interact with the photographer before your wedding day and will help the photographer evaluate your best angles.

6. Plan enough time for your photographic session. Even if the wedding photographer is good he or she won't be able to give you wonderful photos in just five minutes.

7. Take your time to do your hair and make up and to take care of all the details so you look good and fresh. The wedding day is not the time to try new makeup or a new hair look. If possible hire a professional hair and makeup artist and have a trial session before the wedding.

8. Plan your photo session for afternoon or evening light unless it is an overcast day. The light will be better and you will end up with beautiful photos. Contrary to popular belief midday sunny time is the worst time to take photos.

9. Please don't forget to rest well the day before the wedding and eat and stay hydrated during the day. If you are tired, thirsty or hungry it will show up in your photos.

10. Don't make photography of groups the entire focus of your wedding day. A few group photos are ok to record the friends and relatives at the wedding. There is nothing more boring that a wedding album full of group photos.

11. Be yourself. The goal of the wedding photographer is to capture the true you. If the photos are nice but show a fake person you won't be happy.

12. Have fun and treat the photographer like a human being. Enjoy your day, smile a lot and relax.

Juan Carlos Torres is a very respected and awarded wedding photographer in Oregon. He has a Masters Degree in Remote Sensing with a strong background in digital image processing and photography. He is a member of the several professional photographer organizations including the Professional Photographers of America, the Professional Photographers of Oregon, the Wedding Photojournalist Association, and the Oregon Wedding Photo Guild. His wedding photographs are unique and very artistic and have been featured in national and international magazines. For a sample of his works please visit
Portland Oregon Wedding Photographer and
Eugene Oregon Wedding Photographer
For a discussion on wedding photography see our Blog at
Oregon Wedding Photographer

Article Source: http://EzineArticles.com/?expert=Juan_Carlos_Torres

Is Film Better than Digital for Weddings?

2006-05-15T22:17:00.000-07:00

By Juan Carlos Torres

As a professional wedding photographer I get this question asked more than anything else. Rarely will somebody ask me about my wedding photography education, awards, or professional memberships. I believe the root to this question lies on misinformation about the different qualities of film and digital.

Film

For a photographer with no computer experience or who does not want to spend the time correcting digital files film is the way to go. Film allows the photographer to photograph a wedding or event and at the end of the day be done with the process. When the time comes to print the photographs the photo lab will take care of color balance adjustments and retouching.
From a technical aspect film has a wider dynamic range than digital. This means than in high contrast scenes film has the edge. It can handle them better without blowing the highlights.

Digital

The greatest advantage for digital is the control of the photographic process in the hands of the artist. The photographer is not longer at the mercy of the lab to produce a photo that reflects his inspiration and vision.

Digital allows the photographer to shoot more frames without the expense of film and development, which can translate into a more complete coverage. After the event the photographer simply edits out the bad photos and you as the customer end up with the best selection of the day.
The digital medium is ideal for backup. Multiple copies of the event can simultaneously exist in different locations in the event of a catastrophe. With film there is always only one copy of the negatives, which could be duplicated, but the second copy suffers significant quality degradation.
With digital it is possible to produce different versions of the same photo including black and white, color, sepia, etc. through a very simple process.

Digital allows for a faster workflow. If your photographer offers digital gallery previews your photographs can be available in a matter of hours for viewing and ordering. In addition, slide shows and DVDs can be produced for the client.

Digital retouching in the hands of an expert can create amazing results.
Since there is no chemistry involved to develop digital the digital process is more environmentally friendly.

Resolution

In terms of resolution both film and digital can produce similar results. With the advent of 11 mega pixel and above digital cameras, digital has the edge for enlargements due to its lower noise levels and the lack of grain.
Many purist talk of the film look, which is basically film grain and noise that gives film its unique look. This film look can easily be simulated with digital image processing techniques.
Many people would be surprised to know that most photo labs will scan film prior to printing. In other words direct film to print is a myth. Digital photos when printed on true photo paper are virtually indistinguishable from their film counterparts.

What does the film vs. digital war means to the client? I believe that when selecting a wedding photographer the client has to focus on the end product more than anything else. At the end it doesn’t matter if the photographer uses film or digital. What really counts is the quality of the photographs that he or she will produce for your wedding day.
There are good and bad photographers using film or digital. Your task as a client is to weed out the bad ones and select a photographer that will capture beautiful memories of your wedding day.

Juan Carlos Torres is a very respected and awarded wedding photographer in Oregon. He has a Masters Degree in Remote Sensing with a strong background in digital image processing and photography. He is a member of the several professional photographer organizations including the Professional Photographers of America, the Professional Photographers of Oregon, the Wedding Photojournalist Association, and the Oregon Wedding Photo Guild. His wedding photographs are unique and very artistic and have been featured in national and international magazines. For a sample of his works please visit oregon
wedding photographer and
salem oregon wedding photographer

Article Source: http://EzineArticles.com/?expert=Juan_Carlos_Torres

Current Trends in Wedding Photography

2006-05-15T22:10:00.000-07:00

By Juan Carlos Torres

Wedding photography is an evolving field that requires artistic talent, vision, and highly technical expertise.

In the past wedding photography was almost always limited to stiff posses without much regard for the underlying story, emotion, romance, and behind the scene events of the wedding day.

Although there is still a big segment of the wedding industry that practices traditional photography with its preplanned poses, and recreation of the wedding peak events such as the kiss, the ring exchange, etc., the modern wedding couple demands a more contemporary approach to their wedding day.

Wedding photojournalism has been in vogue for the past decade. The central idea behind it has been the capture of the wedding events without any interference or direction from the wedding photographer. The photographer is there to capture the true essence of the wedding day. As a result of this realistic approach the photographs are a true representation of the wedding day. Hard core wedding journalistic will be totally opposed to posing any wedding related event. If it doesn’t not happen during the wedding it won’t be recorded. This includes family group photos.

Several photographers offer a hybrid approach to wedding photography, usually a combination of traditional and journalistic wedding photography. In this approach the photographer focuses on documenting the wedding day but the coverage also includes a session with the couple for formal posed or semi-posed photographs and also family group photos.

The latest trend in wedding photography is toward a more fashionable approach. Inspired on high-end fashion magazines such as Vogue, Elle, InStyle, Cosmopolitan, Glamour, GQ, American Photo, etc., and wedding magazines the photographer seeks to make the couple’s fantasies real.
In the fashion wedding photography approach the goal is to make the wedding couple look their best. Their romantic interplay is glamorized to its maximum expression. The everyday couple becomes like wedding celebrities. Attention to detail is required to achieve the perfect look. This approach requires a great deal of artistic talent behind the camera and also great computer image editing skill to produce a unique photo. Half the photo is made on the camera with the second half achieved though digital image editing and manipulation.

Which style is best, is for you to decide. In our experience a big segment of the wedding couples want to capture the reality, details and romance of the wedding day but at the same time they have fantasies about their wedding and the way they should look.

When making a decision for a wedding photographer look closely to the photographer’s portfolio and see how it agrees with your philosophy on how your wedding day should be photographed. Regardless of your philosophy please make sure that you select a master of the craft, you and the next generation deserve masterpiece memories of your wedding day.

Juan Carlos Torres is a very respected and awarded wedding photographer in Oregon. He has a Masters Degree in Remote Sensing with a strong background in digital image processing and photography. His wedding photographs are unique and very artistic and have been featured in national and international magazines. For a sample of his works please visit http://www.juancarlosphoto.com and http://www.willamettephoto.com

Article Source: http://EzineArticles.com/?expert=Juan_Carlos_Torres

Wedding Photography: How to Become a Successful Wedding Photographer

2006-05-15T22:00:00.000-07:00

By Juan Carlos Torres

Once in while I receive e-mails or phone calls from aspiring or beginner wedding photographers asking me for advise on how to become successful in the wedding field. My first question is always what their motivation is to become a wedding photographer. Some will reply that they heard from somebody that it is easy money, or that they got a cool camera that takes great photos or that they would like to make some money on the side etc.
While it is true that wedding photography can be a very profitable business achieving success in the wedding industry is not just a matter of getting a camera and start shooting. Wedding photography involves artistic talent, human sense, complete mastery of photographic techniques, business knowledge, and a strong desire to learn and deliver the best to the wedding couple.

Here I have summarized some points that I believe will guide beginner wedding photographers:

1. Learn photography before anything else. A wedding photographer is expected to be a master of the craft. You will be in charge of capturing people's most precious life moments. The wedding day is not the place to learn photography.

2. Just because you got a brand new camera it does not automatically make you an effective and reliable photographer. Photography goes beyond cool toys and gadgets. Learn composition and develop a unique artistic vision. Some of the great photographs of all time were taken with manual cameras.

3. Master the digital workflow, including color management, digital image processing, file management and image correction and enhancement.

4. Learn to love photography more than anything else. Don't come to the wedding photography field with just dreams of making money. It is true that there are many successful wedding photographers that make a lot of money. However according to the Professional Photographers of America the average photographer in America makes about $24,000 a year.

5. Focus on delivering quality more than quantity. Seek with all your heart to capture unique photographs.

6. Develop a style that is recognizable and unique. Don't try to be like somebody else. Clients look for unique photographers, with a unique vision.

7. Give wedding photography all your heart and effort. Long when you are gone your photographs will last forever. It is a great way to be remembered.

8. Open your heart and your mind and great photos will happen. Concentrate on the human aspect of weddings, the details, and emotions and be ready to capture them. Let the camera become an extension of you.

9. Share your technical knowledge and make connections with other wedding photographers.

10. Participate in wedding photography image competitions. It will give you the opportunity to have your work evaluated by peers and the motivation to improve your work quality.

11. Learn something new everyday. Take advantage of professional photography organizations such as Professional Photographers of America (PPA), WPPI, etc. Attend their seminars, workshops. Participate in Internet wedding photography forums and learn and share tips, tools and techniques.

12. Don't neglect the business aspect of wedding photography. Learn to manage your business effectively. Take business courses and seminars.

Juan Carlos Torres is a very respected and awarded wedding photographer in Oregon. He has a Masters Degree in Remote Sensing with a strong background in digital image processing and photography. He is a member of the several professional photographer organizations including the Professional Photographers of America, the Professional Photographers of Oregon, the Wedding Photojournalist Association,and the Oregon Wedding Photo Guild. His wedding photographs are unique and very artistic and have been featured in national and international magazines. For a sample of his works please visit Portland Oregon Wedding Photographer and Eugene Oregon Wedding Photographer

For a discussion on wedding photography see our Blog at Oregon Wedding Photographer

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Photography Insurance-Insurance for the Photographer

2006-05-13T20:47:00.000-07:00

By Roy Barker

Part and parcel of establishing your own photographic business is establishing your own legal entity. This means establishing yourself for taxes. This is broader than the scope of this article, because every country has it’s own business rules. Also every state in federal countries has different legal rules. The first thing you need to do is register your business according to your local rules, if you are unsure of this either take legal advice or go and see your local town hall and ask them about local legal requirements.

You then need to separate your private finances from your business finances. Even if you pay your bills with a credit card you should have a separate business card.

Once you have set up your business, then you have to ensure that that business is protected, and one of the ways you can do this is to insure yourself against risks to your business. Whilst you should be able to insure an overall business policy for your business you need to make sure that all the liabilities you face both fiscally and legally are covered. We live in a litigative society, and whilst insurance may seem an expense you can do without, it gives you peace of mind. You need to consider insurance for your errors, omissions and liabilities, as well as ensuring your equipment for loss or damage. You also need an insurance against a claim made as a result of an accident, occurring whilst you are conducting a photographic session.

All sorts of simple errors and omissions can occur between taking the photographs and giving the finished image to the customer. Film can get lost either through your fault or the processor’s. Images may be lost whilst shipping, or in the postal system. Images may also be lost by private carriers, paying a premium price for services may not be sufficient, do you know whether or not you are covered by their insurance, and if you are what is the limit? Whilst it is possible for images to be lost in Cyberspace you should be able to cover those eventualities yourself, by having back up systems. You may release the images to the incorrect party. As well as this there may be a human delay and you may find yourself in the wrong venue, with no time to correct this.

There are other errors that you can be held responsible for this; your customers may sustain a personal injury whilst they are in your home or studio. It is advisable to protect yourself with liability insurance. If someone trips or falls over a piece of equipment, you can be held responsible for the damage. One of your customers may even trip and sustain and injury outside your house on the steps, but if they are coming to your house for business purposes, the business is often deemed to be liable.

Depending on what type of work you are doing you may need an insurance policy for your models. Supposing you take a model to photograph to an outside location and she or he is struck by lightning, or a stray horse, etc? You will also have to ensure that all your equipment is also covered whilst you are on location, as well as inside your normal working area. If you work internationally on location, it is very important to ensure that everything is covered on an international basis.

When you protect your equipment make sure that remember to insure all of it. This does not include just your camera, lenses, and other obvious pieces, but your computer, fax machine, as well as all your software. If you use all your own dark room, then there is that equipment to insure as well. Even if you are using your house, your office equipment will not be included on a normal domestic policy.

As well as all these things you need to have a type of health insurance that covers you if you are sick, or cannot make an assignment. Also what happens when your car breaks down, and you miss a wedding? All sorts of events can and do occur.

It is also normal for any individuals to cover themselves for loss of income. You need to have an insurance policy for this, not just for your health expenses, but to ensure that over basic bills such as mortgages or repayments are covered.

If you have employees, then the business of insurance becomes more complicated, you need to ensure against their actions against your customer’s as well. Supposing they get caught up in a claim for sexual harassment, then you yourself are responsible. Each added little extra thing which you ensure yourself against will probably only add a few extra dollars to your annual bill, and the dollars spent may save a lot of heartache
later.

You can ask to extend your private insurance to include a business package, or there are several companies that ensure the professional photographer’s needs with a separate package of comprehensive insurance. It may also be necessary to extend your vehicle insurance for the transportation of equipment, or it may be cheaper to include such things as loss of equipment from an unattended vehicle on your business package. It is not advisable to assume that you are covered for liabilities on existing insurance policies; it is always safer to check.

Publisher & author: Roy Barker. Roy is the author of the popular ebook, Income from Photography - a downloadable ebook which guides the reader on how to start up and market a Profitable Photography business. It can be viewed at http://www.profitable-photography.com. Other related and reviewed services & research sources can be found at http://www.profitable-photography.com/html/117/ You can find more detail relating to this article at http://www.awin1.com/awclick.php?mid=255&id=55556 The information on this and adjoining pages may be reprinted and used on other sites providing all information remains unchanged and the article and all pages remain as they are found here in its current font size & image with all links in tact.

The information on this and adjoining pages may be reprinted and used on other sites providing all information remains in the article and all pages remain as they are found here in its current size & image with all links in tact.

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How to Easily Select the Important Photography Category for Your Home Based Business

2006-05-13T20:30:00.000-07:00

By Roy Barker

You may have already started to make money from your photography, but if you are still a gifted amateur, then there are effective methods you can use to kick start your chances of making a profit. At the present time there has never been more opportunities for the photographer. New technologies in the form of digital cameras are changing the face of the industry. However that has always been the case for photographers, and it is no reason to get discouraged.

It has never been easier for the amateurs to take their own photographs. However there are certain circumstances where it is harder than others. An example here is pet photography. There are plenty of people living alone, who have pets, and whilst they can photograph their pets it is far harder to get a photograph of them with their pets. Advertise locally to take pet photos, or take a walk in your nearest park and ask people. If you use a digital camera, you can advertise to people that not only can they have a copy of their pets, as a photograph, but they can have it on their desktop as wallpaper. Digital online printing services will also print the photo on postcards. Get some done and then post them to friends or relations overseas. mugs and serve them in your house to pet owners and see how long it is before someone else wants one.

There are other possibilities, with the tee shirts and mugs, some people will want their own photographs on a tee shirt with perhaps their own caption, advertise these services locally through the means of small ads.

Have some business cards printed, and go and cover local sporting events and contests, there is always someone without a camera, especially if they win, they will want a photograph. Or you may like to consider joining a local society, and advertising yourself as a photographer, there is nothing as effective as word of mouth advertising, all the money paid for advertisements cannot beat it!

Be aware of local activities that take place in your area that you can capitalise on. Graduations are an occasion when people wish to have a more formal record. The cost of graduating itself is so high that what is the cost of a formal portrait in comparison. Especially if you have a digital camera and have no film, you can almost use it in a speculative manner. In other words there are a lot of people together who constitute a market. If you photograph them all then the chances are that you will sell about 40% of your work. There is always someone who has a jammed camera, or in the wrong place, or even proud grandparents who do not possess a camera.

Not everyone lives down the Road from the Taj Mahal, or Gracelands, but many of you will live near a landmark that attracts photographers. Many people will have their cameras but they will not necessarily be digital. If you have a digital camera you should be able to show people a photograph they want in front of something. These photographs, though time consuming to start with, are a start on the photographic market ladder.

Join a photographic club, and talk to other photographers who are making money now. Not only will you make contacts, but you will have the opportunity to refine your techniques. Even in this digital age, it is vital that you keep abreast with technology, and you will be able to compare the value of equipment, that is being used now.

If you have a digital camera, take it in your local nightclub, there is always one in any time, which are new and trendy, take photographs of the range of cocktails on offer. Attractive looking drink will sell better with a photograph, see if you can sell the photographs, or better still negotiate a price for new printed menus. Speak with other local businessmen and see if they can improve their marketing techniques with the use of photographs. A second hand car dealer can increase his business potential with the use of photographs.

Remember when you are starting to make money from photography that you may feel as though you will attract more market share if you sell your work cheaply. Before you take this strategy though, think about some of the implications. It will have a short-term increase that is for sure, but in the long term how many businesses and families want to hire the cheapest photographer in town. People know that they rarely get good quality for super cheap prices and photos,...well, they're special items to most people. Don't be too expensive but don't be cheap either!

Your technical ability is sufficient to represent your client’s marketing in a visual statement, that requires more than point and shoot. Do not sell these skills short. You have to be aware of the hidden costs of doing business; all to often it is easy to absorb a little loss of profit, because it is only small. These costs can add up to a sizeable amount. Ask other local photographers price their market, this may seem a strange technique, but they have a vested interest in not letting a new comer under price their market.

Take into account your realistic overheads, that is the depreciation of your equipment, your insurances, legal fees, accountancy fees, repairs, travel time and costs, subscriptions, and possible rent, both of equipment and studio space. Educate your client explain to them what the higher technology costs, but also what it can offer them. All businesses have to be made more profitable, and it is difficult but not impossible to find a balance between the price you need to charge, and the price the customer will pay, the more the client understands new technology, the less likely they are to balk at paying for it. After all it is cheaper to ride a bike to work than invest in a new car, but who realistically wants to do it.

It is a good idea to sit down and write a business plan to define where you want to go and define your target audience. This is a good marketing strategy; it stops you wasting time effort and money, targeting areas that will provide you with little or no return.

Publisher & author: Roy Barker. A 40 page guide to many more important & exciting categories of potential photography businesses are revealed at http://photography-business.blogspot.com Roy is the author of the popular ebook, Income from Photography - a downloadable ebook which guides the reader on how to easily start up and market your profitable photography business. It can be found at http://www.profitable-photography.com

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How To Easily Start A Nature Photography Business From Home

2006-05-13T20:26:00.000-07:00

By Roy Barker

Nature photography is the photography of animals, birds, fish and other wildlife. We will be discussing marine photography in a future article, because it involves specialist, expensive equipment and assorted diving skills. Here are some important things that you'll need to know...

Nature photography offers special challenges to the photographer. Not least of which is the developing process of film itself. When single reflex print film is developed it goes through two processes, development and printing. The development produces a true color; however automatic printers do printing processes these days. In most cases these are set automatically to reproduce flesh tones, the color of skin. As a tonal color this is not very much represented in nature so that when your film is printed, the colours shown, are not necessarily the colors that were shot. This can be frustrating when you are trying to improve your technique. One way to see an instant improvement is to use slide film, this only goes through the first process of development, and the distortions that occur in printing are eliminated.

The medium to top of the range, digital cameras also improves tonal quality as well as having improved highlight and shadow features. The disadvantage to the use of SLR digital in nature photography is that the consumption of battery power is higher, and you may not be in a position to re charge them in remote places. Also the delicate sensors in digital cameras can be damaged when dust gets in the mirror chambers.

Another challenge for the nature photographer is to understand how a light meter works. Light meters reflect light off a surface, but they cannot measure tone, which is a shade of color. As it cannot register a shade of color. It makes a basic assumption that the surface measured will reflect 18% of the incident light, that means the amount of light falling on a subject. In practise that means that regardless of the color of the object it will provide a reading that assumes you want to produce a shade at 18% mid gray. If you then set your aperture opening at the suggested setting it will produce 18% of grey in the finished image. Unfortunately there is not that much grey in nature, but there is plenty of pure white, for example snow, and clouds.

Once you have obtained your light reading you have to manually adjust the aperture setting so that the final tonal colour will be white and not gray. To reproduce a pure white image you may have to open your f/stop settings by 2 full points. Conversely if you want to reproduce pure black then you have to close down the aperture, by 2 ½ to 3 f/stops. An f/stop is only a numerical number that represents how far the aperture is open.

In changing light conditions for both sand and snow, bracketing is a useful technique. It means that you take or three extra exposures at different settings, so that you can almost guarantee the “perfect” exposure. If you have determined the best exposure is to be taken at 1second at f/16, then to bracket using slide film, you would also shoot additional exposures at 1/2 f-stop settings above and below the "best" exposure setting. This means 1 second at an f-stop between f/16 and f/22; and 1 second at an f-stop between f/11 and f/16. This is 1/2 stop above and 1/2 stop below your meter reading.

For the beginner it is useful to record your exposure information in a notebook. It will help to better your techniques when the film is developed.

Record the f/stop, the shutter speed and whether the exposure was as a result of the light meter reading or whether it was adjusted for some other reason. You can also write this information directly on to your slide mounts, because you may think you will remember, but chances are you won’t! Whilst on the surface bracketing seems expensive, it does not have to done all the time, after a while you will have a feel for a how your own camera reacts, but it is a good technique to use when a shot is really important.

If you would like to explore exposure in an interactive way, this is a simcam simulator and you change your exposure and shoot and see instantly the effects.

All nature photography is improved by the use of slow film; never use more than ISO100, and ISO50 is better still. When you use slower film it increases the danger of camera shake. To minimise this a solid tripod is a good investment. Virtually everyone buys one that is too light at first. It may have to support the weight of your camera over rough terrain. Nature photographs are amongst the most saleable of pictures and the sharper they are the more saleable they become. A tripod helps here because it stabilizes the camera. Make sure that your tripod legs are independently adjustable to take full advantage of low shots. These low shots are used often in natural photography for instance in shooting flowers. A tripod is usually in two parts the head and legs, the head needs to be able to moved up and down as well as to tilt.

Every nature photographer initially balks at the tripod because it is heavy and unwieldy, but it is an essential piece of equipment that makes sure your images are razor sharp. The start up costs of being a nature photographer are high, you need good optical equipment and excellent tripod. Can you take good photographs without a tripod? O course you can, but are they marketable in a highly competitive field, can you make more money by investing in the best equipment money can buy.

The quality of the light is also crucial in nature photographyand it is always better early in the morning or late afternoon, or when the sky is slightly overcast. Harsh midday glare does no favors to the nature photographer as the resultant images lack depth.

There is also a specialist magazine available online for the nature photographer. Their resource links are excellent and they have free issues available for you to read.

Publisher & Author: Roy Barker. Roy specializes in profitable photography solutions for budding and keen photographers. A whole world awaits keen eyes, imagination and some get up and go. Find out you can easily expand your passion and skills in photography into a profitable career at http://www.profitable-photography-resources.com

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How to Use and Select Stock Photography Services

2006-05-13T20:13:00.000-07:00

By Roy Barker

There are two main types of photography to sell, that is assignment photography and Stock Photography. Assignment photography is taking photographs of a predetermined event, and stock Photography is taking photographs in the hope that you will be able to find a future buyer. Most professional photographers take both types, the weddings and portraits take care of immediate bills, as they command a higher price, because they are generally only of interest to a limited number of people. There are exceptions like being hired for a specific assignment to photograph an Olympic Event, and then being able to sell that photograph Internationally. In general, stock photographs command a lower price, but they are more saleable to a wider base.

Stock photographs’ are generally sold on the Internet through what is known as “Stock Libraries”. They generally all work on a very similar system, you take photographs and submit them to a stock library and they sell them to interested parties such as travel brochure companies, advertising agents, book publishers. This way of marketing photographs has distinct advantages, if you are a part time freelancer, or have just started your own business. Either way you are probably too busy making portfolios, and taking pictures to market them. Another factor, which makes this method of marketing advantageous, is that when you are starting you do not have the network of contacts to market your photographs. Added to that there are some people who won’t or can’t perfect their marketing skills.

A downside of this marketing method is that there is a little more to it than taking photographs and waiting for the Royalty cheques to come in. Most stock libraries, will want to re-caption your pictures to fit in with their image, this can be a time consuming process and it can take months to get them online. Like many aspects of selling it is a “numbers game”, the more photographs you have available to sell the more you are likely to sell. This is a fairly general aspect of marketing, but it is more specific in this instance, as prospective buyers may look at other images, if they like one particular one. Because of the time factor of getting your work to the buyers or the public, many stock libraries, have insisted on a minimum contract, which means that they typically ask to retain your work for a minimum of two years.

Some of the stock libraries are general and some are more specific. Marine Themes obviously specialise in underwater photography, and they scan and correct all their images before sale. They are then color corrected to ensure that any prints will be the best quality. All this takes time, to get the images actually for sale on the Internet. The benefit is that marine photography is highly specialised, and this process does increase your chances to merchandise your work.

In the past the market was limited to buyers who were sent colour brochures and made their selection from them, now the market is expanding, as many libraries have widened their sales base by allowing customer’s to make their purchases directly on line. This factor alone has increased the numbers game the more people who have access, the more who are likely to buy. Some stock libraries are general and some are highly specific such as South African images. Some cover specialist areas such as marine photography, or nature.

So how do you choose the stock library that will be the most beneficial to you? There are independent reports covering the various strengths and weaknesses. The annual Freelance Photographer's Market Handbook in the UK features a section on stock libraries and is an excellent reference guide. Some of the stock libraries have been established for ten years. They have hundreds of photographer’s and hundreds of thousands of images. As a result of this they may be reluctant to take on new clients. However if you have a large portfolio available immediately it may be worth trying one of the older companies. However you will be competing with established photographers who have built up a client base. Many of the new companies have less than a hundred photographers and you will start by being a bigger fish in a smaller pond.

At the end of the day, the choice has to be your personal decision, and there is nothing to stop you from registering with more than one library. Whilst the market is growing and will continue to grow to encompass on line sales, remember to consider that sales from a printed catalogue will be important for a while, and it may be advantageous for you to choose a library with a well referenced catalogue.

Every stock library has different terms and conditions. In general most give you a straight 50% of the earnings. However some do let the images go into the hands of “sub agents”, and they will expect an additional cut from any sales. Read your contract well before you sign and beware of copyright issues. Normally when the photograph is sold the buyer is issued with a license number, which only allows them to use the image the once. You minimise your royalties if you allow a buyer to pay once and then get multiple uses out of it.

All in all if you are prepared to look at your market strategy over a long period of time, stock libraries offer you an option. There are forums for professional photographers that do address the issue, and it may be worth you looking into othe peoples style and work. Here are some I recommend you look into and consider selling your stock through:- PhotoStockPlus and Photo.com

There are also available a huge number of royalty free sites. You may question why buyer’s would consider paying for an image whilst they can obtain other’s free? The answer here is that royalty free photographs don’t make them free, you do purchase them, but you have the rights to re-use the stock photos and CDs for as many different projects and clients as you wish without paying further licensing fees.

Publisher & Author: Roy Barker. Roy specializes in profitable photography solutions for passionate and keen photographers. A whole world awaits keen eyes, imagination and some get up and go. Find out how you can easily expand your passion and skills in photography into a profitable career at http://www.photo-photography-resource.com/

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How to Start a Fine Art Photography Business

2006-05-13T20:08:00.000-07:00

By Roy Barker

The definition of fine art, as defined by the Merriam-Webster dictionary, is “art concerned primarily with the creation of beautiful objects”. With such a “wide” definition of “beautiful objects”, the beauty is in the eyes of the photographer. Virtually anything can be fine art, a simple household item such as a fork, a nude body, travel, landscape, wildlife, a landscape. Not everyone will agree on what constitutes fine art, many years ago I was awed by the sight of the Sydney Opera House, and thought it was the most beautiful building In Australia. However I remember thinking that it perfectly complemented Australia, it would look pretty silly in the centre of Madrid. However if you don’t like the Sydney Opera House, then it does not matter how great the photo you are not going to like it. So whatever constitutes Fine Art photography is a pretty subjective decision.
School of Photography give you a good idea of what will constitute in their view Fine Art photography.

For many photographers this is an ideal line of work, because it allows you to represent a part of your personality, through your work. It is possible to make a political statement by being a fine arts photographer. A clear analogy here would be the emergence of the acceptance of the gay male in photography, over the last thirty years. In it’s wide ranging definition it is possible to be more creative, and in this creativity be more personal.

There are a lot of resources on the Web regarding fine art. One of the better ones concerning resources and links is http://art-support.com/links.htm There are excellent links to photographers’ web sites, as well as grants available to the photographer. Because the definition of Fine Art photography is so wide, it has perhaps a more specific marketing need. Fortunately there are more ways to market them than just stock photographic galleries It may be advantageous for you to think about engaging the services of a full time sales representative. A sales representative will work with clients in the advertisement industry, the travel industry, and also graphic design firms. The advantage of employing a sales rep is that it leaves you free to create without the hassle of “cold selling”. If you are not a natural salesperson, it may be better for you to consider someone else doing the selling. That person should also be able to evaluate the true value of your work, be experienced enough to know where to get the prices, as well as having a proven track record in negotiating the best prices.

There are other advantages as well. Companies using a wide and diverse range of photographs, such as advertisement agencies, will have more time for a sales rep, who has a large portfolio of work, from different clients, than from one single photographer. By the nature of their work sales reps are normally found in larger cities and towns, they will have a large client base of their own, and will probably promote your work in specialised areas, such as food photographer, or portrait photographer. So how does the relationship work? Normally the sales rep will already have their own business, and they will work for you on a commission only basis. You will pay them approximately 30 percent of the assignment fee, that is the net fee, not the final figure with expenses added on.

How to work out if this relationship will be advantageous to you, balances many factors. If you have developed a highly personalised style as a photographer, then you need to target specific areas to sell the photographs. Perhaps you do not live in a large city and have the right contacts. You have already made a portfolio of work that you would like to specialise in. It may not be cheaper for you to hire a rep, because you may still have to advertise locally to maintain your own business that you have developed, but you are paying a rep on extra sales that you did not have before. It will certainly increase the profitability of your business if you have no time to devote to increasing the number of your clients.
You have decided that this path is for you, - how do you go about it.
One idea is to investigate the names of the best advertisement agencies nearest to you, your local reference library can be of assistance here, as can yellow pages. You can phone them direct and ask them the names and the contact numbers of their reps. The Writer’s Digest publish an annual “Photographer’s Market Book”, this book now lists photographic reps, and it will also help you market your work with lists of fine art reps, as well as galleries and stock agencies.

However you choose to market your business, the essence of what you need to do is to widen your client base. There is certainly more work in the marketing of certain photographs. However in today’s market place communication is as much as an art as creating the photographs. Not only is it important that you keep abreast with market trends, but you have to be in constant communication with your clients. Certain photographers’ enjoy the “Cut and Thrust” of aggressive marketing. If you don’t, then consider paying someone else to do it for you. Never underestimate the power of marketing, it is a very potent tool to help get your work shown to the people who are most likely to purchase it.

Do you really know as a photographer what you have to sell and it’s value. As a freelancer you can learn a great deal from advertising clients, They determine a niche for the product and then work on it’s development to promote it. A product is always promoted with a very specific client in mind. You must know your strengths as well as your weaknesses. For instance if you have a passion for taking seascapes, then it is pointless to advertise yourself as a portrait photographer. You need to find a way of getting your unique photographs to where they are going to maximise your profit.

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Start Your Own Photography Business from Home

2006-05-13T20:01:00.000-07:00

By Roy Barker

Anyone with the right camera equipment, and the necessary skills can set up a home business, marketing photography. You need only to convert a room of your house into an office, and then you can work immediately.

With modern technology in the form of SLR digital cameras, you do not even need the room for a dark room. You need only to have a personal computer and a photo-editing program. The standard is Adobe Photoshop.

It is not necessary to clutter yourself with equipment you do not need. You can hire equipment on and when you need it basis. You have the freedom to work part time for a while until you can devote yourself full time to photography. All you need to be is a serious photographer. There are two types of photographers that makes their living from photography, the serious photographer and the very serious photographer. You can always bookmark this link and then you can quickly access just about all you'll ever need from here.

Whilst the technical skills needed to make a successful photographer have never been easier, other aspects have changed the business. The market for photographs of virtually every type has widened, the world seems to have an insatiable appetite for photographs. However the price has fallen as the marketing net has broadened. Photographers are needed in many more fields. For instance many people use car web sites, they simply did not exist ten years ago, and they sell their products as a result of photography. Cameras used by scuba diver’s are now an excellent quality, and whilst they are initially expensive, they have forged a new market. People celebrate special occasions more with photography, than they did years ago. The travel and advertising markets have a greater need for landscape, travel and nature shots.

It is now easier than ever to turn your dream into reality and create a worthwhile business out of an engrossing hobby. However in today’s modern world there is more to it than simply pointing a camera, and shooting a picture. You need to be aware of marketing techniques, and here marketing simply means transferring ownership of a product, in this case an image from a buyer to seller. You also need to be aware of any local gaps in the market in your local area. You should also try to be on top of your competitor’s prices, to undercut an existing photographer is one choice, but to neglect to value your skills and not charge enough to cover your overheads is another matter entirely. Remember this, its an important point.

Use your skills to the best advantage of the business and define what you want from it. Writing a business plan helps to keep you focused on the areas you specifically want to exploit. A business plan helps you to define your goals and strategies, it will be changed and updated, but it will help you, to keep things in perspective. You can then refer back to it when things become confusing or complicated. Everyone’s business plan will be different, as every objective will be different, but there are certain common factors that make up a good business plan which will help your business grow. It allows you to develop a professional attitude to your business, which not only helps you to increase your earnings, but also help you to finance your business.

For the photographer it should include, your business name, or your own, with full details of the proposed location of the business, a copy of your logo, as well as details of your copyright notices. What is the form of your proposed business (sole ownership, partnership, Limited Liability Company or Corporation). This should be followed by a table of contents, which focuses on a logical order. There are resources that will give you further details on such as profitable-photography.com

Included after this should be the type of business you intend to pursue, in a fair amount of detail, and it should contain the services you intend to offer. This section should include any future gaols or avenues you would like to explore, stating your clear objectives. This is so you can check at a later date whether your objectives are on course, or if you have got sidetracked.

If you envisage at any time you may need financial help, then you should include your personal business history.

You should also state a clear and concise marketing plan that should demonstrate how your business will differentiate from the businesses of your competitors. You should be able to establish whom your customers will be, as well as where your market will be, as in wholesale or retail or a combination of both. You should also be able to determine how long this type of market will be available to yourself.

The next section should clearly define your opposition, as well as their strengths and weaknesses. This should include the ways you may be able to exploit any gaps in the market in the specific area where you live. A section should follow this on how you intend to market and promote your individual services.

A financial segment should be included as to how you intend to manage the day-to-day bills of the business. How you intend to price your services, and what factors influence this pricing structure, which includes a section on your competitor’s financial structures. This means a fair amount of detective work as well as homework. Get your friends to ask from quotes from the local competition. Or try an even more direct approach, tell your competitor’s that you intend to start a new business, and that you do not want to undercut them, as this reduces the cake for everyone. They may well offer to help you construct a pricing structure that ensures everyone’s livelihood. It is in their interests to help. Not everyone will be cooperative, but it may mean you can get a truer picture of the market factors that govern your area.

Make a list of all the equipment you will need in your first year, as well as how and where you intend to purchase. Note any difficulties that may arise in obtaining your supplies. Note whether the prices of your supplies have a seasonal fluctuation, that may help you influence you when to buy. You should make a note of any local licenses that will be necessary, as well as any zoning restrictions, that may restrict the growth of your business. Your neighbours may not be thrilled at a procession of customer’s to your door, check whether they can restrict your services. Make a study of all your business insurance requirements.

The final segment should be devoted to how you intend to finance the growth of your business, as well as isolating what your financial needs will be. This should include a projection on your future earnings, as well as an accurate assessment of your outgoings’. This should be assessed on a monthly basis for the first year, and on an annual basis for the following three years. An important aspect of the financial statement is an assessment of the break-even point of your business, in other words the minimum you will have to take to pay your expenses.

The purpose of this documentation is to allow you to enunciate what the core elements of your business will be, in doing this it should help you to be able to quickly evaluate the success of your business objectives. If you are not clear on your objectives then you cannot possibly make a plan to bring about the success of those objectives.

Publisher & author: Roy Barker. Roy is the author of the popular ebook, Income from Photography - a downloadable ebook which guides the reader on how to start up and market a Profitable Photography business. It can be viewed at http://www.profitable-photography.com. Other related and reviewed services & research sources can be found at http://www.profitable-photography.com/html/117/ The information on this and adjoining pages may be reprinted and used on other sites providing all information remains unchanged and the article and all pages remain as they are found here in its current font size & image with all links in tact.

Publisher & Author: Roy Barker. Roy is the author of the popular ebook, Income from Photography - a downloadable ebook which guides the reader on how to start up and market a Profitable Photography business. It can be viewed at http://www.profitable-photography.com Other related and reviewed services & research sources can be found at http://profitable-photography-resources.com//

Article Source: http://EzineArticles.com/?expert=Roy_Barker

Digital Photography - Smart Tips for Recording and Preserving Family History for Generations to Come

2006-05-13T18:12:00.000-07:00

By Brandon Baumgarten

Recently my friends, parents home burned to the ground. As tragic as it was insurance covered almost everything. But there were some things that money just couldn't replace. Like the antique furniture passed down from family. Like an emerald ring from his great, great grandmother. And the photography, the beautiful glimpses of generations in action. Time capsules from the past, our family roots.

These are some of our most valuable possessions, if not the most valuable! My friends mom says what she really misses most is all the family photography they lost.

Let's rethink the way we go about our photography. Look at it from a new perspective, one that places the proper importance on these family treasures. There are many things that we can do to ensure quality images for generations to come.

First of all always use the highest quality setting your camera has to offer. The more megapixels you shoot with the better your photos will look when they are enlarged. Even if you like 8x10's today fine, in 211 years they may want to make a 20"x 24". Shooting at the highest resolution also allows greater flexibility editing your photos. You can crop and zoom more to compose a better picture without the image becoming to pixelated.

Use high quality long lasting photo paper and inks. When putting photos in albums, always use archival quality materials. Also display your photos under glass and out of the direct sun to protect them from fading.

You don't need a fancy camera to record your families heritage. Today there are several compact and ultra-compact point and shoot cameras available that approach the quality of the digital SLR.

These new little cameras From Casio, Nikon, Canon, Olympus and other companies sport from 7 to 9 mega pixels and fit perfectly in a purse or pocket. Many of the features are the same ones offered on their bigger models. If you have an older digicam replace it right away, with one that's at least 7 megapixels your ancestors will thank you and you will notice the difference too.

Back Up Your Photography. Set aside a saturday and scan every photo you own, even the ones on the wall. These images are what make a house your home. Pull out all your old negatives and get those in the computer immediately and preserve them. They are way too valuable to be deteriorating somewhere in the house. As you did with your framed family artwork carefully take apart your photo albums and scan those too. Next time you are visiting a relative, call ahead and ask if you can bring your photo scanner with and scan some family photos while you are there.

If anything were to happen to their photos, they would be able to replace their cherished memories with a simple call to you. Also give them a cd of the family photos that you scanned on saturday to hold as a backup for you just in case.

After you have your photo collection together, look for a photosharing website such as smugmug that lets you upload every photo you own, no limit. Once you've uploaded to your own private gallery at your own web address on the internet (Ex. johnstonphotos.smugmug.com), family members can order copies online anytime and any size they want. You can even order a burned cd of all of your photos and have it delivered. Having your family pictures in a few locations is very smart.

Use either link below to compare several different online photo sharing providers. Some are free like Kodak EasyShare and some are not, they all have different features to compare.

Take your camera with you everywhere you go. Bring it out and use it. Take it to the kids sporting and scouting events and capture them participating in activities. The only thing more tragic than losing a photo you love, is missing the shot to begin with. It's not like you have to pay for film and developing anymore. Shoot it up!

Read books to learn more about photography, a few tips here and there will really improve your photos, which will be enjoyed for generations to come.

Have your families photo taken professionally on a regular basis. Every photographer has their own style including you. It's always good to sprinkle another artists interpretation of the family into your photo collection. It makes it richer and more interesting.

Get one of the new photo viewers, like the Archos AV500 with a 100 GB hard drive. Store all your family photos on it and when you visit family, they can look at your photos on the built in screen or hook it up to the TV, for a show everyone can enjoy. Then exchange photo files. Upload your files to their computer and download their images to the Archos.

A photo from the photographer at the scenic overlook in Vail Colorado, of your family skiing together, is $35.00. The same photo, 20 years from now, framed on your wall, is worth more than money! In the long run, the investment in professional photography services is worth it.

Instead of washing the car on saturday, take control of your photos. It's really much more important. Our photos are our most valuable family heirlooms. Great photography enhances your family's legacy.

Visit KISSERreviews.info to compare several online photo sharing plans, and multimedia photo viewers. Read our review of the 5 best digital cameras over 7 megapixels. Read actual customer reviews or find accessories. You will also find KISSER reviews for digital cameras and inkjet Printers.

For helpful information about, How to Become a Freelance Photographer, visit our unique Freelance Photographer Jobs website at: DigitalPhotographyWebsite.com for There's a lot of free photography tips, tutorials and travel information there along with more great ideas. I have been a professional photographer at many western ski resorts. Starting out in Wyoming. Where I landed my first professional photography job, taking action photos of skiers on the slopes at Grand Targhee. I am currently a freelance photographer in Lake Tahoe, California.

Article Source: http://EzineArticles.com/?expert=Brandon_Baumgarten

Picture Viewers- 10 Multimedia Players and Portable Media Centers Reviewed

2006-05-13T17:45:00.000-07:00

By Brandon Baumgarten

Recently a friend of mine was planning a Photo Eurail Adventure. He said he was going to buy 4 or 5 more Compact Flash Cards, so that he would have enough room for all of his photos. "Eben," I said, "get a Multimedia Storage DVR. When you fill up a card just transfer your images to it." Then we really started to think of the possibilities. "You can even bring your entire photo collection with you on the trip to Europe. You may as well show off your artwork, instead of just talking about it. Put your Tunes, Movies and Lake Tahoe skiing videos on it." It was the perfect solution. He was flying back home before the trip, he could show everyone all of his photography and bring all of his music with him.

You have spent years collecting music, movies, TV shows and Photos. Get it together with a PMD Personal . With up to 100Gb memory, these cool players allow you to transfer pretty much all your photos and entertainment and take it everywhere you go. There are a dozen of them out now, all by different companies, each one using different formats with different features which ones best for you? How many giga bytes should you buy? We compare 10 excellent image viewers to help you decide.

Keep It Short and Sweet Equipment Review.
1. Archos AV700 100GB and AV700 40 GB Mobile Digital Video Recorder

The AV700 with its amazing 7” LCD and 480x234 pixel screen is your media companion. It lets you store up to 400 hours of video, 250 movies, 55,000 songs or 1,000,000 photos. A 100GB capacity in an 8-inch machine is huge! You can record and play 1000's of TV shows and movies. The AV700 lets you get video and music content from Microsoft PlaysForSure web sites. Now you can take all your entertainment with you everywhere you go. Using the Archos AV700 rechargeable battery, you'll get up to 30 hours of life for music and up to 4 hours for video playback. Transfer via a USB 2.0 connection. Then organize your photos and watch slide shows on the unit's screen or any TV. Weight 210 oz, Dimensions: 4.2”x8.2”x0.8”

2. Archos AV500 100GB and AV500 30 GB Multimedia Player DVR

The AV 500 has a 4”, 480x272 pixel screen. You can store up to 130 hours of home videos, up to 85 movies, up to 15,000 songs or up to 300,000 photos on the 30 GB capacity. Up to one million photos with the 100GB AV500. It's the perfect digital photo companion. USB 2.0 high-speed data transfers. Download pictures from your computer. Organize photos and show them in slide shows, record TV programs, movies and home videos directly from your TV, VCR, DVD, cable and watch on the go! Schedule programs up to month in advance. The AV 500 features a music player and stereo speakers. Easily organize songs and customize your music. Archos AV500 Multimedia Player also records in WAV (PCM or ADPCM) and from analog stereo sources. A stereo microphone to record notes or a concert. It even comes with a nice case! Weight: 11.11oz, Dimensions 7.6”x12.4”x2.4”

3. Epson P-4000 80 GB and P-2000 40 GB Multimedia Storage Viewers

The Epson Viewers have a 3.8” LCD with 640x480 pixels. View, store, and playback photos, music, and videos. Plus listen to MP3 and AAC audio files. The Epson's include rechargeable lithium-ion batteries. Downloading memory cards to the P-2000 is quick and simple. Images are presented in groups of 12, you select a photograph then you can zoom in and move around to check the images details. When you click the display button, it gives you image information including the file size, and other important image information. Once you have viewed and edited your shots you can store the file on the Epson P-4000 80 GB, P-2000 40 GB hard drive. The Epson Storage Viewer has a video interface for connecting to a television, monitor, or projector. The photo viewer has direct printing to some Epson printers without a computer (Epson Stylus Photo R300, R320, R600, and PictureMate). Weight: 1lb, Dimensions: 5.8”x3.3”x1.2”

4. Samsung Yepp YH-999 20 GB Portable Media Center
The Yepp has a 3.5” LCD screen and at less than an inch thick is a Windows based portable multimedia device that makes it easy to store and your valuable photos and play up to 5000 songs, 80 hr. of TV and movies, Movie/Music/Picture Formats: MP3, WMA, WMV and JPEG. Features a USB 2.0 interface. For fast transfers. With the Yepp you can enjoy and share your favorite entertainment with family and friends. It's simple to sync your music, video and pictures together, Hooks up to a TV or stereo. Yepp it's got a rechargeable battery. (I couldn't help it) and even displays album art for your albums. This is a very well designed multimedia device but it's not mac compatible. Weight: 8oz, Dimensions 3.82”x4.21”x.83”

4. SmartDisk FlashTrax XT 80 GB and XT40GB Digital Multimedia Player

The FlashTrax has a flip up 3.6" color LCD screen. Transfer, store and share digital images with the ability to zoom and pan. A slide show feature previews photos and allows you to add background music. Thousands of high resolution images fit into this portable multimedia player. It also records and plays movies and TV. Connect FlashTrax XT to a TV or video projector for large screen viewing with family and friends. The FlashTrax XT , watch movies and videos at your desk, in your car or on a plane anywhere. A Compact Flash reader slot is built in and with an adapter the FlashTrax XT transfers images from all popular flash memory cards. Connect FlashTrax XT to your TV and show your photography to family and friends! Weight: 15oz, Dimensions: 3.82”x6.22”x1.38”

6. iRiver PMP-140 40 GB Portable Media Player

The PMP-140 with it's 3.5” LCD screen lets you take your audio and video media files with you on all your adventures. With an incredible 40 GB of storage is not just for digital photos, it plays full-color, full-motion video, too. The unit has a big 3.5-inch TFT LCD and an audio input so you can load audio from other devices, without a computer. The iRiver PMP-140 doubles as a voice recorder, with its built in mic. Transfer media files to the PMP-140, Via USB 2.0. You can store up to 160 hours of video or up to 1,200 hours of music. The iRiver PMP-140 supports formats MP3 and WMA to WMV and DivX (AVI) video and BMP/JPEG image files. Weight: 2.6lbs, Dimensions: 8.1”x7.5”x3.9”

7. Creative Zen Vision 30 GB Multimedia Player

The exceptional Vision 30 has a 3.7" SharpPix 640x480 pixel high resolution 262,144 color screen with transflective technology that lets you see the screen, even in bright sunlight! It's great to bring all your photos and entertainment with you every where you go. Tens of thousands of photos, up to 120 hours of videos, or 15,000 songs. The Zen Vision is not only lightweight and slim, beneath its classy magnesium casing are features that will fulfill all your digital entertainment needs. Store your whole music collection on this player. Listen to over 1000 hours of music, It's an MP3 player for up to 15,000 songs. Even share your favorite songs with your friends through the built in speaker. A must for all amateur and professional digital photographers. Weight: 8.2oz, Dimensions: 4.88”x2.91”x0.79”

8. The Nikon MSV-01 CoolWalker 30 GB Digital Storage Photo Viewer

The MSV-01's 2.5” LCD is 490x240 pixels. It's packed with features yet easy to carry and simple to use. View your digital photos anywhere. Connect CoolWalker to a TV and impress family & friends with your photos on the big screen. It lets you upload data via USB 2.0 and the Nikon MSV-01 is equipped with a data card slot. Plenty of storage space. Store up to 10,000 digital photos. Calculated for 6 mega pixel images stored in JPEG FINE format. Direct printing without the need for a PC is made possible through support of PictBridge. Weight: 12.3oz, Dimensions: 3.2”x5.1”x1.4”

9. JOBO Giga Vu Pro 60 GB and Jobo Giga Vu Pro 40 GB Personal Media Device

The new JOBO Giga Vu Pro Personal Media Device has an adjustable brightness 3.8" LCD monitor with 320x240 pixels, a touch screen for keyboard entry. WiFi enabled. With an optional Compact Flash WiFi card, the unit can become a node on a wireless network allowing sharing of files with other users. Download your priceless photos in JPEG and RAW file formats. Real Raw Decoding allows the unit to decode RAW formats from Canon, Nikon, and Kodak Pro. Virtually all other RAW formats can be viewed. View 12 thumbnail images per page and a slide show mode (JPEG only). Zoom 1,2,3 or 400% for JPEG and RAW formats. Rename albums, add comments and add keywords to images. You have full control with the JOBO Giga Vu Pro. Play, stop and pause MP3 files. Headphone audio line out. Built in speaker w/volume control. USB 2.0 high speed transfers and Rechargeable Li-Ion battery. Weight: 14.82oz, Dimensions: 5.7”x4.2”x1.5”

10. Apple iPod Photo 60 GB, iPod Photo 30 GB with Video Playback.

The Apple iPod With it's 2.5” wide screen display holds as many as 15,000 photos. This skinny little mobile media center fits in your shirt pocket with room to spare. You can create your own movies or purchase music videos, Pixar short films, or select TV episodes via iTunes 6. Catch up on your reading with audio books. Create photo slideshows, complete with music. Watch video podcasts, It has a calendar and address book. It's worth noting that most of the accessories. Get up to 20 hours of battery life. Plus, a bigger display and a new color, black. Weight: 5.5oz, Dimensions: 4.1”x2.4”x0.55”

There's not much point in listing prices here, you know how quickly they drop on electronics products. Visit KISSERreviews.info to compare prices, read actual customer reviews, see product photos find accessories. You will find reviews for the Apple iPod Photo, Archos AV700, Archos AV500, Epson P-2000 and P-4000, Samsung Yepp YH-999, SmartDisk FlashTrax, iRiver PMP-140, Creative Zen, and the Nikon MSV-01 CoolWalker. Also for Nikon and Canon Cameras.

Visit DigitalPhotographyWebsite.com for great ideas. There are a lot of free photography tips, tutorials and travel information there.

I have been a professional photographer at western ski resorts. Starting out in Wyoming. Where I landed my first professional photography job, taking action photos of skiers on the slopes at Grand Targhee. I am a freelance photographer based out of Lake Tahoe, CA.

Article Source: http://EzineArticles.com/?expert=Brandon_Baumgarten